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Magazine ExpoFlamenco
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  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Paco de Lucia's sextet. They couldn't have been more football fans.

    Football and flamencothe art of playing with emotion

    Consuelo Haldón, at the LVII Meeting of Cante Jondo From La Puebla de Cazalla. Photo: Carmen Arjona

    The reunion with the jondo

    Flamenco dancer José Maya at the presentation of Rhythm Paradise Groove, a Nintendo video game. Tablao Torres Bermejas, Madrid. Photo: Nintendo

    José Maya, to the rhythm of Nintendo

    Pedro El Granaíno. Photo: perezventana

    The Seville Biennial explores the dialogue between the flamenco and Baroque music

    Group of people on a stage posing for a photo, with a large red backdrop featuring a flamenco dancer image and the text VI Suma Flamenca Joven and Comunidad de Madrid behind them.

    The VI Suma Flamenca Joven showcases the best emerging talent

    El Pele. V La Línea Flamenca Festival. July 4, 2026. Photo: Peña Linense Cultural

    El Pele, Duquende and José Viñas seal the success of the La Línea Flamenca Festival

    Pelé and young Seve. Photo: perezventana

    Pele and Duquende, at the V La Línea Flamenca Festival

    Tribute to Manuela Carrasco. XI Tacón Festival Flamenco from Utrera. Enrique de la Cuadra Theatre. 28 Feb 2025. Photo: Kiko Valle

    Spectacular lineup at the XIX Bulería Festival of Guillena

    Flamenco dancer Manuel Liñán. Photo: Javier Fergo

    Manuel Liñán and Reyes Carrasco, at the IV Festival Flamenco Planning

    María Pagés. Photo: Mauricio Mendivelso - Matadero Dance Center Website

    The Castillete de Oro in Las Minas pays tribute to María Pagés

    Israel Fernández and Diego del Morao. Presentation of Cruzcampo 1904 beer. Metropol Parasol (Las Setas de Sevilla). June 30, 2026. Photo: Pepo Herrera

    Israel Fernández and Cruzcampo: a happy partnership in Seville

    Presentation of the 59th Jerez Bulería Festival. Photo: Jerez City Council

    Plaza Belén once again serves as the venue for the Jerez Bulería Festival

    Parallel activity of the Seville Biennial. Photo: Biennial

    The 'other' art proposals flamenco of the Biennial

    Sara Baras, at the University of Cádiz Summer Courses. Photo: UCA

    Sara Baras opens the summer courses at the University of Cádiz

    Presentation of the poster for the LXIV National Competition of Cante Jondo Antonio Mairena. Casa Orellana, Mairena del Alcor. June 26, 2026. Photo: Mairena Competition

    The Contest of Cante Jondo Antonio Mairena pays tribute to Aurora Vargas

    The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

    The 'Jerez Cultural City' project focuses on local talent

    A festive atmosphere in the courtyard of the Salesian School of Utrera. 63rd Utrera Gypsy Stew Festival. Photo: perezventana

    Summer Festivals: The 12 Must-Sees

    Alba Heredia and Ricardo Fernández del Moral. Photo: Juanlu Vela

    'De raíz' closes the season of Flamenco Real

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Homophobia in the flamenco: an unfinished task?

    Flamenco dancer Rafael Amargo. Promotional image.

    Rafael Amargo is reborn in Madrid: "I don't want to be what I was, I want to be what I'm going to be"

  • Interviews
  • Opinion
    The Pastori line

    The Pastori line

    Researcher José Cenizo Jiménez, author of the book 'Teaching' flamencoAn interdisciplinary view of the letters of the cante'(Renacimiento Publishing House).

    Flamenco Is Felt… and Learned

    Promotional image from thirty years ago with Enrique Morente and Lagartija Nick for the launch of 'Omega'.

    Three decades of Omega: between ninety percent and infinity

    "The essence of Spanish dance is represented by this trio formed by Pilar López, Antonio de Triana and La Argentinita, who will soon be performing at the Fine Arts theater."

    Antonio de Triana and the Martinete dance

    Sordera de Jerez, at the X Arranque Roteño. August 1993. Photo: Manuel Martín Martín Archive

    Sordera de Jerez must be heard

    White cat stretching with an arched back against a dark blue background in a simple illustration.

    Flamenco Has Died…Again?

