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Magazine ExpoFlamenco
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  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Paco de Lucia's sextet. They couldn't have been more football fans.

    Football and flamencothe art of playing with emotion

    Consuelo Haldón, at the LVII Meeting of Cante Jondo From La Puebla de Cazalla. Photo: Carmen Arjona

    The reunion with the jondo

    Flamenco dancer José Maya at the presentation of Rhythm Paradise Groove, a Nintendo video game. Tablao Torres Bermejas, Madrid. Photo: Nintendo

    José Maya, to the rhythm of Nintendo

    Pedro El Granaíno. Photo: perezventana

    The Seville Biennial explores the dialogue between the flamenco and Baroque music

    Group of people on a stage posing for a photo, with a large red backdrop featuring a flamenco dancer image and the text VI Suma Flamenca Joven and Comunidad de Madrid behind them.

    The VI Suma Flamenca Joven showcases the best emerging talent

    El Pele. V La Línea Flamenca Festival. July 4, 2026. Photo: Peña Linense Cultural

    El Pele, Duquende and José Viñas seal the success of the La Línea Flamenca Festival

    Pelé and young Seve. Photo: perezventana

    Pele and Duquende, at the V La Línea Flamenca Festival

    Tribute to Manuela Carrasco. XI Tacón Festival Flamenco from Utrera. Enrique de la Cuadra Theatre. 28 Feb 2025. Photo: Kiko Valle

    Spectacular lineup at the XIX Bulería Festival of Guillena

    Flamenco dancer Manuel Liñán. Photo: Javier Fergo

    Manuel Liñán and Reyes Carrasco, at the IV Festival Flamenco Planning

    María Pagés. Photo: Mauricio Mendivelso - Matadero Dance Center Website

    The Castillete de Oro in Las Minas pays tribute to María Pagés

    Israel Fernández and Diego del Morao. Presentation of Cruzcampo 1904 beer. Metropol Parasol (Las Setas de Sevilla). June 30, 2026. Photo: Pepo Herrera

    Israel Fernández and Cruzcampo: a happy partnership in Seville

    Presentation of the 59th Jerez Bulería Festival. Photo: Jerez City Council

    Plaza Belén once again serves as the venue for the Jerez Bulería Festival

    Parallel activity of the Seville Biennial. Photo: Biennial

    The 'other' art proposals flamenco of the Biennial

    Sara Baras, at the University of Cádiz Summer Courses. Photo: UCA

    Sara Baras opens the summer courses at the University of Cádiz

    Presentation of the poster for the LXIV National Competition of Cante Jondo Antonio Mairena. Casa Orellana, Mairena del Alcor. June 26, 2026. Photo: Mairena Competition

    The Contest of Cante Jondo Antonio Mairena pays tribute to Aurora Vargas

    The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

    The 'Jerez Cultural City' project focuses on local talent

    A festive atmosphere in the courtyard of the Salesian School of Utrera. 63rd Utrera Gypsy Stew Festival. Photo: perezventana

    Summer Festivals: The 12 Must-Sees

    Alba Heredia and Ricardo Fernández del Moral. Photo: Juanlu Vela

    'De raíz' closes the season of Flamenco Real

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Homophobia in the flamenco: an unfinished task?

    Flamenco dancer Rafael Amargo. Promotional image.

    Rafael Amargo is reborn in Madrid: "I don't want to be what I was, I want to be what I'm going to be"

  • Interviews
  • Opinion
    The Pastori line

    The Pastori line

    Researcher José Cenizo Jiménez, author of the book 'Teaching' flamencoAn interdisciplinary view of the letters of the cante'(Renacimiento Publishing House).

    Flamenco Is Felt… and Learned

    Promotional image from thirty years ago with Enrique Morente and Lagartija Nick for the launch of 'Omega'.

    Three decades of Omega: between ninety percent and infinity

    "The essence of Spanish dance is represented by this trio formed by Pilar López, Antonio de Triana and La Argentinita, who will soon be performing at the Fine Arts theater."

    Antonio de Triana and the Martinete dance

    Sordera de Jerez, at the X Arranque Roteño. August 1993. Photo: Manuel Martín Martín Archive

    Sordera de Jerez must be heard

    White cat stretching with an arched back against a dark blue background in a simple illustration.

    Flamenco Has Died…Again?

