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Magazine ExpoFlamenco
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  • Magazine
    • International
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    • Opinion
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      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
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      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    Presentation of the Andalusia cycle.FlamencoCentral Theatre, Seville. Photo: Ministry of Culture, Regional Government of Andalusia

    Andalusia.Flamenco It brings together emerging figures and talents in the arts jondo

    Presentation of the Sevilla Flamenca Circuit 2026. Photo: Prodetur

    The Sevilla Flamenca circuit brings art back to the stage. jondo at peñas

    'Babel (Work in progress)', by Compañía David Coria. XXX Jerez Festival. Blas Infante Social Center. March 2, 2026. Photo: @Festival de Jerez - Rina Srabonian

    David Coria, Paula Comitre, Alfonso Losa and Sara Jiménez, at the In Progress 2026 residencies

    The clothing collection presented by Pull & Bear dedicated to the genius of the Island. Photo: P&B

    Camarón it becomes a clothing collection

    Presentation of the Seville Biennial in Rome. Photo: Biennial

    The Biennial of Flamenco presents its 14th edition in Rome

    Presentation of the 70th Utrera Gypsy Stew. Gourmet Experience, El Corte Inglés Plaza del Duque, Seville. April 8, 2026. Photo: Kiko Valle

    Fantastic lineup for the 70th Utrera Gypsy Stew Festival

    Presentation of the Gold Medal of Utrera to the Roma people. Photo: Utrera City Council

    Utrera awards the City's Gold Medal to the Roma people

    Flamenco singer Jesús Méndez. Photo: Lo Ferro

    Top-level lineup at the XLVI Festival of Cante Flamenco from Lo Ferro

    XXXIII National Saeta Competition and CanteMiners of Passion. La Unión, Region of Murcia. Photo: Las Minas Foundation

    Raquel Salas and José Antonio Romero 'El Perrito', winners of the National Saeta Competition of La Unión

    'In illo tempore', by Mayte Martín. Photo: Isabel Camps

    'In illo tempore' by Mayte Martín: the flamenco as a living memory

    José María Velázquez-Gaztelu, honored at the XXXVI Flamenco Activities Cultural Week of Paradas.

    Paradas dedicates its Flamenco Week to Velázquez-Gaztelu

    Flamenco saeta in Jerez. Photo: Juan Garrido

    The saeta in Jerez: balconies, days and times

    Inauguration of the Bambino statue. Photo: Utrera City Council

    The statue of Bambino now stands in the center of Utrera

    Presentation of the program of the Teatro de la Maestranza during the XXIV Biennial of Flamenco From Seville. Photo: Laura León

    Flamenco at the Maestranza, thanks to La Bienal

    Presentation of the 4th Bierzo al Toque Festival. Corral de la Morería, Madrid. March 24, 2026. Photo: Bierzo al Toque

    Estrella Morente, Farruquito and Arcángel, at the IV Bierzo al Toque

    Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival

    The legacy of Niño Ricardo takes center stage at the III Madrid Community Guitar Festival

    Peña La Bulería, Jerez. Photo: perezventana

    The peñaFlamenco theaters in Jerez host the religious cycle Venerarte con Saetas

    Public aid to flamencoPhoto: Andalusian Agency of Cultural Institutions

    The Andalusian Regional Government opens the application period for festivals and events flamencos

    Recital by Enrique El Extremeño. Peña Flamenca Torres Macarena, Seville. January 24, 2026. Photo: Kiko Valle

    Enrique El Extremeño will receive the 'Verde que te quiero verde' award in Arahal

    Presentation of the Ateneos Group to FlamencoAteneo de Madrid. March 21, 2026. Photo: © Rafael Manjavacas - Provided to Expoflamenco

    The Ateneos Group was presented to Flamenco at the Ateneo of Madrid

  • Opinion
    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

    Manuel Martín Martín and Luis Soler Guevara, at the tribute to the latter held at the University of Málaga, 2017. Photo: MMM Archive

    Luis Soler, the other voice of Malaga (II)

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (I)

    Luis Soler, with his nephew Ramón Soler, author of this article. Photo: Luis de la Fuente - La Opinión de Zamora

    Goodbye to Luis Soler Guevara, the best fan

    Margit Frenk. Still from the documentary 'El Colegio de México and '68'. Production: Digital Education Coordination / Colmex Digital.