    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

  • Chronicles
    Fuensanta La Moneta. LVII Meeting of Cante Jondo From La Puebla de Cazalla. La Fuenlonguilla Estate. July 11, 2026. Photo: La Puebla Town Hall

    La Puebla for being a woman: Paqui Ríos and La Moneta filled the Moorish night with flamenco

    María Moreno. XXXVII Art Festival Flamenco of Mont-de-Marsan. July 2026. Photo: Laurent Robert

    Mont-de-Marsan caught the leprechaun of the 27th

    Woman in a white shawl sings into a microphone while a man in a suit plays a classical guitar outdoors among plants and trees.

    Angelita Montoya and José Galvez: a deep symphony at the Moguer Flamenco Week

    Ana Pastrana. IV Cabildo Flamenco From Archidona. July 2026. Photo: Fede Calderón

    Archidona Town Council: Chronicle of a Different Festival

    'Nights in the Gardens of Spain'. Juan Manuel Cañizares and the Córdoba Orchestra. XLV Córdoba Guitar Festival. Gran Teatro de Córdoba. July 8, 2026. Photo: Guillermo Castro

    Cañizares reinvents Falla in Córdoba

    Three musicians on a dark stage: a man in a straw hat playing a sitar on the left, a woman in a colorful dress seated center, and a man singing with a microphone on the right.

    In Archidona, Creation Triumphed Over Purity

    'Footprints of the Bullring', by Segundo Falcón, Paco Jarana and Manolo Franco. Art Festival Flamenco Mont-de-Marsan. Le Molière Theatre. July 3, 2026. Photo: Laurent Robert - LR Flamenco Photos

    Gold jondo by Falcón, Jarana and Manolo Franco

    Artists of the LIX Festival Flamenco Gazpacho from Morón. July 4, 2026. Photo: Morón City Council

    The 59th Gazpacho Festival in Morón reopens the debate between 'renew or die' for festivals flamencosummer s

    Davideana, Kiki Morente and Pablo Fernández. IX Cabildo Festival Flamenco From Archidona, Málaga. July 3, 2026. Photo: David Burbano

    Davideana’s Flamenco Guitar Conquered the Opening Night of the Cabildo

    Luisa Palicio, at the 46th Ecija Flamenco Night. Palace of PeñaFlower. July 3, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (and III)

    Pepe El Ecijano and Manuel Torres. XLVI Ecijana Flamenco Night (II). Palace of the Marquises of PeñaFlower, Écija (Seville). June 30, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (II)

    Presentation of the new Interpretation, Study and Documentation Centre of Flamenco Manuel Martín Martín. Photo: Écija City Council

    Écija positions itself as leader flamenco (I)

    70th Gypsy Stew of Utrera. Courtyard of the Salesian School of Utrera, Seville. June 27, 2026. Photo: Gypsy Brotherhood of Utrera

    Liturgy of a Gypsy Stew from Utrera

    'Sarmiento', by Curro Carrasco. Cloisters of Santo Domingo, Jerez. June 26, 2026. Photo: Air Music

    Curro Carrasco gives away polka-dotted cars at his album launch in Jerez

    Guitar recital by David Carmona. Peña La Platería, Granada. June 20, 2026. Photo: Gilberto González

    The unbearable genius of David Carmona

    'Guiding Light', by El Perrete. XXI Flamenco London Festival. Lilian Bailys Studio. June 20, 2026. Photo: Ángeles Ródenas

    Perrete and Merino, the Thames flows through Badajoz

    Guitar recital by Francis Gómez. Peña Flamenca Huelva Women's Team. June 18, 2026. Photo: Jesús Naranjo

    Francis Gómez: flamenco of roots, wings, and searches

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Yerba, Liñán, Farru, Molía, who'll bid higher?

    Rafaela Carrasco believes it and she believes it

    'Unydos', by the Jesús Carmona Dance Company. XLI Flamenco London Festival. Sadler's Wells Theatre, London. June 16, 2026. Photo: Ione Saizar

    Jesús Carmona, a complete flamenco dancer

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Group of flamenco performers on a purple-lit stage: a central singer in a black-purple dress, others stand behind, guitarist seated with an orange guitar, percussionist on drums nearby.

    The Caracolá Lebrijana, from tradition to necessary adaptation without losing flavor

    Antonio Plaza: Photo: María Sánchez Márquez, July 2026

    What do we know about the relationship between songbooks and the genesis of flamenco?

