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Magazine ExpoFlamenco
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  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Consuelo Haldón, at the LVII Meeting of Cante Jondo From La Puebla de Cazalla. Photo: Carmen Arjona

    The reunion with the jondo

    Flamenco dancer José Maya at the presentation of Rhythm Paradise Groove, a Nintendo video game. Tablao Torres Bermejas, Madrid. Photo: Nintendo

    José Maya, to the rhythm of Nintendo

    Pedro El Granaíno. Photo: perezventana

    The Seville Biennial explores the dialogue between the flamenco and Baroque music

    Group of people on a stage posing for a photo, with a large red backdrop featuring a flamenco dancer image and the text VI Suma Flamenca Joven and Comunidad de Madrid behind them.

    The VI Suma Flamenca Joven showcases the best emerging talent

    El Pele. V La Línea Flamenca Festival. July 4, 2026. Photo: Peña Linense Cultural

    El Pele, Duquende and José Viñas seal the success of the La Línea Flamenca Festival

    Pelé and young Seve. Photo: perezventana

    Pele and Duquende, at the V La Línea Flamenca Festival

    Tribute to Manuela Carrasco. XI Tacón Festival Flamenco from Utrera. Enrique de la Cuadra Theatre. 28 Feb 2025. Photo: Kiko Valle

    Spectacular lineup at the XIX Bulería Festival of Guillena

    Flamenco dancer Manuel Liñán. Photo: Javier Fergo

    Manuel Liñán and Reyes Carrasco, at the IV Festival Flamenco Planning

    María Pagés. Photo: Mauricio Mendivelso - Matadero Dance Center Website

    The Castillete de Oro in Las Minas pays tribute to María Pagés

    Israel Fernández and Diego del Morao. Presentation of Cruzcampo 1904 beer. Metropol Parasol (Las Setas de Sevilla). June 30, 2026. Photo: Pepo Herrera

    Israel Fernández and Cruzcampo: a happy partnership in Seville

    Presentation of the 59th Jerez Bulería Festival. Photo: Jerez City Council

    Plaza Belén once again serves as the venue for the Jerez Bulería Festival

    Parallel activity of the Seville Biennial. Photo: Biennial

    The 'other' art proposals flamenco of the Biennial

    Sara Baras, at the University of Cádiz Summer Courses. Photo: UCA

    Sara Baras opens the summer courses at the University of Cádiz

    Presentation of the poster for the LXIV National Competition of Cante Jondo Antonio Mairena. Casa Orellana, Mairena del Alcor. June 26, 2026. Photo: Mairena Competition

    The Contest of Cante Jondo Antonio Mairena pays tribute to Aurora Vargas

    The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

    The 'Jerez Cultural City' project focuses on local talent

    A festive atmosphere in the courtyard of the Salesian School of Utrera. 63rd Utrera Gypsy Stew Festival. Photo: perezventana

    Summer Festivals: The 12 Must-Sees

    Alba Heredia and Ricardo Fernández del Moral. Photo: Juanlu Vela

    'De raíz' closes the season of Flamenco Real

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Homophobia in the flamenco: an unfinished task?

    Flamenco dancer Rafael Amargo. Promotional image.

    Rafael Amargo is reborn in Madrid: "I don't want to be what I was, I want to be what I'm going to be"

    Marchena celebrates a new edition of the Guitar Festival

  • Interviews
  • Opinion
    Researcher José Cenizo Jiménez, author of the book 'Teaching' flamencoAn interdisciplinary view of the letters of the cante'(Renacimiento Publishing House).

    Flamenco Is Felt… and Learned

    Promotional image from thirty years ago with Enrique Morente and Lagartija Nick for the launch of 'Omega'.

    Three decades of Omega: between ninety percent and infinity

    "The essence of Spanish dance is represented by this trio formed by Pilar López, Antonio de Triana and La Argentinita, who will soon be performing at the Fine Arts theater."

    Antonio de Triana and the Martinete dance

    Sordera de Jerez, at the X Arranque Roteño. August 1993. Photo: Manuel Martín Martín Archive

    Sordera de Jerez must be heard

    White cat stretching with an arched back against a dark blue background in a simple illustration.

    Flamenco Has Died…Again?

    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

  • Chronicles
    Woman in a white shawl sings into a microphone while a man in a suit plays a classical guitar outdoors among plants and trees.