    Margit Frenk, a light that never went out

  • Chronicles
    Manuel's Recital Moneo The Uproar. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas, Paradas, Seville. April 12, 2026. Photo: Kiko Valle

    The roll in the hay cante Manuel Moneo 'Commotion' in Paradas

    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

    recital of cante Juanelo's. Peña Flamenca La Bambera, Seville. March 21, 2026. Photo: Kiko Valle

    Juanelo: the pellizco and the stranded numbs

    Dance recital by La Repompilla. Peña Flamenca Torres Macarena, Seville. March 27, 2026. Photo: Kiko Valle

    La Repompilla and the gypsy culture of the mamao dance

    recital of cante By Antonio Reyes. Flamenco Gathering El Pozo de las Penas, Los Palacios y Villafranca, Seville. March 28, 2026. Photo: Kiko Valle

    Antonio Reyes and the fat candy barbs

    Helga Molina, Ángeles Cerrejón, Rubén Franco, Kiko Valle, Trini Navarro, Rocío De los Santos, Carmen Arjona and Miguel Verdejo. Exaltation of the Saeta. peña Women's team from Huelva. Lent 2026. Photo: Jesús Naranjo

    Two truths intertwined in the arrow

    'Ellas', by Eva Esquivel. Isabel la Católica Theatre, Granada. March 26, 2026. Photo: Gilberto González

    The most flamenco Eve in Granada

    Antonio Reyes, at La Platería. Photo: Carlos Fernández - Extampasflamencas

    The sweet, flamenco voice of Antonio Reyes

    recital of cante by Angelita Montoya. Peña Flamenca Mazaco, Coria del Río. March 14, 2026. Photo: Kiko Valle

    Angelita Montoya: a torrent of brown colors

    'Freedom!', by Marina Heredia. Teatro del Soho Caixabank, Málaga. March 12, 2026. Photo: Marina M. Luna

    Marina Heredia: singing the pain of a people

    recital of cante By Inés Bacán. Closing of Women's Week. Peña Flamenca Torres MacarenaSeville. March 7, 2026. Photo: Kiko Valle

    Inés Bacán or the trance of a perpetual lament

    'Art', by Beatriz Morales. XXX Jerez Festival. Blas Infante Social Center. March 7, 2026. Photo: ©Jerez Festival - Esteban Abión

    Beatriz Morales, for the love of art

    'The Unpublished', by Compañía La Lupi. XXX Jerez Festival. Villamarta Theatre. March 7, 2026. Photo: ©Jerez Festival - Rina Srabonian

    La Lupi's general confession

    'Color Without a Name', by José Maya. XXX Jerez Festival. Villamarta Theatre. March 6, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The color with a name: José Maya

    Yaiza Trigo's dance recital. By peña en peñaXXX Jerez Festival. Cultural Center Flamenco Don Antonio Chacón. March 6, 2026. Photo: Kiko Valle

    Yaiza Trigo in Jerez: a whirlwind of substance

    'Martinicos le di a mi cuerpo', by David Lagos and Leonor Leal with Proyecto Lorca. XXX Jerez Festival, Blas Infante Center. March 6, 2026. Photo: ©Jerez Festival - Esteban Abión

    'Martinicos' or the mathematics of the elf

    'Magnificat', by Compañía María Moreno. XXX Jerez Festival. Villamarta Theatre. March 5, 2026. Photo: ©Jerez Festival - Esteban Abión

    María Moreno, joy of living

    Presentation of the album 'Lealtad', José El Berenjeno. XXX Jerez Festival. Sala Compañía. March 5, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The Carpios honor Berenjeno

    'Tentative. Based on real landscapes', by Jesús Carmona. XXX Festival of Jerez. Villamarta Theater. Mar 4, 2026. Photo: ©Festival de Jerez - Rina Srabonian

    Jesus Carmona and his strange journey

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Flash mob in Plaza Belén with Chiqui de Jerez and 130 Danes. Photo: Juan Garrido