    La Favi and Curro Carrasco. XIX Bulería Festival 'Alberto Valdivia Arteaga'. Guillena Bullring, Seville. July 4, 2026. Photo: Juan Garrido

    The Bulería Festival in Guillena, full of young people and of good quality

    Bulerías dance party in Plaza Belén. Archive image.

    Bulerías in Jerez: from folklore to flamencoand back

    Joselero, Steve Kahn and Diego del Gastor. Photo: Steve Kahn

    Once upon a time there were Americans in Morón

    Caty León Benítez, currently.

    What do we know about the flamenco In Triana? Caty León explains it to us.

    Authorities, sponsors, organizers, and Manuel Lombo, representing Morante de la Puebla. LXX Potaje Gitano Festival of Utrera. June 27, 2026. Photo: Juan Garrido

    The stew doesn't go bland without Morante

    Front-facing man with glasses sits in a home studio, with a piano and plant behind him; EXPO MÚSICA logo visible in the corner.

    Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez

    Man with gray hair and glasses holds an acoustic guitar, smiling at the camera in a home music studio with a keyboard and plants nearby, Expo Musica logo in the corner.

    The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez

  • Archive
  • Login
  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Paco de Lucia's sextet. They couldn't have been more football fans.

    Football and flamencothe art of playing with emotion

    Consuelo Haldón, at the LVII Meeting of Cante Jondo From La Puebla de Cazalla. Photo: Carmen Arjona

    The reunion with the jondo

    Flamenco dancer José Maya at the presentation of Rhythm Paradise Groove, a Nintendo video game. Tablao Torres Bermejas, Madrid. Photo: Nintendo

    José Maya, to the rhythm of Nintendo

    Pedro El Granaíno. Photo: perezventana

    The Seville Biennial explores the dialogue between the flamenco and Baroque music

    Group of people on a stage posing for a photo, with a large red backdrop featuring a flamenco dancer image and the text VI Suma Flamenca Joven and Comunidad de Madrid behind them.

    The VI Suma Flamenca Joven showcases the best emerging talent

    El Pele. V La Línea Flamenca Festival. July 4, 2026. Photo: Peña Linense Cultural

    El Pele, Duquende and José Viñas seal the success of the La Línea Flamenca Festival

    Pelé and young Seve. Photo: perezventana

    Pele and Duquende, at the V La Línea Flamenca Festival

    Tribute to Manuela Carrasco. XI Tacón Festival Flamenco from Utrera. Enrique de la Cuadra Theatre. 28 Feb 2025. Photo: Kiko Valle

    Spectacular lineup at the XIX Bulería Festival of Guillena

    Flamenco dancer Manuel Liñán. Photo: Javier Fergo

    Manuel Liñán and Reyes Carrasco, at the IV Festival Flamenco Planning

    María Pagés. Photo: Mauricio Mendivelso - Matadero Dance Center Website

    The Castillete de Oro in Las Minas pays tribute to María Pagés

    Israel Fernández and Diego del Morao. Presentation of Cruzcampo 1904 beer. Metropol Parasol (Las Setas de Sevilla). June 30, 2026. Photo: Pepo Herrera

    Israel Fernández and Cruzcampo: a happy partnership in Seville

    Presentation of the 59th Jerez Bulería Festival. Photo: Jerez City Council

    Plaza Belén once again serves as the venue for the Jerez Bulería Festival

    Parallel activity of the Seville Biennial. Photo: Biennial

    The 'other' art proposals flamenco of the Biennial

    Sara Baras, at the University of Cádiz Summer Courses. Photo: UCA

    Sara Baras opens the summer courses at the University of Cádiz

    Presentation of the poster for the LXIV National Competition of Cante Jondo Antonio Mairena. Casa Orellana, Mairena del Alcor. June 26, 2026. Photo: Mairena Competition

    The Contest of Cante Jondo Antonio Mairena pays tribute to Aurora Vargas

    The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

    The 'Jerez Cultural City' project focuses on local talent

    A festive atmosphere in the courtyard of the Salesian School of Utrera. 63rd Utrera Gypsy Stew Festival. Photo: perezventana

    Summer Festivals: The 12 Must-Sees

    Alba Heredia and Ricardo Fernández del Moral. Photo: Juanlu Vela

    'De raíz' closes the season of Flamenco Real

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Homophobia in the flamenco: an unfinished task?

    Flamenco dancer Rafael Amargo. Promotional image.

