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Diego El Boquerón and the cante old

Autumn Flamenco The flamenco gathering "El Pozo de las Penas" in the Sevillian town of Los Palacios y Villafranca received a scratch from cante Diego El Boquerón's aged wine.

Kiko Valle by Kiko Valle
16 January 2026
Reading time: 2 mins
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Recital by Diego El Boquerón. Autumn Flamenco From the Flamenco Gathering "El Pozo de las Penas." Los Palacios, Seville. November 21, 2025. Photo: Kiko Valle

Recital by Diego El Boquerón. Autumn Flamenco From the Flamenco Gathering "El Pozo de las Penas." Los Palacios, Seville. November 21, 2025. Photo: Kiko Valle

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José María Santiago Camacho, known as Diego Vargas El BoquerónAt 81 years old, he showed that he can still outplay anyone, chewing on the times of cante And charging with gusto, the valiant tercios. But the virtue lies not only in the drive, but in the honeyed quality with which he bathes the bass and cradles the melismas of his privileged throat, producing highly personal sounds that are so rare these days. And yet there are still those who say that there are no masters in Seville. Listen to Diego, save your words, and tear your shirts to the bone with this little gypsy, who is bigger than Barcelona.

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In the Flamenco Gathering The Well of Sorrows have had the good sense to remember the old folks in their Fall flamencoThey received a scratch from cante aged wine from El Boquerón, accompanied by the deep and flamenco guitar of Antonio Moya who, like the aficionados at the palace, likes the slightly toasted pot and enjoys lending his voice to singers of this caliber. He tamed his Francisco Sánchez with an antique pegboard and played with gusto in the falsetas, respecting the silences and cutting the responses in a dialogue of connoisseurs that flooded the stage with pinches with duende.

 

"And there are still those who say there are no masters in Seville. Listen to Diego El Boquerón, save your words and tear your shirts for this little gypsy, who is bigger than Barcelona."

 

 

Diego sprinkled the salt flats with alegrías, tempering his dark Adam's apple, and a repertoire with a jinque was already foreshadowed. He tightened his belt with soleá, beginning with Cádiz, looking at himself in The Twin. It hurt in the... La Andonda and of BeansThe crosses for Levante were squeezed in the tarantos of Manuel Torre and of The Fool of Linares to then probe the wound, shedding fat little tears that revealed his sorrows in the mournful seguiriya, which he finished by digging deep into his soul with a tremendous macho. Then he brought the sweetness through tientos tangos, clinging to the forms of classicism. And he ended with rhythm to spare in a grand finale in which he was accompanied by "his sparrows", as he called the women of his family and his granddaughters, who perpetuate his saga with dance, overflowing with age and flamenco.

It was the recital of a veteran who spilled the cante Authentic and proper for true aficionados. Without artifice, superfluous modernities, or nonsense.That's it. Come and see, the videos are below.

 

Credits

Recital by Diego El Boquerón
Fall Flamenco from the Flamenco Gathering "The Well of Sorrows"
The Palaces and Villafranca, Seville
November 21th 2025
Cante: Diego El Boquerón
Guitar: Antonio Moya

 

 

Kiko Valle

Kiko Valle

Journalist by vocation of the jondo, inveterate aficionado, singer of writing. On a journey to the emotions of the ritual of flamencoKiko Valle –Utrera, 1979– requires the interplay of words and images to depict the turmoil of a flamenco lament, the colors of a flamenco song, or the sting of pain. Critic of flamenco, presenter, speaker, photographer and videographer for more than two decades.

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