    Kriatura, an exciting cultural dream in Jerez by and for teenagers

    Second book of flamenco poems and lyrics by Francisco José Auxilia

    Second book of flamenco poems and lyrics by Francisco José Auxilia

    Paco Valdepeñas. Photo: screenshot from Canal Sur video performance

    The best bulerías dancer is the one who moves the least

    Japanese flamenco dancer Junko Hagiwara, known as La Yunko, at the Festival of Flamenco International Guirijondo, PaloMares del Río (Seville) in April 2024, just before winning the Desplante in La Unión. Photo: perezventana

    Guirijondos

    Statue of Friar Ceferino Giménez Malla, the first Romani saint. Church of Santiago Mayor, Utrera. Photo: perezventana

    Priest with bulerías for Beato Ceferino

    Diego de Morón. Photo: Manuel Gil

    An emotional approach by Juan Toro to the magic of Diego de Morón

    Families of Curro de la Morena and Joaquín El Zambo. Tribute to Curro de la Morena. Peña Uncle José de Paula, Jerez. March 2026. Photo: Juan Garrido

    Curro de la Morena and his gypsy echo, twenty-five years later

    Cover image of the album 'Homenaje a Don Antonio Chacón', by Enrique Morente and Pepe Habichuela.

    The laments of the pole and the cane, a declaration of principles

    Davinia Ballesteros, a guitarist from Malaga. Photo: DB Archive

    A profile of teacher Davinia Ballesteros

  • Archive
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  • Magazine
    • International
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    Presentation of the Andalusia cycle.FlamencoCentral Theatre, Seville. Photo: Ministry of Culture, Regional Government of Andalusia

    Andalusia.Flamenco It brings together emerging figures and talents in the arts jondo

    Presentation of the Sevilla Flamenca Circuit 2026. Photo: Prodetur

    The Sevilla Flamenca circuit brings art back to the stage. jondo at peñas

    'Babel (Work in progress)', by Compañía David Coria. XXX Jerez Festival. Blas Infante Social Center. March 2, 2026. Photo: @Festival de Jerez - Rina Srabonian

    David Coria, Paula Comitre, Alfonso Losa and Sara Jiménez, at the In Progress 2026 residencies

    The clothing collection presented by Pull & Bear dedicated to the genius of the Island. Photo: P&B

    Camarón it becomes a clothing collection

    Presentation of the Seville Biennial in Rome. Photo: Biennial

    The Biennial of Flamenco presents its 14th edition in Rome

    Presentation of the 70th Utrera Gypsy Stew. Gourmet Experience, El Corte Inglés Plaza del Duque, Seville. April 8, 2026. Photo: Kiko Valle

    Fantastic lineup for the 70th Utrera Gypsy Stew Festival

    Presentation of the Gold Medal of Utrera to the Roma people. Photo: Utrera City Council

    Utrera awards the City's Gold Medal to the Roma people

    Flamenco singer Jesús Méndez. Photo: Lo Ferro

    Top-level lineup at the XLVI Festival of Cante Flamenco from Lo Ferro

    XXXIII National Saeta Competition and CanteMiners of Passion. La Unión, Region of Murcia. Photo: Las Minas Foundation

    Raquel Salas and José Antonio Romero 'El Perrito', winners of the National Saeta Competition of La Unión

    'In illo tempore', by Mayte Martín. Photo: Isabel Camps

    'In illo tempore' by Mayte Martín: the flamenco as a living memory

    José María Velázquez-Gaztelu, honored at the XXXVI Flamenco Activities Cultural Week of Paradas.

    Paradas dedicates its Flamenco Week to Velázquez-Gaztelu

    Flamenco saeta in Jerez. Photo: Juan Garrido

    The saeta in Jerez: balconies, days and times

    Inauguration of the Bambino statue. Photo: Utrera City Council

    The statue of Bambino now stands in the center of Utrera

    Presentation of the program of the Teatro de la Maestranza during the XXIV Biennial of Flamenco From Seville. Photo: Laura León

    Flamenco at the Maestranza, thanks to La Bienal

    Presentation of the 4th Bierzo al Toque Festival. Corral de la Morería, Madrid. March 24, 2026. Photo: Bierzo al Toque

    Estrella Morente, Farruquito and Arcángel, at the IV Bierzo al Toque

    Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival

    The legacy of Niño Ricardo takes center stage at the III Madrid Community Guitar Festival