    Rafael Amargo is reborn in Madrid: "I don't want to be what I was, I want to be what I'm going to be"

  • Interviews
  • Opinion
    The Pastori line

    The Pastori line

    Researcher José Cenizo Jiménez, author of the book 'Teaching' flamencoAn interdisciplinary view of the letters of the cante'(Renacimiento Publishing House).

    Flamenco Is Felt… and Learned

    Promotional image from thirty years ago with Enrique Morente and Lagartija Nick for the launch of 'Omega'.

    Three decades of Omega: between ninety percent and infinity

    "The essence of Spanish dance is represented by this trio formed by Pilar López, Antonio de Triana and La Argentinita, who will soon be performing at the Fine Arts theater."

    Antonio de Triana and the Martinete dance

    Sordera de Jerez, at the X Arranque Roteño. August 1993. Photo: Manuel Martín Martín Archive

    Sordera de Jerez must be heard

    White cat stretching with an arched back against a dark blue background in a simple illustration.

    Flamenco Has Died…Again?

    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

  • Chronicles
    Fuensanta La Moneta. LVII Meeting of Cante Jondo From La Puebla de Cazalla. La Fuenlonguilla Estate. July 11, 2026. Photo: La Puebla Town Hall

    La Puebla for being a woman: Paqui Ríos and La Moneta filled the Moorish night with flamenco

    María Moreno. XXXVII Art Festival Flamenco of Mont-de-Marsan. July 2026. Photo: Laurent Robert

    Mont-de-Marsan caught the leprechaun of the 27th

    Woman in a white shawl sings into a microphone while a man in a suit plays a classical guitar outdoors among plants and trees.

    Angelita Montoya and José Galvez: a deep symphony at the Moguer Flamenco Week

    Ana Pastrana. IV Cabildo Flamenco From Archidona. July 2026. Photo: Fede Calderón

    Archidona Town Council: Chronicle of a Different Festival

    'Nights in the Gardens of Spain'. Juan Manuel Cañizares and the Córdoba Orchestra. XLV Córdoba Guitar Festival. Gran Teatro de Córdoba. July 8, 2026. Photo: Guillermo Castro

    Cañizares reinvents Falla in Córdoba

    Three musicians on a dark stage: a man in a straw hat playing a sitar on the left, a woman in a colorful dress seated center, and a man singing with a microphone on the right.

    In Archidona, Creation Triumphed Over Purity

    'Footprints of the Bullring', by Segundo Falcón, Paco Jarana and Manolo Franco. Art Festival Flamenco Mont-de-Marsan. Le Molière Theatre. July 3, 2026. Photo: Laurent Robert - LR Flamenco Photos

    Gold jondo by Falcón, Jarana and Manolo Franco

    Artists of the LIX Festival Flamenco Gazpacho from Morón. July 4, 2026. Photo: Morón City Council

    The 59th Gazpacho Festival in Morón reopens the debate between 'renew or die' for festivals flamencosummer s

    Davideana, Kiki Morente and Pablo Fernández. IX Cabildo Festival Flamenco From Archidona, Málaga. July 3, 2026. Photo: David Burbano

    Davideana’s Flamenco Guitar Conquered the Opening Night of the Cabildo

    Luisa Palicio, at the 46th Ecija Flamenco Night. Palace of PeñaFlower. July 3, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (and III)

    Pepe El Ecijano and Manuel Torres. XLVI Ecijana Flamenco Night (II). Palace of the Marquises of PeñaFlower, Écija (Seville). June 30, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (II)

    Presentation of the new Interpretation, Study and Documentation Centre of Flamenco Manuel Martín Martín. Photo: Écija City Council

    Écija positions itself as leader flamenco (I)

    70th Gypsy Stew of Utrera. Courtyard of the Salesian School of Utrera, Seville. June 27, 2026. Photo: Gypsy Brotherhood of Utrera

    Liturgy of a Gypsy Stew from Utrera

    'Sarmiento', by Curro Carrasco. Cloisters of Santo Domingo, Jerez. June 26, 2026. Photo: Air Music

    Curro Carrasco gives away polka-dotted cars at his album launch in Jerez

    Guitar recital by David Carmona. Peña La Platería, Granada. June 20, 2026. Photo: Gilberto González

    The unbearable genius of David Carmona

    'Guiding Light', by El Perrete. XXI Flamenco London Festival. Lilian Bailys Studio. June 20, 2026. Photo: Ángeles Ródenas

    Perrete and Merino, the Thames flows through Badajoz

    Guitar recital by Francis Gómez. Peña Flamenca Huelva Women's Team. June 18, 2026. Photo: Jesús Naranjo

    Francis Gómez: flamenco of roots, wings, and searches

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Yerba, Liñán, Farru, Molía, who'll bid higher?

