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Magazine ExpoFlamenco
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  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Official website Veranos de la Villa 2026.

    Art flamenco and accessibility at the Veranos de la Villa festival

    Israel Galván, Leonor Leal, Jesús Méndez, Mariví Blasco and David Lagos, at the Desvarío 2026 in Nou Barris

    Israel Galván, Leonor Leal, Jesús Méndez, Mariví Blasco and David Lagos, at the Desvarío 2026 in Nou Barris

    The communicator flamenco José María Castaño will be honored on August 1st at the 1st Bulería Festival in Conil.

    The first Conil Bulería Festival begins with a tribute to José María Castaño

    Paco de Lucia's sextet. They couldn't have been more football fans.

    Football and flamencothe art of playing with emotion

    Consuelo Haldón, at the LVII Meeting of Cante Jondo From La Puebla de Cazalla. Photo: Carmen Arjona

    The reunion with the jondo

    Flamenco dancer José Maya at the presentation of Rhythm Paradise Groove, a Nintendo video game. Tablao Torres Bermejas, Madrid. Photo: Nintendo

    José Maya, to the rhythm of Nintendo

    Pedro El Granaíno. Photo: perezventana

    The Seville Biennial explores the dialogue between the flamenco and Baroque music

    Group of people on a stage posing for a photo, with a large red backdrop featuring a flamenco dancer image and the text VI Suma Flamenca Joven and Comunidad de Madrid behind them.

    The VI Suma Flamenca Joven showcases the best emerging talent

    El Pele. V La Línea Flamenca Festival. July 4, 2026. Photo: Peña Linense Cultural

    El Pele, Duquende and José Viñas seal the success of the La Línea Flamenca Festival

    Pelé and young Seve. Photo: perezventana

    Pele and Duquende, at the V La Línea Flamenca Festival

    Tribute to Manuela Carrasco. XI Tacón Festival Flamenco from Utrera. Enrique de la Cuadra Theatre. 28 Feb 2025. Photo: Kiko Valle

    Spectacular lineup at the XIX Bulería Festival of Guillena

    Flamenco dancer Manuel Liñán. Photo: Javier Fergo

    Manuel Liñán and Reyes Carrasco, at the IV Festival Flamenco Planning

    María Pagés. Photo: Mauricio Mendivelso - Matadero Dance Center Website

    The Castillete de Oro in Las Minas pays tribute to María Pagés

    Israel Fernández and Diego del Morao. Presentation of Cruzcampo 1904 beer. Metropol Parasol (Las Setas de Sevilla). June 30, 2026. Photo: Pepo Herrera

    Israel Fernández and Cruzcampo: a happy partnership in Seville

    Presentation of the 59th Jerez Bulería Festival. Photo: Jerez City Council

    Plaza Belén once again serves as the venue for the Jerez Bulería Festival

    Parallel activity of the Seville Biennial. Photo: Biennial

    The 'other' art proposals flamenco of the Biennial

    Sara Baras, at the University of Cádiz Summer Courses. Photo: UCA

    Sara Baras opens the summer courses at the University of Cádiz

    Presentation of the poster for the LXIV National Competition of Cante Jondo Antonio Mairena. Casa Orellana, Mairena del Alcor. June 26, 2026. Photo: Mairena Competition

    The Contest of Cante Jondo Antonio Mairena pays tribute to Aurora Vargas

    The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

    The 'Jerez Cultural City' project focuses on local talent

    A festive atmosphere in the courtyard of the Salesian School of Utrera. 63rd Utrera Gypsy Stew Festival. Photo: perezventana

    Summer Festivals: The 12 Must-Sees

  • Interviews
  • Opinion
    The Pastori line

    The Pastori line

    Researcher José Cenizo Jiménez, author of the book 'Teaching' flamencoAn interdisciplinary view of the letters of the cante'(Renacimiento Publishing House).

    Flamenco Is Felt… and Learned

    Promotional image from thirty years ago with Enrique Morente and Lagartija Nick for the launch of 'Omega'.

    Three decades of Omega: between ninety percent and infinity

    "The essence of Spanish dance is represented by this trio formed by Pilar López, Antonio de Triana and La Argentinita, who will soon be performing at the Fine Arts theater."

    Antonio de Triana and the Martinete dance

    Sordera de Jerez, at the X Arranque Roteño. August 1993. Photo: Manuel Martín Martín Archive

    Sordera de Jerez must be heard

    White cat stretching with an arched back against a dark blue background in a simple illustration.

    Flamenco Has Died…Again?