    Peña La Bulería, Jerez. Photo: perezventana

    The peñaFlamenco theaters in Jerez host the religious cycle Venerarte con Saetas

    Public aid to flamencoPhoto: Andalusian Agency of Cultural Institutions

    The Andalusian Regional Government opens the application period for festivals and events flamencos

    Recital by Enrique El Extremeño. Peña Flamenca Torres Macarena, Seville. January 24, 2026. Photo: Kiko Valle

    Enrique El Extremeño will receive the 'Verde que te quiero verde' award in Arahal

    Presentation of the Ateneos Group to FlamencoAteneo de Madrid. March 21, 2026. Photo: © Rafael Manjavacas - Provided to Expoflamenco

    The Ateneos Group was presented to Flamenco at the Ateneo of Madrid

  • Opinion
    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

    Manuel Martín Martín and Luis Soler Guevara, at the tribute to the latter held at the University of Málaga, 2017. Photo: MMM Archive

    Luis Soler, the other voice of Malaga (II)

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (I)

    Luis Soler, with his nephew Ramón Soler, author of this article. Photo: Luis de la Fuente - La Opinión de Zamora

    Goodbye to Luis Soler Guevara, the best fan

    Margit Frenk. Still from the documentary 'El Colegio de México and '68'. Production: Digital Education Coordination / Colmex Digital.

    Margit Frenk, a light that never went out

  • Chronicles
    Manuel's Recital Moneo The Uproar. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas, Paradas, Seville. April 12, 2026. Photo: Kiko Valle

    The roll in the hay cante Manuel Moneo 'Commotion' in Paradas

    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

    recital of cante Juanelo's. Peña Flamenca La Bambera, Seville. March 21, 2026. Photo: Kiko Valle

    Juanelo: the pellizco and the stranded numbs

    Dance recital by La Repompilla. Peña Flamenca Torres Macarena, Seville. March 27, 2026. Photo: Kiko Valle

    La Repompilla and the gypsy culture of the mamao dance

    recital of cante By Antonio Reyes. Flamenco Gathering El Pozo de las Penas, Los Palacios y Villafranca, Seville. March 28, 2026. Photo: Kiko Valle

    Antonio Reyes and the fat candy barbs

    Helga Molina, Ángeles Cerrejón, Rubén Franco, Kiko Valle, Trini Navarro, Rocío De los Santos, Carmen Arjona and Miguel Verdejo. Exaltation of the Saeta. peña Women's team from Huelva. Lent 2026. Photo: Jesús Naranjo

    Two truths intertwined in the arrow

    'Ellas', by Eva Esquivel. Isabel la Católica Theatre, Granada. March 26, 2026. Photo: Gilberto González

    The most flamenco Eve in Granada

    Antonio Reyes, at La Platería. Photo: Carlos Fernández - Extampasflamencas

    The sweet, flamenco voice of Antonio Reyes

    recital of cante by Angelita Montoya. Peña Flamenca Mazaco, Coria del Río. March 14, 2026. Photo: Kiko Valle

    Angelita Montoya: a torrent of brown colors

    'Freedom!', by Marina Heredia. Teatro del Soho Caixabank, Málaga. March 12, 2026. Photo: Marina M. Luna

    Marina Heredia: singing the pain of a people

    recital of cante By Inés Bacán. Closing of Women's Week. Peña Flamenca Torres MacarenaSeville. March 7, 2026. Photo: Kiko Valle

    Inés Bacán or the trance of a perpetual lament

    'Art', by Beatriz Morales. XXX Jerez Festival. Blas Infante Social Center. March 7, 2026. Photo: ©Jerez Festival - Esteban Abión

    Beatriz Morales, for the love of art

    'The Unpublished', by Compañía La Lupi. XXX Jerez Festival. Villamarta Theatre. March 7, 2026. Photo: ©Jerez Festival - Rina Srabonian

    La Lupi's general confession

    'Color Without a Name', by José Maya. XXX Jerez Festival. Villamarta Theatre. March 6, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The color with a name: José Maya

    Yaiza Trigo's dance recital. By peña en peñaXXX Jerez Festival. Cultural Center Flamenco Don Antonio Chacón. March 6, 2026. Photo: Kiko Valle