    Angelita Montoya and José Galvez: a deep symphony at the Moguer Flamenco Week

    Ana Pastrana. IV Cabildo Flamenco From Archidona. July 2026. Photo: Fede Calderón

    Archidona Town Council: Chronicle of a Different Festival

    'Nights in the Gardens of Spain'. Juan Manuel Cañizares and the Córdoba Orchestra. XLV Córdoba Guitar Festival. Gran Teatro de Córdoba. July 8, 2026. Photo: Guillermo Castro

    Cañizares reinvents Falla in Córdoba

    Three musicians on a dark stage: a man in a straw hat playing a sitar on the left, a woman in a colorful dress seated center, and a man singing with a microphone on the right.

    In Archidona, Creation Triumphed Over Purity

    'Footprints of the Bullring', by Segundo Falcón, Paco Jarana and Manolo Franco. Art Festival Flamenco Mont-de-Marsan. Le Molière Theatre. July 3, 2026. Photo: Laurent Robert - LR Flamenco Photos

    Gold jondo by Falcón, Jarana and Manolo Franco

    Artists of the LIX Festival Flamenco Gazpacho from Morón. July 4, 2026. Photo: Morón City Council

    The 59th Gazpacho Festival in Morón reopens the debate between 'renew or die' for festivals flamencosummer s

    Davideana, Kiki Morente and Pablo Fernández. IX Cabildo Festival Flamenco From Archidona, Málaga. July 3, 2026. Photo: David Burbano

    Davideana’s Flamenco Guitar Conquered the Opening Night of the Cabildo

    Luisa Palicio, at the 46th Ecija Flamenco Night. Palace of PeñaFlower. July 3, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (and III)

    Pepe El Ecijano and Manuel Torres. XLVI Ecijana Flamenco Night (II). Palace of the Marquises of PeñaFlower, Écija (Seville). June 30, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (II)

    Presentation of the new Interpretation, Study and Documentation Centre of Flamenco Manuel Martín Martín. Photo: Écija City Council

    Écija positions itself as leader flamenco (I)

    70th Gypsy Stew of Utrera. Courtyard of the Salesian School of Utrera, Seville. June 27, 2026. Photo: Gypsy Brotherhood of Utrera

    Liturgy of a Gypsy Stew from Utrera

    'Sarmiento', by Curro Carrasco. Cloisters of Santo Domingo, Jerez. June 26, 2026. Photo: Air Music

    Curro Carrasco gives away polka-dotted cars at his album launch in Jerez

    Guitar recital by David Carmona. Peña La Platería, Granada. June 20, 2026. Photo: Gilberto González

    The unbearable genius of David Carmona

    'Guiding Light', by El Perrete. XXI Flamenco London Festival. Lilian Bailys Studio. June 20, 2026. Photo: Ángeles Ródenas

    Perrete and Merino, the Thames flows through Badajoz

    Guitar recital by Francis Gómez. Peña Flamenca Huelva Women's Team. June 18, 2026. Photo: Jesús Naranjo

    Francis Gómez: flamenco of roots, wings, and searches

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Yerba, Liñán, Farru, Molía, who'll bid higher?

    Rafaela Carrasco believes it and she believes it

    'Unydos', by the Jesús Carmona Dance Company. XLI Flamenco London Festival. Sadler's Wells Theatre, London. June 16, 2026. Photo: Ione Saizar

    Jesús Carmona, a complete flamenco dancer

    'Paradise Lost', by Patricia Guerrero and Fahmi Alqhai. XXI Flamenco London Festival. National Gallery. June 15, 2026. Photo: Ione Saizar

    Patricia Guerrero and the unrestrained baroque

    'Tablao', by Arcángel. Festival Flamenco City of Huelva. Courtyard of Huelva City Hall. June 13, 2026. Photo: Jesús Naranjo

    Arcángel and Huelva: an emotional reunion at the flamenco venue

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    La Favi and Curro Carrasco. XIX Bulería Festival 'Alberto Valdivia Arteaga'. Guillena Bullring, Seville. July 4, 2026. Photo: Juan Garrido

    The Bulería Festival in Guillena, full of young people and of good quality

    Bulerías dance party in Plaza Belén. Archive image.

    Bulerías in Jerez: from folklore to flamencoand back

    Joselero, Steve Kahn and Diego del Gastor. Photo: Steve Kahn

    Once upon a time there were Americans in Morón

    Caty León Benítez, currently.

    What do we know about the flamenco In Triana? Caty León explains it to us.

