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MAGAZINE
International

Rafaela Carrasco makes Nîmes dream

Teaching compass with Lego pieces

Angeles Toledano, against deaf minds

United Flamenco: toward an evolving framework for flamenco education, practice, and appreciation

Kotoha Setoguchi: "From the outside, the flamenco It looks more exotic and attractive."

Stanford University Embraces Flamenco

Rafael Ramírez's successful tour of the United States with his 'Chronicle of an Event'

The program for the Nîmes Festival was presented in Madrid.

Brussels hosts the 'Five Days' festival Flamenco before and after Flamenco'

Marisol Encinias: "In other places the flamenco It's something exotic, but in Albuquerque it's considered a natural part of life.

International students experience the 'Flamenco Experience'

Noriko Martín releases her first album flamenco sung in Japanese
News

Teresa Jiménez releases her first single after more than 20 million views on social media

The poster for the Biennial has been unveiled Flamenco of Sevilla

Farruquito & Quintet Flamenco opens the sixth edition of Flamenco in Soho

Boost to the production of shows flamenco In Andalucia

Antonio Smash, much more than the rhythm of 'El Garrotín'

Final farewell to Juan Ramírez, the one with winged feet

The Heritage flamenco The Albayzín: an experience to be lived with the five senses

Arcángel's charity recital in Torres Macarena

The Juncales of Jerez receive a heartfelt tribute from the Peña Good people

Oscar Lago throws his soul (or souls) into the air

The 25 albums flamenco21st century

Puela Lunaris previews the contents of her documentary 'Zambomba'
Opinion

Diego Clavel, an anthology flamenco singer (and II)

Diego Clavel, an anthology flamenco singer (I)

Gifts flamencos for Three Kings Day

Let's light candles for Manuel Vallejo

A deep celebration with poets: memoirs of the flamenco Generation of '27

It's been 15 years since Enrique Morente passed away.

Julio Rivera, the poet flamenco that wanted to be sea

Inés de Utrera left

Antonio Gallardo Molina's Flamenco Christmas

The Christmas spirit of Miguel Poveda

Letter to Fosforito

Christmas in the style of bulerías with Juan Tejero
Chronicles

Rafaela Carrasco makes Nîmes dream

Teaching compass with Lego pieces

Angeles Toledano, against deaf minds

Carmela Greco and Carmen Ledesma: the truth about the dance flamenco

Patricia Guerrero's huge success at La Platería

Yaiza Trigo: a romance at the dance

Tete or the elegance of gypsy dance

The contained echo of David de Jacoba

Yerai Cortés's amazing performance, the backing vocals, and a bass guitar

Ezequiel Benítez and his faithful squire Paco León drew cheers in the peña oldest in the world

Lela Soto: freshness, gypsy spirit and daring

Rocío Márquez understands herself
Interviews

José Cenizo: "Flamenco lyrics should be brief, simple and profound, like an emotional spark."

Kotoha Setoguchi: "From the outside, the flamenco It looks more exotic and attractive."

Two hours with Lucía Beltrán, the flamenco singer who feels pain cante

Farruquito on the big screen: the artist's life comes to the cinema "in all its colors"

Marisol Encinias: "In other places the flamenco It's something exotic, but in Albuquerque it's considered a natural part of life.

Alexis Laurens (Festival Métropole de Montpellier): «In the face of our audience, what never fails is pure»

Pepe de Lucía (and II): "Paco gave me all his trophies, he said they were nothing"

What happened to Guillermo Cano, the singer of sweetness?

José Anillo: «If the flamenco like carnival, Cadiz would be something else"

Ostalinda Suárez: "Acaná is the vision I have of the flamenco»

Pepe de Lucía (I): "It's only now that I realize how great Paco was."

María Pagés: "We live in a complicated world, artists have a responsibility."
Authors
Cloves, cinnamon and Chocolate = recipe for the dark sounds

Juan Ramírez, feet and heart of the dance

What's up, bro? – Things (XX)

New Jondo: a summary of its peripheries and tangencies in 2025

Juan Murube, a flamenco eclectic

A peek at flamenco in New York, 1969
Archive
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Estela Zatania, flamenco wisdom and humility

FLAMENCO ROOM (III). Second installment of this audiovisual series directed by Carmen Arjona. Interview with Estela Zatania: singer, dancer, guitarist and journalist of the jondoA temple of art knowledge flamenco.

by Carmen Arjona Pabon

28 September 2025

en On the front page, Authors, Flamenco Room

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RecentPosts

Teresa Jiménez, a young guitarist from Córdoba. Photo: María Cariñanos

Teresa Jiménez releases her first single after more than 20 million views on social media

Rafaela Carrasco makes Nîmes dream

Teaching compass with Lego pieces

FLAMENCO ROOM (III). Second installment of this audiovisual series directed by Carmen Arjona. Interview with Estela Zatania, a New Yorker based in Jerez: singer, dancer, guitarist and journalist of the jondoA temple of art knowledge flamenco.

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Tags: "Zatania Wake"audiovisual interview flamenco female flamenco room

David Montero: flamenco between footlights

Carmen Arjona Pabon

Almargen, Málaga. She works in the Ministry of Culture and Historical Heritage. She has a degree in Journalism and a PhD in flamenco from the University of Seville. Passionate about art jondo since she was a child and a member of the Peña Cultural Flamenca Francisco Moreno Galván since 1998. She lives entangled in the networks of the jondo. Collaborator in print and digital media. Author of collective works by the Gallo de Vidrio Cultural Group "Azotea de la calle Redes" and in the Ámbitos para la Comunicación collection "La Comunicación Vigilante. El colectiva cultural Gallo de Vidrio (1972-2012)".