    Yaiza Trigo in Jerez: a whirlwind of substance

    'Martinicos le di a mi cuerpo', by David Lagos and Leonor Leal with Proyecto Lorca. XXX Jerez Festival, Blas Infante Center. March 6, 2026. Photo: ©Jerez Festival - Esteban Abión

    'Martinicos' or the mathematics of the elf

    'Magnificat', by Compañía María Moreno. XXX Jerez Festival. Villamarta Theatre. March 5, 2026. Photo: ©Jerez Festival - Esteban Abión

    María Moreno, joy of living

    Presentation of the album 'Lealtad', José El Berenjeno. XXX Jerez Festival. Sala Compañía. March 5, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The Carpios honor Berenjeno

    'Tentative. Based on real landscapes', by Jesús Carmona. XXX Festival of Jerez. Villamarta Theater. Mar 4, 2026. Photo: ©Festival de Jerez - Rina Srabonian

    Jesus Carmona and his strange journey

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Flash mob in Plaza Belén with Chiqui de Jerez and 130 Danes. Photo: Juan Garrido

    Kriatura, an exciting cultural dream in Jerez by and for teenagers

    Second book of flamenco poems and lyrics by Francisco José Auxilia

    Second book of flamenco poems and lyrics by Francisco José Auxilia

    Paco Valdepeñas. Photo: screenshot from Canal Sur video performance

    The best bulerías dancer is the one who moves the least

    Japanese flamenco dancer Junko Hagiwara, known as La Yunko, at the Festival of Flamenco International Guirijondo, PaloMares del Río (Seville) in April 2024, just before winning the Desplante in La Unión. Photo: perezventana

    Guirijondos

    Statue of Friar Ceferino Giménez Malla, the first Romani saint. Church of Santiago Mayor, Utrera. Photo: perezventana

    Priest with bulerías for Beato Ceferino

    Diego de Morón. Photo: Manuel Gil

    An emotional approach by Juan Toro to the magic of Diego de Morón

    Families of Curro de la Morena and Joaquín El Zambo. Tribute to Curro de la Morena. Peña Uncle José de Paula, Jerez. March 2026. Photo: Juan Garrido

    Curro de la Morena and his gypsy echo, twenty-five years later

    Cover image of the album 'Homenaje a Don Antonio Chacón', by Enrique Morente and Pepe Habichuela.

    The laments of the pole and the cane, a declaration of principles

    Davinia Ballesteros, a guitarist from Malaga. Photo: DB Archive

    A profile of teacher Davinia Ballesteros

  • Archive
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A profile of teacher Davinia Ballesteros

The guitar of this instrumentalist from Malaga cites the union between the classical guitar, more academic and artistic, with the flamenco guitar, more wild and popular.

Irra Torres by Irra Torres
March 11, 2026
Reading time: 8 mins reads
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Davinia Ballesteros, a guitarist from Malaga. Photo: DB Archive

Davinia Ballesteros, a guitarist from Malaga. Photo: DB Archive

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I remember the invitation from Angels Cruzado to attend the First Cycle of Flamenco Guitar for Women in the Peña Flamenca Torres Macarena (Seville). It was October 20, 2022, when I was about to go on stage in the pouring rain. There were about fifteen people waiting for me to appear. Davinia BallesterosAnd amidst various musical touches, he made a reference to me and dedicated his composition, a fandango from Huelva, to me. I felt that from the very beginning of the concert. pellizco that we recognize the flamencoThat's when something is real. And both Davinia Ballesteros and Isaac Moreno They brought out a rainbow of flamenco on a night when the rain was pouring down.

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Davinia Ballesteros Sojo was born in Malaga in 1982. Her father, Enrique Ballesteros, and his mother, Manuela SojoHer family is completed by her sister Raquel. Although she grew up in a family without a musical tradition, from a young age she showed an affinity for the flamenco guitar, a fact reflected in the long car trips she took with her father listening to it. flamencoAnd that's where Davinia becomes interested in this music. Her interest is so great that she learns it by heart. Between two waters, the famous rumba from Algeciras Paco de Lucía.