    Authorities, sponsors, organizers, and Manuel Lombo, representing Morante de la Puebla. LXX Potaje Gitano Festival of Utrera. June 27, 2026. Photo: Juan Garrido

    The stew doesn't go bland without Morante

    Front-facing man with glasses sits in a home studio, with a piano and plant behind him; EXPO MÚSICA logo visible in the corner.

    Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez

    Man with gray hair and glasses holds an acoustic guitar, smiling at the camera in a home music studio with a keyboard and plants nearby, Expo Musica logo in the corner.

    The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez

    Dolores Agujetas and Domingo Rubichi. Las Cadenas Flamenco Cultural Association, Jerez. June 2026. Photo: Juan Garrido

    Dolores Agujetaschained to their cante

    Vintage handwritten musical score page with staves and cursive Spanish lyrics, watermark Ayuntamiento de Madrid nearby.

    I have Tango, and from 1779

  • Archive
  • Login
  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Consuelo Haldón, at the LVII Meeting of Cante Jondo From La Puebla de Cazalla. Photo: Carmen Arjona

    The reunion with the jondo

    Flamenco dancer José Maya at the presentation of Rhythm Paradise Groove, a Nintendo video game. Tablao Torres Bermejas, Madrid. Photo: Nintendo

    José Maya, to the rhythm of Nintendo

    Pedro El Granaíno. Photo: perezventana

    The Seville Biennial explores the dialogue between the flamenco and Baroque music

    Group of people on a stage posing for a photo, with a large red backdrop featuring a flamenco dancer image and the text VI Suma Flamenca Joven and Comunidad de Madrid behind them.

    The VI Suma Flamenca Joven showcases the best emerging talent

    El Pele. V La Línea Flamenca Festival. July 4, 2026. Photo: Peña Linense Cultural

    El Pele, Duquende and José Viñas seal the success of the La Línea Flamenca Festival

    Pelé and young Seve. Photo: perezventana

    Pele and Duquende, at the V La Línea Flamenca Festival

    Tribute to Manuela Carrasco. XI Tacón Festival Flamenco from Utrera. Enrique de la Cuadra Theatre. 28 Feb 2025. Photo: Kiko Valle

    Spectacular lineup at the XIX Bulería Festival of Guillena

    Flamenco dancer Manuel Liñán. Photo: Javier Fergo

    Manuel Liñán and Reyes Carrasco, at the IV Festival Flamenco Planning

    María Pagés. Photo: Mauricio Mendivelso - Matadero Dance Center Website

    The Castillete de Oro in Las Minas pays tribute to María Pagés

    Israel Fernández and Diego del Morao. Presentation of Cruzcampo 1904 beer. Metropol Parasol (Las Setas de Sevilla). June 30, 2026. Photo: Pepo Herrera

    Israel Fernández and Cruzcampo: a happy partnership in Seville

    Presentation of the 59th Jerez Bulería Festival. Photo: Jerez City Council

    Plaza Belén once again serves as the venue for the Jerez Bulería Festival

    Parallel activity of the Seville Biennial. Photo: Biennial

    The 'other' art proposals flamenco of the Biennial

    Sara Baras, at the University of Cádiz Summer Courses. Photo: UCA

    Sara Baras opens the summer courses at the University of Cádiz

    Presentation of the poster for the LXIV National Competition of Cante Jondo Antonio Mairena. Casa Orellana, Mairena del Alcor. June 26, 2026. Photo: Mairena Competition

    The Contest of Cante Jondo Antonio Mairena pays tribute to Aurora Vargas

    The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

    The 'Jerez Cultural City' project focuses on local talent

    A festive atmosphere in the courtyard of the Salesian School of Utrera. 63rd Utrera Gypsy Stew Festival. Photo: perezventana

    Summer Festivals: The 12 Must-Sees

    Alba Heredia and Ricardo Fernández del Moral. Photo: Juanlu Vela

    'De raíz' closes the season of Flamenco Real

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Homophobia in the flamenco: an unfinished task?

    Flamenco dancer Rafael Amargo. Promotional image.

    Rafael Amargo is reborn in Madrid: "I don't want to be what I was, I want to be what I'm going to be"

    Marchena celebrates a new edition of the Guitar Festival

  • Interviews
  • Opinion
    Researcher José Cenizo Jiménez, author of the book 'Teaching' flamencoAn interdisciplinary view of the letters of the cante'(Renacimiento Publishing House).

    Flamenco Is Felt… and Learned

    Promotional image from thirty years ago with Enrique Morente and Lagartija Nick for the launch of 'Omega'.