    Rafaela Carrasco believes it and she believes it

    'Unydos', by the Jesús Carmona Dance Company. XLI Flamenco London Festival. Sadler's Wells Theatre, London. June 16, 2026. Photo: Ione Saizar

    Jesús Carmona, a complete flamenco dancer

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Group of flamenco performers on a purple-lit stage: a central singer in a black-purple dress, others stand behind, guitarist seated with an orange guitar, percussionist on drums nearby.

    The Caracolá Lebrijana, from tradition to necessary adaptation without losing flavor

    Antonio Plaza: Photo: María Sánchez Márquez, July 2026

    What do we know about the relationship between songbooks and the genesis of flamenco?

    La Favi and Curro Carrasco. XIX Bulería Festival 'Alberto Valdivia Arteaga'. Guillena Bullring, Seville. July 4, 2026. Photo: Juan Garrido

    The Bulería Festival in Guillena, full of young people and of good quality

    Bulerías dance party in Plaza Belén. Archive image.

    Bulerías in Jerez: from folklore to flamencoand back

    Joselero, Steve Kahn and Diego del Gastor. Photo: Steve Kahn

    Once upon a time there were Americans in Morón

    Caty León Benítez, currently.

    What do we know about the flamenco In Triana? Caty León explains it to us.

    Authorities, sponsors, organizers, and Manuel Lombo, representing Morante de la Puebla. LXX Potaje Gitano Festival of Utrera. June 27, 2026. Photo: Juan Garrido

    The stew doesn't go bland without Morante

    Front-facing man with glasses sits in a home studio, with a piano and plant behind him; EXPO MÚSICA logo visible in the corner.

    Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez

    Man with gray hair and glasses holds an acoustic guitar, smiling at the camera in a home music studio with a keyboard and plants nearby, Expo Musica logo in the corner.

    The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez

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The 'other' art proposals flamenco of the Biennial

The Biennial of Flamenco Seville completes its program with a major exhibition on flamenco opera, film screenings, open-air performances and other offerings that will bring art closer to the public. flamenco throughout the city. The event's parallel activities will extend across various venues in Seville, offering a complete and authentic experience centered around the universe jondo.

ExpoFlamenco by ExpoFlamenco
30 2026 June
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Parallel activity of the Seville Biennial. Photo: Biennial

Parallel activity of the Seville Biennial. Photo: Biennial

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La XXIV Biennial of Flamenco of Sevilla It complements its program of shows with a wide range of parallel activities that will turn the city into a great stage for encountering art. jondoUnder the heading Other pearlsThe event will offer exhibitions, film screenings, outdoor performances, meetings and cultural proposals that expand the flamenco experience beyond the theaters, bringing the Sevillian public and visitors a diverse, contemporary and deeply rooted vision of this universal heritage.

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The Delegate for Tourism and Culture of the Seville City Council, Angie MorenoHe emphasized that “the Biennial is today one of Seville’s major cultural drivers and one of our city’s most recognized brands worldwide. Its prestige, its capacity for innovation, and its deep roots have generated an extraordinary force of attraction that makes institutions, organizations, and companies want to be part of this collective project and contribute to its growth.” He added, “These parallel activities are the best demonstration of the Biennial’s vitality and its ability to radiate culture beyond the stages. Thanks to the involvement of numerous public and private stakeholders, the flamenco It reaches new spaces, engages in dialogue with other disciplines, and expands its presence throughout the city, generating opportunities for creation, participation, and encounter."

Finally, Moreno stated that “the combined efforts of institutions, associations, and the private sector do not make the Biennial more exclusive, but rather more open and expansive. Each collaboration broadens its scope, incorporates new perspectives, and allows the flamenco reach wider audiences, consolidating Seville as the world's great capital of this art."

For his part, the director of the Biennial of Flamenco, Luis Ybarra, has stated that “with the alternative programming, the Biennial offers a genuine, visceral and comprehensive experience to discover and enjoy the flamenco both to those visiting us for the first time and to those who already know us. Also to those who are not looking for us, but I am sure that they will find us.”