Although much of her training revolves around classical guitar, she began her guitar studies at the age of six. This stemmed from seeing her sister's lack of interest in learning to play the instrument. And so it was she who picked up the guitar and began to learn. Gabriel Cabrera, The teacher from Alcalá de los Gazules. At the age of eight he also began to study classical guitar.

Our guitarist begins her classical guitar studies at the Higher Conservatory of Music of Malaga in 1993. With top marks in all courses, as well as honors and an end-of-degree honors award. During this time, he won Second Prize in the VI National Guitar Competition America Martinez in Seville. He continued his academic training with a diploma in Music Teaching, and in 2005 a degree in Classical Guitar, at the Manuel Castillo Higher Conservatory of Musicand in 2012 obtained a degree in Flamenco Guitar at the Rafael Orozco Conservatory of Music from Córdoba. It is worth highlighting her end-of-degree honors in Classical Guitar, as well as her top rankings in the entrance exams for higher classical guitar studies, and also in the entrance exams for intermediate flamenco guitar studies.

To complete his training, he takes advanced musical courses in both classical and flamenco guitar. In addition, he studies with renowned teachers from the national and international scene. Among many others, we highlight Álvaro Pierri, David Russell, Marco Socías, Roland Dyens, Álex Garrobé, Alberto Ponce, Gerardo Arriaga, Jorge Cardoso, Eduardo Fernández, Óscar Gighlia, Gaëlle Solal, Iliana Matos, Pepe Romero, Fernando Moreno, Paco Serrano, Enrique de Melchor, Víctor Monje Serranito, Manolo Franco, Daniel Navarro 'Niño de Pura' or José Juan Pantoja.

Davinia has a deep understanding of an instrument so deeply rooted in our musical culture. She earns the respect and admiration of everyone around her. Her knowledge of the guitar and her skill make her one of the most interesting guitarists in the flamenco world. Furthermore, her teaching is extraordinary. And her affable and approachable nature connects with people, conveying and sharing guitar-related stories like few others can. Paco Cepero He highlighted its strength and weight in the touch when he heard it.

With his musical artistry, he gives concerts throughout Spain and internationally, receiving rave reviews and critical acclaim. Examples include Málaga, Seville, Córdoba, Almería, Jerez de la Frontera, Vizcaya, Castellón, and Barcelona. The concert he gave as... A Tribute to the Flamenco Guitar of the national meeting organized by the Congress of Athenaeum Members, in which Paco de Lucía, Manolo Sanlucar and Paco Cepero received their respective honorary awards. He is part of the cast of artists who inaugurated the prestigious Tío Pepe Festival at the González Byass Winery in Jerez, entitled The art of the musessharing the stage with, among others, Rocío Márquez, Leonor Leal, Ruth Rosique or Rosa Torres-PardoIn 2017, he gave a concert in Seville as part of the series Women as transmitters of flamenco Organized by the Pablo de Olavide University, sharing the bill with artists such as Carmen Linares, The Susie o Antonia JiménezHe also lends his guitar to the successful show organized by José Luis Ortiz Nuevo, The Magnificent Seven, together with Belén Candil, Rocío López La Boterita, Alicia Morales and Chelo Soto, Lola Yang, Ana Pastrana and Isa RodríguezShe is the only guitarist in the cast of the play that fuses copla and flamenco, Woman by WomanThis latest show premieres at the Cartuja Center in March 2018 and also features Martyrdom, Hope Fernandez, La Tremendita, María Toledo and Beatriz Lanza.

 

"Together with her husband, Isaac Moreno, Davinia Ballesteros forms a perfect duo in which flamenco guitar playing finds its way through chords, strumming, and arpeggios. A combination of understated yet contemporary flamenco roots, without losing its rich charm of cadential nuances, perfect harmonies, or extraordinary modulations, transporting the listener to the true universe of the guitar."

 

Davinia Ballesteros, Isaac Moreno and Paco de Lucía. Photo: DB Archive
Davinia Ballesteros, Isaac Moreno and Paco de Lucía. Photo: DB Archive

 

We cannot leave out an event that changed her life. In Córdoba, she met Isaac Moreno in 2008. Isaac is the son of the Jerez-born maestro. Fernando MorenoAnd it was in 2010 that they began a romantic relationship. This relationship led Davinia to move to Jerez in 2011, leaving behind her job at the University of Málaga. They married in 2018 and had their first child, Bruno Moreno BallesterosShe arrives in 2025. Changes that lead to Davinia joining the teaching staff of the Fernando Moreno Guitar Schooltransmitting, just as Maestro Fernando did for so many years, the art not only of the Jerez guitar but of music in general. A pioneering center in the province of Cádiz with an impact that reaches as far as... Andalusian Documentation Center of the Flamenco.