    Three decades of Omega: between ninety percent and infinity

    "The essence of Spanish dance is represented by this trio formed by Pilar López, Antonio de Triana and La Argentinita, who will soon be performing at the Fine Arts theater."

    Antonio de Triana and the Martinete dance

    Sordera de Jerez, at the X Arranque Roteño. August 1993. Photo: Manuel Martín Martín Archive

    Sordera de Jerez must be heard

    White cat stretching with an arched back against a dark blue background in a simple illustration.

    Flamenco Has Died…Again?

    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

  • Chronicles
    Woman in a white shawl sings into a microphone while a man in a suit plays a classical guitar outdoors among plants and trees.

    Angelita Montoya and José Galvez: a deep symphony at the Moguer Flamenco Week

    Ana Pastrana. IV Cabildo Flamenco From Archidona. July 2026. Photo: Fede Calderón

    Archidona Town Council: Chronicle of a Different Festival

    'Nights in the Gardens of Spain'. Juan Manuel Cañizares and the Córdoba Orchestra. XLV Córdoba Guitar Festival. Gran Teatro de Córdoba. July 8, 2026. Photo: Guillermo Castro

    Cañizares reinvents Falla in Córdoba

    Three musicians on a dark stage: a man in a straw hat playing a sitar on the left, a woman in a colorful dress seated center, and a man singing with a microphone on the right.

    In Archidona, Creation Triumphed Over Purity

    'Footprints of the Bullring', by Segundo Falcón, Paco Jarana and Manolo Franco. Art Festival Flamenco Mont-de-Marsan. Le Molière Theatre. July 3, 2026. Photo: Laurent Robert - LR Flamenco Photos

    Gold jondo by Falcón, Jarana and Manolo Franco

    Artists of the LIX Festival Flamenco Gazpacho from Morón. July 4, 2026. Photo: Morón City Council

    The 59th Gazpacho Festival in Morón reopens the debate between 'renew or die' for festivals flamencosummer s

    Davideana, Kiki Morente and Pablo Fernández. IX Cabildo Festival Flamenco From Archidona, Málaga. July 3, 2026. Photo: David Burbano

    Davideana’s Flamenco Guitar Conquered the Opening Night of the Cabildo

    Luisa Palicio, at the 46th Ecija Flamenco Night. Palace of PeñaFlower. July 3, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (and III)

    Pepe El Ecijano and Manuel Torres. XLVI Ecijana Flamenco Night (II). Palace of the Marquises of PeñaFlower, Écija (Seville). June 30, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (II)

    Presentation of the new Interpretation, Study and Documentation Centre of Flamenco Manuel Martín Martín. Photo: Écija City Council

    Écija positions itself as leader flamenco (I)

    70th Gypsy Stew of Utrera. Courtyard of the Salesian School of Utrera, Seville. June 27, 2026. Photo: Gypsy Brotherhood of Utrera

    Liturgy of a Gypsy Stew from Utrera

    'Sarmiento', by Curro Carrasco. Cloisters of Santo Domingo, Jerez. June 26, 2026. Photo: Air Music

    Curro Carrasco gives away polka-dotted cars at his album launch in Jerez

    Guitar recital by David Carmona. Peña La Platería, Granada. June 20, 2026. Photo: Gilberto González

    The unbearable genius of David Carmona

    'Guiding Light', by El Perrete. XXI Flamenco London Festival. Lilian Bailys Studio. June 20, 2026. Photo: Ángeles Ródenas

    Perrete and Merino, the Thames flows through Badajoz

    Guitar recital by Francis Gómez. Peña Flamenca Huelva Women's Team. June 18, 2026. Photo: Jesús Naranjo

    Francis Gómez: flamenco of roots, wings, and searches

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Yerba, Liñán, Farru, Molía, who'll bid higher?

    Rafaela Carrasco believes it and she believes it

    'Unydos', by the Jesús Carmona Dance Company. XLI Flamenco London Festival. Sadler's Wells Theatre, London. June 16, 2026. Photo: Ione Saizar

    Jesús Carmona, a complete flamenco dancer

    'Paradise Lost', by Patricia Guerrero and Fahmi Alqhai. XXI Flamenco London Festival. National Gallery. June 15, 2026. Photo: Ione Saizar

    Patricia Guerrero and the unrestrained baroque

    'Tablao', by Arcángel. Festival Flamenco City of Huelva. Courtyard of Huelva City Hall. June 13, 2026. Photo: Jesús Naranjo

    Arcángel and Huelva: an emotional reunion at the flamenco venue

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    La Favi and Curro Carrasco. XIX Bulería Festival 'Alberto Valdivia Arteaga'. Guillena Bullring, Seville. July 4, 2026. Photo: Juan Garrido

    The Bulería Festival in Guillena, full of young people and of good quality

    Bulerías dance party in Plaza Belén. Archive image.