    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

  • Chronicles
    Fuensanta La Moneta. LVII Meeting of Cante Jondo From La Puebla de Cazalla. La Fuenlonguilla Estate. July 11, 2026. Photo: La Puebla Town Hall

    La Puebla for being a woman: Paqui Ríos and La Moneta filled the Moorish night with flamenco

    María Moreno. XXXVII Art Festival Flamenco of Mont-de-Marsan. July 2026. Photo: Laurent Robert

    Mont-de-Marsan caught the leprechaun of the 27th

    Woman in a white shawl sings into a microphone while a man in a suit plays a classical guitar outdoors among plants and trees.

    Angelita Montoya and José Galvez: a deep symphony at the Moguer Flamenco Week

    Ana Pastrana. IV Cabildo Flamenco From Archidona. July 2026. Photo: Fede Calderón

    Archidona Town Council: Chronicle of a Different Festival

    'Nights in the Gardens of Spain'. Juan Manuel Cañizares and the Córdoba Orchestra. XLV Córdoba Guitar Festival. Gran Teatro de Córdoba. July 8, 2026. Photo: Guillermo Castro

    Cañizares reinvents Falla in Córdoba

    Three musicians on a dark stage: a man in a straw hat playing a sitar on the left, a woman in a colorful dress seated center, and a man singing with a microphone on the right.

    In Archidona, Creation Triumphed Over Purity

    'Footprints of the Bullring', by Segundo Falcón, Paco Jarana and Manolo Franco. Art Festival Flamenco Mont-de-Marsan. Le Molière Theatre. July 3, 2026. Photo: Laurent Robert - LR Flamenco Photos

    Gold jondo by Falcón, Jarana and Manolo Franco

    Artists of the LIX Festival Flamenco Gazpacho from Morón. July 4, 2026. Photo: Morón City Council

    The 59th Gazpacho Festival in Morón reopens the debate between 'renew or die' for festivals flamencosummer s

    Davideana, Kiki Morente and Pablo Fernández. IX Cabildo Festival Flamenco From Archidona, Málaga. July 3, 2026. Photo: David Burbano

    Davideana’s Flamenco Guitar Conquered the Opening Night of the Cabildo

    Luisa Palicio, at the 46th Ecija Flamenco Night. Palace of PeñaFlower. July 3, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (and III)

    Pepe El Ecijano and Manuel Torres. XLVI Ecijana Flamenco Night (II). Palace of the Marquises of PeñaFlower, Écija (Seville). June 30, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (II)

    Presentation of the new Interpretation, Study and Documentation Centre of Flamenco Manuel Martín Martín. Photo: Écija City Council

    Écija positions itself as leader flamenco (I)

    70th Gypsy Stew of Utrera. Courtyard of the Salesian School of Utrera, Seville. June 27, 2026. Photo: Gypsy Brotherhood of Utrera

    Liturgy of a Gypsy Stew from Utrera

    'Sarmiento', by Curro Carrasco. Cloisters of Santo Domingo, Jerez. June 26, 2026. Photo: Air Music

    Curro Carrasco gives away polka-dotted cars at his album launch in Jerez

    Guitar recital by David Carmona. Peña La Platería, Granada. June 20, 2026. Photo: Gilberto González

    The unbearable genius of David Carmona

    'Guiding Light', by El Perrete. XXI Flamenco London Festival. Lilian Bailys Studio. June 20, 2026. Photo: Ángeles Ródenas

    Perrete and Merino, the Thames flows through Badajoz

    Guitar recital by Francis Gómez. Peña Flamenca Huelva Women's Team. June 18, 2026. Photo: Jesús Naranjo

    Francis Gómez: flamenco of roots, wings, and searches

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Yerba, Liñán, Farru, Molía, who'll bid higher?

    Rafaela Carrasco believes it and she believes it

    'Unydos', by the Jesús Carmona Dance Company. XLI Flamenco London Festival. Sadler's Wells Theatre, London. June 16, 2026. Photo: Ione Saizar

    Jesús Carmona, a complete flamenco dancer

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Group of flamenco performers on a purple-lit stage: a central singer in a black-purple dress, others stand behind, guitarist seated with an orange guitar, percussionist on drums nearby.

    The Caracolá Lebrijana, from tradition to necessary adaptation without losing flavor

    Antonio Plaza: Photo: María Sánchez Márquez, July 2026

    What do we know about the relationship between songbooks and the genesis of flamenco?