Both his teaching and his work as a concert performer are published by various media outlets such as La Opinión, Diario Sur, Málaga Hoy, Diario de Jerez, Cadena Ser, Onda Cero, Onda Jerez, Sol TV o Radio Victoria Malaga. There's a lovely interview for El Mundo for his concert given at the biennial of Flamenco from Malaga from 2007. Or the interview with Diario Sur in a report by Women from Malaga in the FlamencoThe renowned digital magazine Guitar Fair It features a report on him in issue number 16 of its monthly edition. The guitar shop also... Felipe Conde for his website. He has a review entry in the book of Eulalia Pablo Lush Women Guitarists, from Signatura Ediciones. She is part of the artistic cast in the documentary film. Tocaoras, de Alicia Cifredo, for La Zanfoña Producciones. And he participates alongside artists of the stature of Paco Cepero, Diego del Morao o Manuel Parrilla in the recording of the CD of Pepe Marín posted by Flamenco and University degree Deep Memory.

Davinia Ballesteros is the first woman from Malaga to obtain a higher degree in Flamenco Guitar and her passion for it flamenco She takes her music to her recitals. Furthermore, she is the first female guitarist to perform at the Benalmádena Guitar FestApart from her gala at the London ParliamentShe travels with Isaac Moreno to locations in Japan and Paris. And a London-based production company is filming a documentary about the daily life of the Moreno Ballesteros family.

Davinia really enjoys playing guitar. Count Brothers which belongs to Fernando Moreno, his father-in-law, although he is very fond of the first handcrafted guitar he ever owned. A classical guitar by an Argentinian luthier based in Malaga. Joaquín García, which his father gave him.

Together with her husband, Isaac Moreno, she forms a perfect duo in which flamenco guitar playing emerges through chords, strumming, and arpeggios. It's a combination of understated yet contemporary flamenco roots, without losing its rich charm of cadences, perfect harmonies, and extraordinary modulations, transporting the listener to the true universe of the guitar. This is coupled with a comprehensive technique that allows Davinia and Isaac to deliver deeply moving and musical performances.

This master guitarist's playing embodies the union between classical guitar, more academic and artistic, and flamenco guitar, more wild and popular. She herself acknowledges that The classic style attributes to him a left-handedness that glides beautifully along the neckOn the other hand, his right hand was formed by the touch flamencoHe also believes that classical and musical training complements a guitarist. flamencoThrough this training, a guitarist opens his mind, breaks down barriers, or explains things that are overlooked due to lack of knowledge.

Davinia Ballesteros' guitar playing is not an isolated phenomenon. Her approach to flamenco, in flamenco terms, is truly profound. Rodeña, bulerías, alegrías, soleares, and fandangos from Huelva all demonstrate this. His explorations of the mast through tremolos, staccato, arpeggios, and deep cadences This has allowed our guitarist to perform in various national and international venues. A subtle touch combined with a refined, audible, and expressive technique is proof of a modern guitar that, from the classical, shakes the very foundations of the flamenco. His guitar is deep, without screws or gadgets. When Davinia takes the stage, it's just her and her guitar. She fuses yesterday and today through the truth of the melismatic harmony that emerges from her instrument. She evolves with mastery and sensitivity. She adapts her playing to the times in which she lives. She conveys emotions from flamenco orthodoxy with her own language: affectionate, elegant, serious, clean, and brimming with inspiration. A language flamenco whose touch cradles the freedom of its music through the purest Jerez rhythm. And above all, to receive true friendship from a teacher and her family is something truly wonderful. Thank you, Davinia. Thank you, Teacher. ♦

 

 

Irra Torres

Irra Torres

Huelva, 1977. Teacher and passionate guitarist of flamenco. Researcher and promoter of our culture. The path of the compass leads him to be a teacher with duende.

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