Second podcast dedicated to the compass flamenco, one of the most “attractive” musical parameters with which the flamencos make their music. After reviewing the duple and triple time styles in the previous chapter, in this one we delve into the most genuine of the metric forms of flamenco, which combines two types of time signature, one binary and one ternary, as well as in the styles that are performed without time signature, the so-called “free” styles.
Photo: The hands of Camarón
Chapter 11
By Faustino Núñez