    Bulerías in Jerez: from folklore to flamencoand back

    Joselero, Steve Kahn and Diego del Gastor. Photo: Steve Kahn

    Once upon a time there were Americans in Morón

    Caty León Benítez, currently.

    What do we know about the flamenco In Triana? Caty León explains it to us.

    Authorities, sponsors, organizers, and Manuel Lombo, representing Morante de la Puebla. LXX Potaje Gitano Festival of Utrera. June 27, 2026. Photo: Juan Garrido

    The stew doesn't go bland without Morante

    Front-facing man with glasses sits in a home studio, with a piano and plant behind him; EXPO MÚSICA logo visible in the corner.

    Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez

    Man with gray hair and glasses holds an acoustic guitar, smiling at the camera in a home music studio with a keyboard and plants nearby, Expo Musica logo in the corner.

    The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez

    Dolores Agujetas and Domingo Rubichi. Las Cadenas Flamenco Cultural Association, Jerez. June 2026. Photo: Juan Garrido

    Dolores Agujetaschained to their cante

    Vintage handwritten musical score page with staves and cursive Spanish lyrics, watermark Ayuntamiento de Madrid nearby.

    I have Tango, and from 1779

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The miseries of flamencoand those of the ones who command us

Can someone explain to me what the inclusion of the flamenco in the Andalusian statute, and what is the point of the charade of the much-touted Law of flamencoIf those who represent us aren't where their position requires them to be, then deep down we're still just a bunch of hicks.

ExpoFlamenco by ExpoFlamenco
16 November 2025
Reading time: 7 mins reads
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Fosforito's funeral chapel. Photo: Malaga City Council

Fosforito's funeral chapel. Photo: Malaga City Council

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When those who represent us institutionally are not up to the task, the resulting unease is difficult to contain; that is, "when those in charge lose their shame, those who obey lose their respect" (Georg C. Lichtenberg). That's why I agree with Charles de Gaulle Regarding the saying, "I've come to the conclusion that politics is too serious to be left in the hands of politicians." Let's move beyond famous quotes and get down to brass tacks. But first, let it be clear that this text does not represent the editorial line of expoflamencoThis is simply the personal opinion of the person writing this. Please, any criticism this may provoke should be directed at me.

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Last Thursday we woke up to the painful news of the passing of Antonio Fernández Diaz 'Fosforito'And the person writing this absolutely agrees with all the virtues and excellences that have been expressed about him on social media, in statements, articles, and news reports (few, very few, and with little impact, but of course, this is flamenco (and we are no longer frightened by invisibility). These lines do not intend to gloss the figure of the Master, simply because it is not necessary, Fosforito has been justifying his worth for seventy years.

Today, November 16th, we celebrate what is called "Day of Flamenco"Because UNESCO saw fit to declare our artistic expression as Intangible Cultural Heritage of Humanity. The Cordoba newspaper Today it offers a supplement for this commemoration, as it marks fifteen years. I have had the pleasure of contributing a lengthy article, and if you, the reader, manage to get a copy and are able to endure the lengthy text, you will see that we ask for respectful treatment of the flamencoBecause cante It's not entertainment, it's CULTURE. Our culture.

Fosforito, during his lifetime, always expressed his gratitude for the recognitions he received; from the most modest insignia of a peña flamenca up to the Medal of Merit in Fine Arts from the Ministry of Culture, or the V Golden Key of Cante. The value for Antonio lay in the affection of the fansBecause that's where memory remains and the heart resides.

The debate about the merits of the awards is something best left to amateur gatherings, the kind that liven things up. But let no one be mistaken, There is an institutional responsibility to fulfill its obligations.Because, in some way, institutions control our lives. This time—again—they have failed us.