    La Favi and Curro Carrasco. XIX Bulería Festival 'Alberto Valdivia Arteaga'. Guillena Bullring, Seville. July 4, 2026. Photo: Juan Garrido

    The Bulería Festival in Guillena, full of young people and of good quality

    Bulerías dance party in Plaza Belén. Archive image.

    Bulerías in Jerez: from folklore to flamencoand back

    Joselero, Steve Kahn and Diego del Gastor. Photo: Steve Kahn

    Once upon a time there were Americans in Morón

    Caty León Benítez, currently.

    What do we know about the flamenco In Triana? Caty León explains it to us.

    Authorities, sponsors, organizers, and Manuel Lombo, representing Morante de la Puebla. LXX Potaje Gitano Festival of Utrera. June 27, 2026. Photo: Juan Garrido

    The stew doesn't go bland without Morante

    Front-facing man with glasses sits in a home studio, with a piano and plant behind him; EXPO MÚSICA logo visible in the corner.

    Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez

    Man with gray hair and glasses holds an acoustic guitar, smiling at the camera in a home music studio with a keyboard and plants nearby, Expo Musica logo in the corner.

    The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez

  • Archive
  • Login
  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Paco de Lucia's sextet. They couldn't have been more football fans.

    Football and flamencothe art of playing with emotion

    Consuelo Haldón, at the LVII Meeting of Cante Jondo From La Puebla de Cazalla. Photo: Carmen Arjona

    The reunion with the jondo

    Flamenco dancer José Maya at the presentation of Rhythm Paradise Groove, a Nintendo video game. Tablao Torres Bermejas, Madrid. Photo: Nintendo

    José Maya, to the rhythm of Nintendo

    Pedro El Granaíno. Photo: perezventana

    The Seville Biennial explores the dialogue between the flamenco and Baroque music

    Group of people on a stage posing for a photo, with a large red backdrop featuring a flamenco dancer image and the text VI Suma Flamenca Joven and Comunidad de Madrid behind them.

    The VI Suma Flamenca Joven showcases the best emerging talent

    El Pele. V La Línea Flamenca Festival. July 4, 2026. Photo: Peña Linense Cultural

    El Pele, Duquende and José Viñas seal the success of the La Línea Flamenca Festival

    Pelé and young Seve. Photo: perezventana

    Pele and Duquende, at the V La Línea Flamenca Festival

    Tribute to Manuela Carrasco. XI Tacón Festival Flamenco from Utrera. Enrique de la Cuadra Theatre. 28 Feb 2025. Photo: Kiko Valle

    Spectacular lineup at the XIX Bulería Festival of Guillena

    Flamenco dancer Manuel Liñán. Photo: Javier Fergo

    Manuel Liñán and Reyes Carrasco, at the IV Festival Flamenco Planning

    María Pagés. Photo: Mauricio Mendivelso - Matadero Dance Center Website

    The Castillete de Oro in Las Minas pays tribute to María Pagés

    Israel Fernández and Diego del Morao. Presentation of Cruzcampo 1904 beer. Metropol Parasol (Las Setas de Sevilla). June 30, 2026. Photo: Pepo Herrera

    Israel Fernández and Cruzcampo: a happy partnership in Seville

    Presentation of the 59th Jerez Bulería Festival. Photo: Jerez City Council

    Plaza Belén once again serves as the venue for the Jerez Bulería Festival

    Parallel activity of the Seville Biennial. Photo: Biennial

    The 'other' art proposals flamenco of the Biennial

    Sara Baras, at the University of Cádiz Summer Courses. Photo: UCA

    Sara Baras opens the summer courses at the University of Cádiz

    Presentation of the poster for the LXIV National Competition of Cante Jondo Antonio Mairena. Casa Orellana, Mairena del Alcor. June 26, 2026. Photo: Mairena Competition

    The Contest of Cante Jondo Antonio Mairena pays tribute to Aurora Vargas

    The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

    The 'Jerez Cultural City' project focuses on local talent

    A festive atmosphere in the courtyard of the Salesian School of Utrera. 63rd Utrera Gypsy Stew Festival. Photo: perezventana

    Summer Festivals: The 12 Must-Sees

    Alba Heredia and Ricardo Fernández del Moral. Photo: Juanlu Vela

    'De raíz' closes the season of Flamenco Real

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Homophobia in the flamenco: an unfinished task?

    Flamenco dancer Rafael Amargo. Promotional image.

