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Magazine ExpoFlamenco
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  • Magazine
    • International
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    'Magnificat', by María Moreno. Festival Flamenco from Nimes. Theater of Nîmes, Bernadette Lafon Hall. January 16, 2026. Photo: Sandy Korzekwa

    The Villains of the Cycle Flamenco champions art without constraints

    Eight adults pose for a group photo in a hall with flamenco event posters in the background.

    Flamenco On Fire: second part of the 'Andalusian Cadence 1925-1950' trilogy

    Vicente Amigo. Photo: FB Córdoba Guitar Festival

    XLV Cordoba Guitar Festival: Flamenco History in Action

    Presentation of the Teatro Alameda concerts at La Bienal. Mercado del Barranco, Seville. May 4, 2026. Photo: perezventana

    Teatro Alameda: youth, memory and savagery at the Seville Biennial

    Presentation of the XI Festival Flamenco City of Huelva. Photo: Huelva City Council

    Festival Flamenco City of Huelva: emotion, roots and the return of Arcángel

    Manuela Román and Pepe Solano. Presentation of the poster for the XXXV Festival Flamenco La Yerbabuena, Las Cabezas de San Juan (Seville). Photo: Kiko Valle

    The poster and program for the Yerbabuena Festival have been presented.

    Presentation of the documentary 'You Will Be Farruquito'. Photo: Seville European Film Festival

    The Artillery Factory opens to the Seville Biennial with premieres by Ana Morales and Pablo Martín Caminero

    Presentation of the Conference Flamenco and the Generation of '27. Photo: Seville Chamber of Commerce

    The Conference was presented Flamenco and Generation of '27

    José Antonio Rodríguez. III Madrid Community Guitar Festival. Photo: Fest Guitarra

    José Antonio Rodríguez closed the III Guitar Festival of the Community of Madrid

    Jury of the Cante of the Mines 2026. Photo: Fund Cante The Mines

    Figures of canteDance, criticism, and research, on the jury of Las Minas

    Paco del Pozo. XXVI Tío Luis el de la Juliana Festival. Isabel de España University Residence Hall, Madrid. Photo: Vicente Pachón

    The 'Isa', the most flamenco Madrid

    Documentary 'Bernabé, the smile of flamenco', by the young filmmaker Dany Ruz. Promotional photo.

    Bernabé, more than just Paco de Lucía's dentist

    The Crumbs.

    Ambitious lineup at the IX FlamencoMestizos

    The Madrid City Council recognizes the work of Tablao 1911. Photo: Tablao 1911

    Madrid pays tribute to Tablao 1911: a century guarding the temple of flamenco

    Morente, at La Tertulia with Tato Rébora and the poets Ángel González and Luis García Montero. Photo: Tato Archive

    The Tertulia in Granada, where Morente's memory lives on.

    Presentation of the 70th Utrera Gypsy Stew. Gourmet Experience, El Corte Inglés Plaza del Duque, Seville. April 8, 2026. Photo: Kiko Valle

    ExpoFlamenco unites in solidarity with the Gypsy Stew of Utrera

    Presentation of the show 'El mundo por montera', from the Seville Biennial. Hotel Meliá Colón, Seville. April 17, 2026. Photo: Laura León - Biennial

    Flamenco in the Bullring: the Biennial takes on 'The world by the horns'

    Presentation of the Andalusia cycle.FlamencoCentral Theatre, Seville. Photo: Ministry of Culture, Regional Government of Andalusia

    Andalusia.Flamenco It brings together emerging figures and talents in the arts jondo

    Presentation of the Sevilla Flamenca Circuit 2026. Photo: Prodetur

    The Sevilla Flamenca circuit brings art back to the stage. jondo at peñas

    'Babel (Work in progress)', by Compañía David Coria. XXX Jerez Festival. Blas Infante Social Center. March 2, 2026. Photo: @Festival de Jerez - Rina Srabonian

    David Coria, Paula Comitre, Alfonso Losa and Sara Jiménez, at the In Progress 2026 residencies

  • Interviews
  • Opinion
    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

    Manuel Martín Martín and Luis Soler Guevara, at the tribute to the latter held at the University of Málaga, 2017. Photo: MMM Archive

    Luis Soler, the other voice of Malaga (II)

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (I)