In this regard, he added, “we will be out on the streets, both in the historic center and in many other corners of the city: from Polígono Sur to San Jerónimo, passing through María Luisa Park, Sevilla Este, and La Barzola. We will be in foundations, exhibition halls, universities, squares, courtyards, hotels, peñas, cinemas… Beyond the official programming, these Other pearls, alluding to the motto of Pearls by the thousands This year's Biennial takes the form of exhibitions, conferences, public speeches, workshops, presentations, roundtables, free shows, gastronomic routes, tastings… This Biennial, make yourself visible. Even outside the theaters, where everything is already happening.” In this regard, Ybarra referred to “the Romantic travelers who came to this distant city attracted by clichés, but stayed for other reasons. Some of those reasons are found in these 'Other Pearls'.”

 

"With its alternative programming, the Biennial offers a genuine, visceral and comprehensive experience to discover and enjoy the flamenco "Both those who visit us for the first time and those who already know us. Also those who are not looking for us, but I am sure that they will find us" (Luis Ybarra)

 

Parallel activity of the Seville Biennial. Photo: Biennial
Parallel activity of the Seville Biennial. Photo: Biennial

 

Other pearls

The program of parallel activities will begin with the exhibition The Blue Night. Flamenco Opera in the Carlos Martín Ballester CollectionAn exhibition that invites you to explore one of the most decisive periods in the history of flamenco and its close relationship with phenomena such as the expansion of radio and the development of the recording industry. Housed in the Engraving Workshop of the Royal Artillery Factory, the exhibition will bring together nearly 150 pieces—including posters, photographs, gramophone records, manuscripts, advertisements, and other previously unseen documents—from one of the most important private collections dedicated to Spanish sound heritage. The exhibition, which will be open from September 2 to November 22, will be complemented by a selection of digitized historical recordings, allowing the public to delve into the artistic world of essential figures such as La Niña de los Peines, Manuel Vallejo, Pepe Pinto, Ramón Montoya or Niño RicardoAmong these recordings, one previously unreleased piece stands out: a fandango sung by Manolo Caracol in 1929 under the title What a shame about my kisses.

Another of the main focuses of 'Other Pearls' will be Flamenco at street levelA proposal that will bring free open-air performances to different points in Seville with the aim of bringing art closer jondo to residents and visitors in everyday spaces throughout the city. The series will begin on September 3rd in the Polígono Sur district with The night of the gypsies, a choral performance in which they participate Herminia Borja, Mara Rey, Zamara Carrasco and Manuela Vargas which celebrates the cultural and artistic legacy of Gypsy women through a journey through the flamenco heritage of neighborhoods and communities where this art form is part of daily life. The following day, at the Monastery of San Jerónimo, the brothers Diego and Hugo Aguilar will present Matter of timeA creation that explores identity, heritage, and family ties through the shared experience of two artists united by dance. On September 5th, the Plaza Virgen del Pilar will host the second edition of Macarena Flamenco Festival, which will pay tribute to the flamenco singer Jose de la Tomasa in recognition of a fundamental career for the conservation and transmission of the canteSevillians, in which, among others, will take part, Potito, Manuel Herrera and Manuela Amador CarrascoThis first tour will conclude on September 6th at the Nazareno y Olivares Museum of Arts and Popular Customs with a theatrical performance that explores the life and work of Antonio Fernandez Diaz Phosphorite, an essential figure of flamenco contemporary, through the words, music, and dance of artists such as Enrique Garcés, Bernardo Miranda, Alejandro Hurtado and Yolanda OsunaAll performances will begin at 21:30 p.m. and will be free of charge until capacity is reached.

The parallel programming will also include the opening address of the XXIV Biennial of Flamencowhich will kick off this edition on September 9th in the Plaza de San Francisco. Under the title Primitive Echoes. Cante Up high, dance on the ground, the singer Second Falcon He will lead a proposal specifically designed for public space that will transform this emblematic Sevillian landmark into a large immersive stage. The intervention will bring together the voices of Segundo Falcón, María Terremoto, Rafael de Utrera, Esperanza Fernández and Pedro El Granaíno, located on different balconies of the square, while the flamenco dancer Ana Morales It will develop a choreography in the center of the space. The creation proposes a dialogue between tradition and contemporaneity through a collective experience that transforms urban architecture, the cante and dance as the protagonists of a unique opening act of the Biennial.