    Rafael Amargo is reborn in Madrid: "I don't want to be what I was, I want to be what I'm going to be"

  • Interviews
  • Opinion
    The Pastori line

    The Pastori line

    Researcher José Cenizo Jiménez, author of the book 'Teaching' flamencoAn interdisciplinary view of the letters of the cante'(Renacimiento Publishing House).

    Flamenco Is Felt… and Learned

    Promotional image from thirty years ago with Enrique Morente and Lagartija Nick for the launch of 'Omega'.

    Three decades of Omega: between ninety percent and infinity

    "The essence of Spanish dance is represented by this trio formed by Pilar López, Antonio de Triana and La Argentinita, who will soon be performing at the Fine Arts theater."

    Antonio de Triana and the Martinete dance

    Sordera de Jerez, at the X Arranque Roteño. August 1993. Photo: Manuel Martín Martín Archive

    Sordera de Jerez must be heard

    White cat stretching with an arched back against a dark blue background in a simple illustration.

    Flamenco Has Died…Again?

    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

  • Chronicles
    Fuensanta La Moneta. LVII Meeting of Cante Jondo From La Puebla de Cazalla. La Fuenlonguilla Estate. July 11, 2026. Photo: La Puebla Town Hall

    La Puebla for being a woman: Paqui Ríos and La Moneta filled the Moorish night with flamenco

    María Moreno. XXXVII Art Festival Flamenco of Mont-de-Marsan. July 2026. Photo: Laurent Robert

    Mont-de-Marsan caught the leprechaun of the 27th

    Woman in a white shawl sings into a microphone while a man in a suit plays a classical guitar outdoors among plants and trees.

    Angelita Montoya and José Galvez: a deep symphony at the Moguer Flamenco Week

    Ana Pastrana. IV Cabildo Flamenco From Archidona. July 2026. Photo: Fede Calderón

    Archidona Town Council: Chronicle of a Different Festival

    'Nights in the Gardens of Spain'. Juan Manuel Cañizares and the Córdoba Orchestra. XLV Córdoba Guitar Festival. Gran Teatro de Córdoba. July 8, 2026. Photo: Guillermo Castro

    Cañizares reinvents Falla in Córdoba

    Three musicians on a dark stage: a man in a straw hat playing a sitar on the left, a woman in a colorful dress seated center, and a man singing with a microphone on the right.

    In Archidona, Creation Triumphed Over Purity

    'Footprints of the Bullring', by Segundo Falcón, Paco Jarana and Manolo Franco. Art Festival Flamenco Mont-de-Marsan. Le Molière Theatre. July 3, 2026. Photo: Laurent Robert - LR Flamenco Photos

    Gold jondo by Falcón, Jarana and Manolo Franco

    Artists of the LIX Festival Flamenco Gazpacho from Morón. July 4, 2026. Photo: Morón City Council

    The 59th Gazpacho Festival in Morón reopens the debate between 'renew or die' for festivals flamencosummer s

    Davideana, Kiki Morente and Pablo Fernández. IX Cabildo Festival Flamenco From Archidona, Málaga. July 3, 2026. Photo: David Burbano

    Davideana’s Flamenco Guitar Conquered the Opening Night of the Cabildo

    Luisa Palicio, at the 46th Ecija Flamenco Night. Palace of PeñaFlower. July 3, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (and III)

    Pepe El Ecijano and Manuel Torres. XLVI Ecijana Flamenco Night (II). Palace of the Marquises of PeñaFlower, Écija (Seville). June 30, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (II)

    Presentation of the new Interpretation, Study and Documentation Centre of Flamenco Manuel Martín Martín. Photo: Écija City Council

    Écija positions itself as leader flamenco (I)

    70th Gypsy Stew of Utrera. Courtyard of the Salesian School of Utrera, Seville. June 27, 2026. Photo: Gypsy Brotherhood of Utrera

    Liturgy of a Gypsy Stew from Utrera

    'Sarmiento', by Curro Carrasco. Cloisters of Santo Domingo, Jerez. June 26, 2026. Photo: Air Music

    Curro Carrasco gives away polka-dotted cars at his album launch in Jerez

    Guitar recital by David Carmona. Peña La Platería, Granada. June 20, 2026. Photo: Gilberto González

    The unbearable genius of David Carmona

    'Guiding Light', by El Perrete. XXI Flamenco London Festival. Lilian Bailys Studio. June 20, 2026. Photo: Ángeles Ródenas

    Perrete and Merino, the Thames flows through Badajoz

    Guitar recital by Francis Gómez. Peña Flamenca Huelva Women's Team. June 18, 2026. Photo: Jesús Naranjo

    Francis Gómez: flamenco of roots, wings, and searches

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Yerba, Liñán, Farru, Molía, who'll bid higher?