  • Chronicles
    recital of cante By Esmeralda Rancapino. V Manuel Herrera Rodas Flamenco Cultural Spring Festival. El Pozo de las Penas Flamenco Cultural Gathering, Los Palacios y Villafranca, Seville. April 30, 2026. Photo: Kiko Valle

    Esmeralda Rancapino or the cotton candy

    'With hierarchy', by José Valencia. Cádiz Cycle Flamenco. Center Flamenco La Merced, Cádiz. April 30, 2026. Photo: Modesto Sánchez Sierra

    José Valencia, family matters

    recital of cante by David Carpio. Peña La Platería, Granada. April 25, 2026. Photo: Antonio Conde

    David Carpio: Jerez as his flag

    'Cante 'woman's', by Naike Ponce, Pilar La Gineta and Teresa Hernández. Cádiz Cycle is Flamenco. Center Flamenco La Merced, Cádiz. April 24, 2026. Photo: Antonio Barce

    Naike, La Gineta… and the tears of Teresa Hernández

    recital of cante by Luis MoneoDeep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. April 23, 2026. Photo: Lourdes Gálvez del Postigo

    Luis Moneo: heredity and personality

    La Macanita sings the songs of Antonio Gallardo. Villamarta Theatre, Jerez. April 18, 2026. Photo: Courtesy of Compañía Macanita

    La Macanita reigns in Villamarta with the romantic idyll between her voice and Gallardo

    Guitar recital by Mercedes Luján. Peña La Platería, Granada. April 18, 2026. Photo: Carlos Fernández - ExtampasFlamencas

    The renewal of the feminine touch: Mercedes Luján

    Jaime Cala: scenic architecture of the jondo

    Jaime Cala: scenic architecture of the jondo

    'Warm-up', by Rocío Molina. Cycle Flamenco It will be you. Cervantes Theatre, Malaga. April 15, 2026. Photo: Álvaro Cabrera

    Rocío Molina: to begin, always to begin

    recital of cante From El Canana. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas. April 14, 2026. Photo: Kiko Valle

    The Canana and the taste of orthodoxy

    Manuel's Recital Moneo The Uproar. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas, Paradas, Seville. April 12, 2026. Photo: Kiko Valle

    The roll in the hay cante Manuel Moneo 'Commotion' in Paradas

    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

    recital of cante Juanelo's. Peña Flamenca La Bambera, Seville. March 21, 2026. Photo: Kiko Valle

    Juanelo: the pellizco and the stranded numbs

    Dance recital by La Repompilla. Peña Flamenca Torres Macarena, Seville. March 27, 2026. Photo: Kiko Valle

    La Repompilla and the gypsy culture of the mamao dance

    recital of cante By Antonio Reyes. Flamenco Gathering El Pozo de las Penas, Los Palacios y Villafranca, Seville. March 28, 2026. Photo: Kiko Valle

    Antonio Reyes and the fat candy barbs

    Helga Molina, Ángeles Cerrejón, Rubén Franco, Kiko Valle, Trini Navarro, Rocío De los Santos, Carmen Arjona and Miguel Verdejo. Exaltation of the Saeta. peña Women's team from Huelva. Lent 2026. Photo: Jesús Naranjo

    Two truths intertwined in the arrow

    'Ellas', by Eva Esquivel. Isabel la Católica Theatre, Granada. March 26, 2026. Photo: Gilberto González

    The most flamenco Eve in Granada

    Antonio Reyes, at La Platería. Photo: Carlos Fernández - Extampasflamencas

    The sweet, flamenco voice of Antonio Reyes

    recital of cante by Angelita Montoya. Peña Flamenca Mazaco, Coria del Río. March 14, 2026. Photo: Kiko Valle

    Angelita Montoya: a torrent of brown colors

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    American researcher Tyler Barbour. Photo: LK Tyler

    Who said that the flamenco Is it only intimate and not social – too –?

    Rafael Romero "The Chicken".

    The flamenco elegance of Rafael Romero

    Award winners and authorities. Gala of the III Córdoba Art Awards FlamencoChair of FlamencoUniversity of Córdoba. April 30, 2026. Photo: Chair

    The Chair of FlamencoCórdoba art school strengthens its art awards flamenco

    Fabi and Curro Carrasco. Peña The Pearl of Cádiz, Cádiz. Photo: Juan Garrido

    La Fabi, a star near the sun

    Dome of the Sanctuary of Our Lady of Victory, Malaga, 1700.