The youngest children and their families will also have their own space within 'Other Pearls' thanks to Come experience the rhythm flamenco family time with TirititránThis proposal can be enjoyed on September 11, 12 and 13 at CaixaForum Sevilla. Conceived as a participatory and educational experience, the activity will bring the flamenco The initiative aims to introduce children to flamenco rhythm through play, body percussion, and the cajón, inviting them to discover some of the essential elements of flamenco in a fun and creative way. It seeks to foster knowledge and enjoyment of this art form among new generations, transforming learning into a shared experience for the whole family.

 

"The parallel program will also include the opening address of the XXIV Biennial of Flamencowhich will kick off this edition on September 9th in the Plaza de San Francisco. Under the title 'Primitive Echoes. Cante 'High above, dance on the ground', flamenco singer Segundo Falcón will lead a performance designed for public space that will transform this emblematic Sevillian enclave into a grand immersive stage."

 

Parallel activity of the Seville Biennial. Photo: Biennial
Parallel activity of the Seville Biennial. Photo: Biennial

 

'Seville reveals itself' with screenings, exhibitions and conferences

In addition to the activities directly promoted by the Biennial, the entire city is breathing flamenco thanks to the associated program Seville makes itself knownAn initiative promoted by universities, foundations, and local cultural entities that complements the Biennial with an excellent selection of exhibitions, series, and various activities, making the experience even more enriching and complete. Through it, the Biennial reinforces its commitment to becoming a shared cultural event, capable of projecting the universe flamenco beyond the stages and engaging with other disciplines, spaces and forms of creation.

Audiovisual proposals will play a prominent role, starting with the Three Cultures of the Mediterranean Foundation, which will once again join the Biennial with the film series Flamencowhich will take place on September 8, 15, 22 and 29 and will offer a selection of documentaries dedicated to women who have decisively contributed to the construction, preservation and international projection of art flamenco...reclaiming its artistic, cultural, and human legacy through film. Furthermore, the Lope de Vega Theater will host the premiere on September 23 of Naquerar, Patricio Hidalgo and José RomeroA film that revisits the legacy of We came to Naquerar, a fundamental work of the Spanish scene of the 70s, to reflect from dance and contemporary creation on memory, identity and current forms of expression.

Visual creation and dialogue between the flamenco and other artistic disciplines will have a prominent presence in this edition through various exhibitions that invite visitors to discover new perspectives on the universe jondoFrom September 4th to 30th, the MAS Foundation host synesthesiaAn immersive and multidisciplinary proposal that explores the connections between perception, emotion and flamenco through painting, poetry, sound, and sensory experience. Starting September 9th, the Peña Flamenca Torres Macarena host Torres Macarenaa photographic exhibition of David Villarán focused on the artistic and human life of this emblematic space flamencoIt will open its doors on September 16th. Flamenco with a woman's accent, a collective exhibition organized by the Official College of Technical Architecture of Seville and the Aparejadores Foundation that pays tribute to the contribution of women to canteDance and music are explored through paintings, sculptures, photographs, and literary works. The program is completed by [unclear - possibly "complete program"]. Anvil, line, and hook. Landscape and local people, an artistic intervention promoted with the support of Loyola University and curated by Rafael Iglesias placeholder image which will transform shop windows and emblematic businesses in the area around Feria Street into an urban gallery open to dialogue between the flamencothe city and its inhabitants.

Reflection and analysis on the flamenco They will also find their place within Seville makes itself known Thanks to a program of conferences and meetings promoted by various academic institutions, the Menéndez Pelayo International University will open this section on September 4th at the Santa Clara Space with the conference 'Flamencuras of '27: From the jondo to the goblins of Lorca', by the writer and journalist Eva Diaz Perez, accompanied by cante by Alicia Gil, dedicated to exploring the influence of flamenco in the Generation of '27 and its connection with the artistic avant-gardes of the 20th century. For its part, Loyola University will organize three masterclasses on September 9, 14 and 15, led by Olga García Sánchez, Pedro Ricardo Miño and José María Garcíarespectively, which will offer new perspectives on the creation, interpretation, and transmission of art flamenco from complementary fields.