    Rafaela Carrasco believes it and she believes it

    'Unydos', by the Jesús Carmona Dance Company. XLI Flamenco London Festival. Sadler's Wells Theatre, London. June 16, 2026. Photo: Ione Saizar

    Jesús Carmona, a complete flamenco dancer

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Group of flamenco performers on a purple-lit stage: a central singer in a black-purple dress, others stand behind, guitarist seated with an orange guitar, percussionist on drums nearby.

    The Caracolá Lebrijana, from tradition to necessary adaptation without losing flavor

    Antonio Plaza: Photo: María Sánchez Márquez, July 2026

    What do we know about the relationship between songbooks and the genesis of flamenco?

    La Favi and Curro Carrasco. XIX Bulería Festival 'Alberto Valdivia Arteaga'. Guillena Bullring, Seville. July 4, 2026. Photo: Juan Garrido

    The Bulería Festival in Guillena, full of young people and of good quality

    Bulerías dance party in Plaza Belén. Archive image.

    Bulerías in Jerez: from folklore to flamencoand back

    Joselero, Steve Kahn and Diego del Gastor. Photo: Steve Kahn

    Once upon a time there were Americans in Morón

    Caty León Benítez, currently.

    What do we know about the flamenco In Triana? Caty León explains it to us.

    Authorities, sponsors, organizers, and Manuel Lombo, representing Morante de la Puebla. LXX Potaje Gitano Festival of Utrera. June 27, 2026. Photo: Juan Garrido

    The stew doesn't go bland without Morante

    Front-facing man with glasses sits in a home studio, with a piano and plant behind him; EXPO MÚSICA logo visible in the corner.

    Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez

    Man with gray hair and glasses holds an acoustic guitar, smiling at the camera in a home music studio with a keyboard and plants nearby, Expo Musica logo in the corner.

    The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez

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The 'Jerez Cultural City' project focuses on local talent

Mayor María José García-Pelayo presents the roadmap for 'Jerez Cultural City', a strategic commitment that promotes a sustainable urban model based on local talent.

ExpoFlamenco by ExpoFlamenco
26 2026 June
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The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

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The Mayor of Jerez, Maria Jose Garcia-Pelayo, presented this Thursday at the Atalaya Museums the roadmap of Jerez Cultural City, an initiative that marks the beginning of a new stage for the city and that continues after the candidacy process to European Capital of Culture 2031with the aim of consolidating and developing all the cultural, social and institutional capital generated during these years.

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María José García-Pelayo, with María Isabel Rodríguez Palop at the Lola Flores Cultural Center, Jerez.

María José García-Pelayo: "We want to tell the world that Jerez is here."

4 months ago

In front of representatives from the cultural sector, social entities, economic agents and institutions, the mayor presented the continuation of the cultural project that Jerez took to Europe, starting a new stage for the transformation of the project built during the candidacy into concrete actions.

The event was attended by the first vice president of the Provincial Council of Cádiz, Juancho Ortiz; the rector of the University of Cádiz, Casimir Mantell; the president of the Jerez Chamber of Commerce, Javier Sánchez Rojas; the Director General of Equality and Local Policies of the FEMP, Cristina Montalvá; and the local secretary of the Workers' Commissions, Patricio Pérez PachecoThey have all shared their vision on the role of culture as a tool for development, cohesion and the future.

During her speech, María José García-Pelayo pointed out that “from the very beginning, we were very clear that the most important thing was everything we had built together. The candidacy allowed us to mobilize the city, listen to hundreds of people, and generate ideas, projects, and alliances that have intrinsic value. That is why we are here today, because important projects don't end when a verdict is reached. They begin to take real shape when there is the will to make them a reality.”

The mayor explained that this new phase involves moving “from enthusiasm to implementation,” through a rigorous work methodology that will guarantee the technical and economic viability of the proposed initiatives. In this regard, she announced a project evaluation and prioritization process to identify those projects that are most promising. proposals with greater capacity to generate opportunities, strengthen the cultural fabric, improve neighborhoods and contribute to the social and economic development of the cityIn this regard, he recalled that “culture is a tool for social transformation. We want it to reach every corner of Jerez, to be present in education, youth, equality and social cohesion, and for our historical and artistic heritage to continue being an engine of opportunity for all citizens,” he stated.

