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May Fernández, the flamenco singer from Cai

The flamenco singer from Cádiz, May Fernández, rose to prominence in the Peña Flamenca Torres Macarena from Seville, accompanied on guitar by Keko Baldomero.

Kiko Valle by Kiko Valle
February 5
18
0
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle

Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle

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The others will have to forgive me, there are quite a few of them and they're very good. But if not, let them come and hear how she strings together the cantes May Fernandez And tell me if this isn't enough to make you scratch your face with delight. Today she's the flamenco singer of Cádiz. Even if it sounds a bit harsh. Start thinking of others, because yes. I'd put her on par with someone. But to each their own. And what colors this woman painted on the sun-baked wooden beams of the temple of the flamenco Sevillian. Wine accompanied by Keko BaldomeroShe shone brighter in the passages where she supported her than when she tried to show off. Without diminishing her playing in any way, there was better cante that guitar.

 

"She's the flamenco singer of Cádiz today. Even if it sounds harsh. Start thinking of others, because yes. I'd put her on par with someone. But to each their own. And what colors this woman painted on the tiled wooden beams of the temple of the flamenco Sevillian

 

Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle

Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle

Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle
Recital by May Fernández with Keko Baldomero. Peña Flamenca Torres MacarenaSeville. January 31, 2026. Photo: Kiko Valle

 

From the dressing room he dragged the rosy melismas of the first cante with his natural voice in the ballads of The Black Man of El PuertoAnd she reigned supreme on stage, making a grand entrance into the recital. It was the harbinger of a night of pleasures woven by the salty voice of the woman from Cádiz. The second song was a tribute of eternal homage. She caressed each verse of the song from Málaga. The Twin With supreme exquisiteness, to melt with the silks and the wails of a phrasing perfectly aligned along the paths that reach the very fabric of the heart. No abandoning here, as orthodoxy dictates. He delivered alegrías without breaking, excelling in the bass, holding the mid-range, and pressing forward boldly and without shouting in the onslaughts. From Cádiz, Cádiz. With a nod to Sanlúcar, arriving at the end with The MirrisHe embroidered the cadences and endings in the tientos tangos and added soft little bites always in the corners In the seguiriya, softening the laments, weeping them without causing deep wounds. He looked at himself in Camarón to prelude the bulería por soleá and stood out in the way he delivered the bursts in the The HutsThree fandangas, with echoes of chocolate, brought tears to the audience's eyes. And relief from sorrows arrived in the closing bulerías. palmasalways in its place Tere Rodríguez y Carolina La NegraMay looked at herself in Juanito Villar and in that sentence of The Paquera when he told through fandangos that A madman in his delirium was talking to the stars And a handful more letters that he mastered with ease. The grand finale is on video.

Simply put: May Fernández, the flamenco singer from Cádiz, rose to fame in the Peña Flamenca Torres Macarena From Seville. Come and see.

 

Credits
Recital by May Fernández with Keko Baldomero
Peña Flamenca Torres Macarena, Seville
January 31, 2026
CanteMay Fernández
Guitar: Keko Baldomero
PalmasCarolina La Negra and Tere Rodríguez

 

 

Tags: flamenco singerKeko BaldomeroMay FernandezPeña Flamenca Torres Macarena of Sevilla
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Niña Amparo, Pioneer of flamenco dance in Morón de la Frontera

Kiko Valle

Kiko Valle

Journalist by vocation of the jondo, inveterate aficionado, singer of writing. On a journey to the emotions of the ritual of flamencoKiko Valle –Utrera, 1979– requires the interplay of words and images to depict the turmoil of a flamenco lament, the colors of a flamenco song, or the sting of pain. Critic of flamenco, presenter, speaker, photographer and videographer for more than two decades.

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In this photo from approximately 1950, from left to right, Amparo Soto (daughter of Manuel Torre, wife of Pepe Ríos), Pepe Ríos, Niña Amparo and the guitarist Manolo Morilla.

Niña Amparo, Pioneer of flamenco dance in Morón de la Frontera

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