    Fear of emptiness

    Four male musicians on a stage: one with a bright orange guitar singing into a mic while three others applaud nearby, with a mural backdrop and flags behind them at a performance venue.

    José Méndez and his flamenco singing vindication

    Festival in Fregenal de la Sierra, Badajoz, Extremadura. Photo: Estela Zatania

    Passion and tolerance in flamenco

    The poet Francisco Basallote.

    A tribute to Francisco Basallote, of secret poetry

    Caracolillo de Cádiz and Paco León, performing seguiriyas, in La Peña The Bulería. Photo: Juan Garrido

    The ideal taste of Caracolillo de Cádiz

  • Archive
  • Login
  • Magazine
    • International
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    'Magnificat', by María Moreno. Festival Flamenco from Nimes. Theater of Nîmes, Bernadette Lafon Hall. January 16, 2026. Photo: Sandy Korzekwa

    The Villains of the Cycle Flamenco champions art without constraints

    Eight adults pose for a group photo in a hall with flamenco event posters in the background.

    Flamenco On Fire: second part of the 'Andalusian Cadence 1925-1950' trilogy

    Vicente Amigo. Photo: FB Córdoba Guitar Festival

    XLV Cordoba Guitar Festival: Flamenco History in Action

    Presentation of the Teatro Alameda concerts at La Bienal. Mercado del Barranco, Seville. May 4, 2026. Photo: perezventana

    Teatro Alameda: youth, memory and savagery at the Seville Biennial

    Presentation of the XI Festival Flamenco City of Huelva. Photo: Huelva City Council

    Festival Flamenco City of Huelva: emotion, roots and the return of Arcángel

    Manuela Román and Pepe Solano. Presentation of the poster for the XXXV Festival Flamenco La Yerbabuena, Las Cabezas de San Juan (Seville). Photo: Kiko Valle

    The poster and program for the Yerbabuena Festival have been presented.

    Presentation of the documentary 'You Will Be Farruquito'. Photo: Seville European Film Festival

    The Artillery Factory opens to the Seville Biennial with premieres by Ana Morales and Pablo Martín Caminero

    Presentation of the Conference Flamenco and the Generation of '27. Photo: Seville Chamber of Commerce

    The Conference was presented Flamenco and Generation of '27

    José Antonio Rodríguez. III Madrid Community Guitar Festival. Photo: Fest Guitarra

    José Antonio Rodríguez closed the III Guitar Festival of the Community of Madrid

    Jury of the Cante of the Mines 2026. Photo: Fund Cante The Mines

    Figures of canteDance, criticism, and research, on the jury of Las Minas

    Paco del Pozo. XXVI Tío Luis el de la Juliana Festival. Isabel de España University Residence Hall, Madrid. Photo: Vicente Pachón

    The 'Isa', the most flamenco Madrid

    Documentary 'Bernabé, the smile of flamenco', by the young filmmaker Dany Ruz. Promotional photo.

    Bernabé, more than just Paco de Lucía's dentist

    The Crumbs.

    Ambitious lineup at the IX FlamencoMestizos

    The Madrid City Council recognizes the work of Tablao 1911. Photo: Tablao 1911

    Madrid pays tribute to Tablao 1911: a century guarding the temple of flamenco

    Morente, at La Tertulia with Tato Rébora and the poets Ángel González and Luis García Montero. Photo: Tato Archive

    The Tertulia in Granada, where Morente's memory lives on.

    Presentation of the 70th Utrera Gypsy Stew. Gourmet Experience, El Corte Inglés Plaza del Duque, Seville. April 8, 2026. Photo: Kiko Valle

    ExpoFlamenco unites in solidarity with the Gypsy Stew of Utrera

    Presentation of the show 'El mundo por montera', from the Seville Biennial. Hotel Meliá Colón, Seville. April 17, 2026. Photo: Laura León - Biennial

    Flamenco in the Bullring: the Biennial takes on 'The world by the horns'

    Presentation of the Andalusia cycle.FlamencoCentral Theatre, Seville. Photo: Ministry of Culture, Regional Government of Andalusia

    Andalusia.Flamenco It brings together emerging figures and talents in the arts jondo

    Presentation of the Sevilla Flamenca Circuit 2026. Photo: Prodetur

    The Sevilla Flamenca circuit brings art back to the stage. jondo at peñas

    'Babel (Work in progress)', by Compañía David Coria. XXX Jerez Festival. Blas Infante Social Center. March 2, 2026. Photo: @Festival de Jerez - Rina Srabonian