The roadmap for 'Jerez Cultural City' is based on the foundations established in the Jerez 2031 bid book and its major strategic axes, which will serve as a reference for promoting new cultural projects in the coming years. Among the first initiatives that have already emerged directly from the legacy of the bid, the following stand out: Jerez Fusion, a festival conceived as a meeting place between tradition and contemporaneity, local talent and external projection.

The mayor also emphasized that the City Council will continue working closely with the institutions that have supported the project from its inception. In this regard, she reiterated the collaboration with the Provincial Council of Cádiz, the University of Cádiz, and the Jerez Chamber of Commerce, as well as strengthening cooperation with the Spanish Federation of Municipalities and Provinces (FEMP) and various international organizations and institutions, with the aim of further establishing Jerez as a cultural benchmark and realizing the shared vision the city developed during its bid.

For his part, the first vice president of the Provincial Council of Cádiz, Juancho OrtizHe pointed out that "the Provincial Council has always considered Jerez 2031 to be a project to promote and highlight the tangible and intangible heritage of the entire province. This new project is an opportunity for the future in which collaboration between institutions must be the foundation for achieving the proposed objectives. Cádiz is culture twelve months a year, and Jerez Cultural City represents a new opportunity to boost a sector that generates quality tourism and stimulates the local and provincial economy."

 

"Culture is a tool for social transformation. We want it to reach every corner of Jerez, to be present in education, youth, equality and social cohesion, and for our historical and artistic heritage to continue being an engine of opportunity for all citizens" (María José García-Pelayo)

 

The president of the Jerez Chamber of Commerce, Javier Sánchez RojasSánchez Rojas emphasized that "Jerez 2031 has maintained a strategic continuity despite the change in government" and thanked the mayor for her commitment to seeing it through to the end. Thanks to this, the province now views Jerez with new eyes in the cultural sphere. Sánchez Rojas highlighted that "many people who were previously hidden within the city's everyday cultural scene responded to this initiative, and this deserves recognition."

Now, the president of the Chamber of Commerce advocates for consolidating a future project because "we have the plans and now we have to build this project by persevering until we reach the goal."

For his part, the rector of the University of Cádiz, Casimiro Mantell, stated that Jerez's 2031 bid was "a dream we mustn't wake up from because it's a project that will remain connected to society as Jerez becomes a Cultural City. It has allowed us to work hand in hand with the other administrations, and we must continue to contribute ideas and promote the entire cultural offering, cultivating it to ensure its future."

For his part, Patricio Pérez-Pacheco argued that "general culture is a source of wealth and an important gateway to job creation." Therefore, he believes that "we must create a strong business network, and this project should open that door to working towards quality employment, diversification, and ensuring that everything stays in Jerez."

The head of the largest union in the city has highlighted that "Jerez is in fashion because it is growing with high-level cultural projects such as the twinning with Victoria, in Malta, which will be a European Capital of Culture City.

Finally, Cristina Montalvá emphasized that "Jerez has already won because the success of a project must be measured by the enthusiasm and mobilization it generates, and you have already demonstrated that with the Jerez 2031 bid and now with Jerez as a Cultural City. Jerez has managed to position itself and is not the same as it was a year ago." She concluded by noting that "the FEMP (Spanish Federation of Municipalities and Provinces) has created a Network of Cultural Cities, which was spearheaded by Jerez, and which already has 25 members and up to 70 interested parties."

The event featured a stellar performance by the acting team of Jerez Studio Theater and has showcased the city's creative talent thanks to the participation of Lucía Soto de Rueda, Juan Diego Mateos Trio and Jerez Municipal Band, which has premiered the Anthem of Culture, an original work composed by its director, Luis Alfonso Román Cárdenas; St. Anthony Jazz Trio, the students of the Jerez Dance Academy, María Martínez, Kristina, María Plata, Valentín Agrela and Antonio Morales, as well as members of the Eslava Painters Association.

 

ExpoFlamenco

ExpoFlamenco

Global art portal flamenco. Knowledge and passion. The depth and the pain. The pellizco and the festival. Cultural Heritage of Humanity.

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