Gastronomy will also be part of the Biennial experience with the presentation of a new special edition of the guide Gastropass 360º Biennial of FlamencoA bilingual publication, with a web version, that proposes discovering Seville through its main cultural, tourist, and gastronomic attractions. The publication, which will be distributed in hotels and strategic locations throughout the city, highlights the close relationship between the flamenco and Sevillian identity, offering visitors and enthusiasts a tool to complement their experience of the Biennial from a perspective linked to culinary heritage and local culture. This initiative will be joined by From Mirabrás to Solear. Flamenco in the feminine, between verses and winesA sensory experience powered by Gastropass and Bodegas Barbadillo, coinciding with its tenth anniversary, proposes a dialogue between the flamencoThe event will explore chamomile tea and Andalusian gastronomy through guided tastings and live performances. The program will also highlight women's contributions to cultural heritage. flamenco, establishing a suggestive journey through different historical wines from the Sanlúcar winery and some of the palos most representative of art jondo.

And, also within the gastronomic section, we find the XXV Gastronomic Days of the Hotels of Seville and ProvinceThe event, which will take place from September 25th to October 25th, will involve between 20 and 25 hotels. Participating restaurants will offer menus, tapas, and specials inspired by various culinary traditions. palos of the flamenco, turning the culinary experience into an original extension of the Biennial's artistic universe.

From September 22 to 25, Photo Coverage will arrange Flamenco in images, evoking the divinea photography workshop taught by Antonio Pérez and Alberto Rojas Maza which proposes an approach to the universe flamenco through contemporary photography. The initiative will combine theoretical and practical sessions to explore both the performance dimension of this art form and its presence in the streets and everyday spaces of the city. Participants will have access to rehearsals, presentations, and various activities, fostering the development of a personal photographic perspective on one of the most universal and evocative cultural phenomena of our identity.

Literature linked to art jondo will be represented by the presentation of It tastes like blood. Anthology of flamenco poetry, Antonio Lafarque, which will take place on September 23 at the headquarters of the Andalusian Institute of FlamencoThe publication brings together 273 poems and prose poems by 168 authors who, from the end of the 18th century to the present, have found in the flamenco a source of artistic and literary inspiration. The anthology offers a broad exploration of the landscapes, figures, emotions, and symbols of the universe flamenco through the voices of fundamental authors of Spanish and international literature, becoming one of the most ambitious compilations dedicated to the presence of flamenco in poetry.

Nor will there be a lack of dialogue between flamenco and heritage, which will be present throughout the cycle Come closer to flamenco, a proposal promoted by the Education and Youth Delegation of the Seville City Council in collaboration with Engranajes Culturales, which offers an informative journey through the history and evolution of art jondo in different spaces of the city such as the Metropol Parasol, Asunción Street, Plaza de los Perdigones, etc. Conceived as an itinerant and participatory experience, the activity will combine interpretation, music and cultural mediation to bring the public closer to some of the key moments in the development of flamencoFrom its origins to its consolidation as one of Andalusia's most universal cultural expressions, the initiative invites visitors to discover Seville's tangible and intangible heritage from a new perspective, connecting urban spaces with the memories, sounds, and stories that have shaped its history. flamenco.

peñaThe flamenco dancers of Seville will return to performpeñaplay an essential role in the dissemination and preservation of art jondo through the cycle Empeñatwo for SevilleThis initiative will highlight these spaces as true custodians of flamenco tradition. Between September 12 and November 29, some twenty recitals will tour various venues. peñas with performances by artists such as Raúl El Perla, Antonio Fernández, Manuel Agujetas Hijo, Perico El Pañero, Carlos Carbonell, Sara Correa, Curro Vargas, Alegría Navarro, Jonathan Torres, Lito Espinosa, José Oruco, Carmelo Picón, Miriam Méndez, Andrea Martín, Laura Román, Laura Santamaría, Miguel El Rubio, José Manuel Martos and Consuelo HaldónThe proposal strengthens the link between the Biennial and the associative network. flamencobringing the intimate and personal experience that characterizes the peñas, true spaces of coexistence, transmission and creation around the flamenco.

Finally, the Santa Clara Space will host Montelirio, a choreographic creation project directed by Chloé Brûlé-Dauphin In collaboration with LaCosAde and developed in collaboration with artists from the movement based in Seville. Conceived as a site-specific proposal, the initiative explores the relationships between body, territory, and community through flamencoStructured improvisation and collective listening. With a language that moves between the ritual and the contemporary, 'Montelirio' will transform this heritage space into a stage for living creation, generating a unique experience in dialogue with the particularities of the place and with the cultural memory that inhabits it. ♦

 

 

ExpoFlamenco

ExpoFlamenco

Global art portal flamenco. Knowledge and passion. The depth and the pain. The pellizco and the festival. Cultural Heritage of Humanity.

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