    David Coria, Paula Comitre, Alfonso Losa and Sara Jiménez, at the In Progress 2026 residencies

  • Interviews
  • Opinion
    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

    Manuel Martín Martín and Luis Soler Guevara, at the tribute to the latter held at the University of Málaga, 2017. Photo: MMM Archive

    Luis Soler, the other voice of Malaga (II)

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (I)

  • Chronicles
    recital of cante By Esmeralda Rancapino. V Manuel Herrera Rodas Flamenco Cultural Spring Festival. El Pozo de las Penas Flamenco Cultural Gathering, Los Palacios y Villafranca, Seville. April 30, 2026. Photo: Kiko Valle

    Esmeralda Rancapino or the cotton candy

    'With hierarchy', by José Valencia. Cádiz Cycle Flamenco. Center Flamenco La Merced, Cádiz. April 30, 2026. Photo: Modesto Sánchez Sierra

    José Valencia, family matters

    recital of cante by David Carpio. Peña La Platería, Granada. April 25, 2026. Photo: Antonio Conde

    David Carpio: Jerez as his flag

    'Cante 'woman's', by Naike Ponce, Pilar La Gineta and Teresa Hernández. Cádiz Cycle is Flamenco. Center Flamenco La Merced, Cádiz. April 24, 2026. Photo: Antonio Barce

    Naike, La Gineta… and the tears of Teresa Hernández

    recital of cante by Luis MoneoDeep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. April 23, 2026. Photo: Lourdes Gálvez del Postigo

    Luis Moneo: heredity and personality

    La Macanita sings the songs of Antonio Gallardo. Villamarta Theatre, Jerez. April 18, 2026. Photo: Courtesy of Compañía Macanita

    La Macanita reigns in Villamarta with the romantic idyll between her voice and Gallardo

    Guitar recital by Mercedes Luján. Peña La Platería, Granada. April 18, 2026. Photo: Carlos Fernández - ExtampasFlamencas

    The renewal of the feminine touch: Mercedes Luján

    Jaime Cala: scenic architecture of the jondo

    Jaime Cala: scenic architecture of the jondo

    'Warm-up', by Rocío Molina. Cycle Flamenco It will be you. Cervantes Theatre, Malaga. April 15, 2026. Photo: Álvaro Cabrera

    Rocío Molina: to begin, always to begin

    recital of cante From El Canana. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas. April 14, 2026. Photo: Kiko Valle

    The Canana and the taste of orthodoxy

    Manuel's Recital Moneo The Uproar. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas, Paradas, Seville. April 12, 2026. Photo: Kiko Valle

    The roll in the hay cante Manuel Moneo 'Commotion' in Paradas

    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

    recital of cante Juanelo's. Peña Flamenca La Bambera, Seville. March 21, 2026. Photo: Kiko Valle

    Juanelo: the pellizco and the stranded numbs

    Dance recital by La Repompilla. Peña Flamenca Torres Macarena, Seville. March 27, 2026. Photo: Kiko Valle

    La Repompilla and the gypsy culture of the mamao dance

    recital of cante By Antonio Reyes. Flamenco Gathering El Pozo de las Penas, Los Palacios y Villafranca, Seville. March 28, 2026. Photo: Kiko Valle

    Antonio Reyes and the fat candy barbs

    Helga Molina, Ángeles Cerrejón, Rubén Franco, Kiko Valle, Trini Navarro, Rocío De los Santos, Carmen Arjona and Miguel Verdejo. Exaltation of the Saeta. peña Women's team from Huelva. Lent 2026. Photo: Jesús Naranjo

    Two truths intertwined in the arrow

    'Ellas', by Eva Esquivel. Isabel la Católica Theatre, Granada. March 26, 2026. Photo: Gilberto González

    The most flamenco Eve in Granada

    Antonio Reyes, at La Platería. Photo: Carlos Fernández - Extampasflamencas

    The sweet, flamenco voice of Antonio Reyes

    recital of cante by Angelita Montoya. Peña Flamenca Mazaco, Coria del Río. March 14, 2026. Photo: Kiko Valle

    Angelita Montoya: a torrent of brown colors

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    American researcher Tyler Barbour. Photo: LK Tyler

    Who said that the flamenco Is it only intimate and not social – too –?

    Rafael Romero "The Chicken".