 

«El flamenco It needs to be treated with the importance it deserves, once and for all. Fosforito was wronged, but he can hardly care anymore, and his family is immersed in the pain of their loss and can't afford such nonsense. What is irreparable, however, is the damage done to... flamenco, one more time"

 

Let's start with the good news. We saw the president of the Córdoba Provincial Council, the provincial deputy for Culture of Málaga, and the mayors of Málaga, Puente Genil, and Córdoba at the funeral chapel. Of course, given that it was Fosforito, If the representatives from Cordoba and Malaga had been absent, we would have had to call the Civil Guard.In fairness, we must applaud the way in which the Malaga City Council has dealt with the loss of this genius of our culture.  Francisco de la TorreThe mayor of Malaga has understood the price we pay with the loss of Fosforito, and his involvement has gone beyond institutional norms, as the affection, closeness, love and attention given have shown that the granting of the title of Adopted Son that the city dedicated to the Maestro last February was not an institutional formality, but a gesture made with the heart of the city of Malaga.

But where was the director of the Andalusian Institute of FlamencoYes, the director of the Andalusian Institute of FlamencoAnd what about the Andalusian Regional Government's Department of Culture? And the Ministry of Culture? It's shameful and disheartening to see how el flamenco It remains the Cinderella of all the arts, as Fosforito himself stated exactly five years ago.Let's get this straight: the news of the death of Fosforito, a genius of canteIt is of such importance to our culture that it should have led the nation's news broadcasts, but no, you only saw on TV that he died Encarnita Polo (May he rest in peace). That's where we still are.

Do we proclaim the cultural value of flamenco in the world through UNESCO, and our top representatives don't appear? Was it Paco Vallecillo who registered the Key of Cante The award was granted to the Ministry of Culture in 1984, meaning the Andalusian government has the authority to bestow it. As we all know, this honor went to Fosforito in 2005, and that's where the real shock comes. Our political representatives have an obligation to beWe are part of Andalusian identity and Spain's cultural image abroad. flamenco It needs to be treated with the importance it deserves, once and for all. Fosforito was wronged, but he can hardly care anymore, and his family is immersed in the pain of their loss and can't afford such nonsense. What is irreparable, however, is the damage done to... flamenco, one more time.

As we write these lines, we have received information that the Ministers of Culture and Economy visited the funeral chapel early Friday morning, which is comforting, but is not sufficientIf they attended, photographic evidence of the visit should have been left, not because the flamenco singer needed it, and certainly not for the politician's glory. The photo serves to demonstrate that the highest representatives of our region are paying institutional attention to the last remaining holder of the Key to the Cathedral. Cante...an award granted by the Board itself, which its officials must respect to be consistent with their rhetoric. To make matters worse, it seems that Juanma Moreno He was in Malaga on Friday, but his schedule apparently didn't include saying goodbye to Fosforito at his funeral. Good heavens. If the deceased had been Antonio Banderas (God save him for a thousand years) there would have been a catwalk and parade of the high-ranking officials of the Board through the Church of San PabloCan someone explain to me what the inclusion of the flamenco in the Andalusian statute, and what is the point of this charade of the much-vaunted Law of the flamencoIf those who represent us aren't where their position requires them to be, then deep down we're still just a bunch of hicks.

But if the political absences were deafening, even more painful was witnessing the flight of their own people. flamencos. David Pino, El Pele, Julián Estrada, Pepe de Campillos, Francis Bonela, Gregorio Valderrama, Jorge Vílchez, Vicente Cáceres as flamenco singers, and Manuel Silveria, Antonio Soto, José Juan Pantoja y Manolo Santos As guitarists, they were among the few we saw accompanying the Maestro (please forgive me if I've left anyone out). Not a trace of those we now call leading figures of the genre. flamenconor those in the middle of the table; now, There has been no shortage of posturing on social mediaNor did we see the specialized criticism sector, with the exception of Gonzalo RojoOf course. You see things like this and you bite your nightgown cuffs in anger. The only one of the big names who showed up at the funeral chapel was Miguel PovedaAnd I can assure you that he left visibly shaken. Miguel is also very sensitive, and tears streamed down his face as he left the town hall.

I'll finish now and won't bother you any longer; I just want to clarify a couple of things. This article has no political leanings on my part. And finally, I want to emphasize that this text isn't a response to a fit of pique, but rather to a feeling of disappointment. When hypocrisy, the hypocrisy of everyone, becomes normalized, we begin to be lost..

 

Text: Miguel Angel Jimenez Valverde

 

 

ExpoFlamenco

ExpoFlamenco

Global art portal flamenco. Knowledge and passion. The depth and the pain. The pellizco and the festival. Cultural Heritage of Humanity.

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