Chickpeas with prawns to warm up the stomach in the shelter of Alcalá's high heels Yaiza WheatFacing the end, on the eve of the decline of Jerez Festival and framed within the cycle De peña en peña, the very young flamenco dancer from the land of the bullring, Joaquin from Paula y Manolito from MariaHe first set foot on the wooden pitches of Jerez, making a great impression on the fans who gathered to fill the venue. Don Antonio Chacón Cultural Center.
She came surrounded by Joni Torres y The Quini of Jerez al cante and the guitar of Daniel Mejia The CarquiQuini went all out with the handshakes for showmanship, while Joni delved into his melodious and more restrained style, avoiding ostentation.
She opened the show with tangos, displaying a flirtatious and provocative side, with a hip sway that took everyone's breath away. Stunningly beautiful, she danced with her gestures, shoulders, arms, waist, feet, eyes, and hair. From the tip of her heel to her bangs, flamencoNa and woman. With bursts of her dress, she swayed to the rhythm, overflowing with taste and flamenco flair. A whirlwind of energy danced in Jerez, and the audience devoured her. Her name is Yaiza Trigo, remember her name.
"Stunning, she danced with her gestures, her shoulders, her arms, her waist, her feet, her eyes, and her hair. From the tip of her heel to her bangs, flamencoNa and woman. With bursts of her dress, she moved to the rhythm, overflowing with taste and flamenco flair. A whirlwind of energy danced in Jerez, and the public devoured her.
The guitar solo trilled with a Levantine air, preluding the round of tonás and seguiriyas in which the guitar fell silent and Joni and El Quini's raw voices rallied around a handful of lyrics. Yaiza danced solemnly, with firm steps, powerful, with passion, potent and racial, pierced by the inspiration of the cry, with prodigious turns and planting her feet firmly in place, with depth and vigor.
Joni Torres from Malaga gracefully punctuated the dance, then gave way. The fandangos of Lucena and the one from... FrasquitoSo far, so elegant. Meanwhile, the soleá burst onto the stage. Yaiza danced for him. cante Stopping time. She demonstrated that despite her aesthetic discourse with a predominance of footwork, she cultivates a well-rounded arm movement and the rest of the techniques, knowing she was admired. She presented the bulería with elegant flourishes at the end and a couple of short, sharp steps. Joni remembered Santiago y Santa Ana, sang with permission for alboreá and with the spontaneous dance of ParakeetThe beach bar closed.
Yaiza made her mark in Jerez. It was her first time competing, and her performance was very well received.
Credits
Dance recital, by Yaiza Trigo
De peña en peña
XXX Jerez Festival
Cultural Center Flamenco Don Antonio Chacón, Jerez de la Frontera (Cádiz)
March 6th 2026
Dance: Yaiza Trigo
CanteJoni Torres and El Quini de Jerez
Guitar: Daniel Mejía El Carqui