    The flamenco elegance of Rafael Romero

    Award winners and authorities. Gala of the III Córdoba Art Awards FlamencoChair of FlamencoUniversity of Córdoba. April 30, 2026. Photo: Chair

    The Chair of FlamencoCórdoba art school strengthens its art awards flamenco

    Fabi and Curro Carrasco. Peña The Pearl of Cádiz, Cádiz. Photo: Juan Garrido

    La Fabi, a star near the sun

    Dome of the Sanctuary of Our Lady of Victory, Malaga, 1700.

    Fear of emptiness

    Four male musicians on a stage: one with a bright orange guitar singing into a mic while three others applaud nearby, with a mural backdrop and flags behind them at a performance venue.

    José Méndez and his flamenco singing vindication

    Festival in Fregenal de la Sierra, Badajoz, Extremadura. Photo: Estela Zatania

    Passion and tolerance in flamenco

    The poet Francisco Basallote.

    A tribute to Francisco Basallote, of secret poetry

    Caracolillo de Cádiz and Paco León, performing seguiriyas, in La Peña The Bulería. Photo: Juan Garrido

    The ideal taste of Caracolillo de Cádiz

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Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

We are sharing a new website of great value for the scientific understanding of art flamenco.

Tyler Barbour by Tyler Barbour
March 25, 2026
Reading time: 4 mins reads
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Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

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To whom ExpoFlamenco We want to highlight a new website of great value for the scientific knowledge of art flamenco. Called lecternflamenco.com and its director is the Dr. Bernat Jiménez de Cisneros Puig, musicologist, guitarist and professor of flamenco with almost thirty years of professional experience. Upon registering on the portal, one gains access to the scholarly work of three prominent musicologists: Jiménez de Cisneros himself, the Dr. Guillermo Castro Buendía and the Dr. Peter Manuelas well as that of renowned flamenco scholars Luis Soler Guevara y Ramon Soler Diaz.

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We strongly value the open access to academic research promoted by this team. As stated on the site, they offer «books, articles, and lectures on the musical foundations of flamenco, with transcriptions and audio examples from all periods and major artists».

This is an invaluable digital resource. It contributes to a paradigm shift that began, above all, in the 1990s. It was then that the study of flamenco It began to be more frequently adapted to the rigors of the social sciences. In that context, landmark studies were published such as Sociology of cante flamenco, from the Dr. Gerhard Steingress; Flamenco Deep Song, from the Dr. Timothy Mitchell; Do you know anything? o Argument against purity, José Luis Ortiz Nuevo.

 

"We highly value free access to academic studies from flamenco Promoted by this research team. Lecternflamenco.com offers books, articles, and lectures on the musical keys of flamencowith transcriptions and sound examples from all eras and major artists»

 

<scan>These studies exposed the impressionistic nature that had long defined much of the flamenco bibliography before and during the period of revaluation (1955–1985). At that time, the author’s subjective voice often prevailed over what is essential to research: evidence.</scan>

"Your truth? No, the Truth. And come with me to find it. Keep yours to yourself." These are the words of Antonio Machado collected in New songsThis idea should underlie every academic study. Not as an indisputable truth, but as conclusions supported by evidence and built upon other research.

These conclusions will always be subject to revision. Future researchers may question them in light of new archival findings or more sophisticated theoretical frameworks. Antonio Machado y Álvarez clearly expressed this in the 19th century. Demophilus"Others will reap the fruits of our sowing and the right to criticize us."

We repeat: from here, in ExpoFlamencoWe celebrate Jiménez de Cisneros's initiative. We know that there will be those who, from anti-academic positions, upon reading these lines, will chant: "You presume to be science, and I don't understand it that way, because even though you are science, you haven't understood me." ♦

 

 

Tyler Barbour

Tyler Barbour

Tyler Barbour (San Diego, 1986) holds a PhD in Arts and Humanities from the University of Cádiz and belongs to the research group 'Contemporary Studies of Spanish Literature', directed by José Jurado Morales. He is a professor in the Official Master's Program in International Relations and author of the book 'Writers and the flamenco'The anti-Franco struggle (1967-1978)', published by the UCA Publications Service. He has published in prestigious academic journals and is a guitarist. flamenco amateur. She has acted in the peñaflamenco s Torres Macarena and Canalejas de Puerto Real, at the California Center for the Arts (Escondido) and at the Casa del Prado Theatre.

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