    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

  • Chronicles
    'Manifesto. New Era', by María Terremoto. Tío Pepe Festival. Tío Pepe Winery, Jerez. July 12, 2026. Photo: Tío Pepe Festival Archive - Fatou.es

    María Terremoto, very free “by force of blow after blow”

    Fuensanta La Moneta. LVII Meeting of Cante Jondo From La Puebla de Cazalla. La Fuenlonguilla Estate. July 11, 2026. Photo: La Puebla Town Hall

    La Puebla for being a woman: Paqui Ríos and La Moneta filled the Moorish night with flamenco

    María Moreno. XXXVII Art Festival Flamenco of Mont-de-Marsan. July 2026. Photo: Laurent Robert

    Mont-de-Marsan caught the leprechaun of the 27th

    Woman in a white shawl sings into a microphone while a man in a suit plays a classical guitar outdoors among plants and trees.

    Angelita Montoya and José Galvez: a deep symphony at the Moguer Flamenco Week

    Ana Pastrana. IV Cabildo Flamenco From Archidona. July 2026. Photo: Fede Calderón

    Archidona Town Council: Chronicle of a Different Festival

    'Nights in the Gardens of Spain'. Juan Manuel Cañizares and the Córdoba Orchestra. XLV Córdoba Guitar Festival. Gran Teatro de Córdoba. July 8, 2026. Photo: Guillermo Castro

    Cañizares reinvents Falla in Córdoba

    Three musicians on a dark stage: a man in a straw hat playing a sitar on the left, a woman in a colorful dress seated center, and a man singing with a microphone on the right.

    In Archidona, Creation Triumphed Over Purity

    'Footprints of the Bullring', by Segundo Falcón, Paco Jarana and Manolo Franco. Art Festival Flamenco Mont-de-Marsan. Le Molière Theatre. July 3, 2026. Photo: Laurent Robert - LR Flamenco Photos

    Gold jondo by Falcón, Jarana and Manolo Franco

    Artists of the LIX Festival Flamenco Gazpacho from Morón. July 4, 2026. Photo: Morón City Council

    The 59th Gazpacho Festival in Morón reopens the debate between 'renew or die' for festivals flamencosummer s

    Davideana, Kiki Morente and Pablo Fernández. IX Cabildo Festival Flamenco From Archidona, Málaga. July 3, 2026. Photo: David Burbano

    Davideana’s Flamenco Guitar Conquered the Opening Night of the Cabildo

    Luisa Palicio, at the 46th Ecija Flamenco Night. Palace of PeñaFlower. July 3, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (and III)

    Pepe El Ecijano and Manuel Torres. XLVI Ecijana Flamenco Night (II). Palace of the Marquises of PeñaFlower, Écija (Seville). June 30, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (II)

    Presentation of the new Interpretation, Study and Documentation Centre of Flamenco Manuel Martín Martín. Photo: Écija City Council

    Écija positions itself as leader flamenco (I)

    70th Gypsy Stew of Utrera. Courtyard of the Salesian School of Utrera, Seville. June 27, 2026. Photo: Gypsy Brotherhood of Utrera

    Liturgy of a Gypsy Stew from Utrera

    'Sarmiento', by Curro Carrasco. Cloisters of Santo Domingo, Jerez. June 26, 2026. Photo: Air Music

    Curro Carrasco gives away polka-dotted cars at his album launch in Jerez

    Guitar recital by David Carmona. Peña La Platería, Granada. June 20, 2026. Photo: Gilberto González

    The unbearable genius of David Carmona

    'Guiding Light', by El Perrete. XXI Flamenco London Festival. Lilian Bailys Studio. June 20, 2026. Photo: Ángeles Ródenas

    Perrete and Merino, the Thames flows through Badajoz

    Guitar recital by Francis Gómez. Peña Flamenca Huelva Women's Team. June 18, 2026. Photo: Jesús Naranjo

    Francis Gómez: flamenco of roots, wings, and searches

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Yerba, Liñán, Farru, Molía, who'll bid higher?

    Rafaela Carrasco believes it and she believes it

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Group of flamenco performers on a purple-lit stage: a central singer in a black-purple dress, others stand behind, guitarist seated with an orange guitar, percussionist on drums nearby.

    The Caracolá Lebrijana, from tradition to necessary adaptation without losing flavor

    Antonio Plaza: Photo: María Sánchez Márquez, July 2026

    What do we know about the relationship between songbooks and the genesis of flamenco?

    La Favi and Curro Carrasco. XIX Bulería Festival 'Alberto Valdivia Arteaga'. Guillena Bullring, Seville. July 4, 2026. Photo: Juan Garrido

    The Bulería Festival in Guillena, full of young people and of good quality

    Bulerías dance party in Plaza Belén. Archive image.

    Bulerías in Jerez: from folklore to flamencoand back

    Joselero, Steve Kahn and Diego del Gastor. Photo: Steve Kahn

    Once upon a time there were Americans in Morón

    Caty León Benítez, currently.

    What do we know about the flamenco In Triana? Caty León explains it to us.

    Authorities, sponsors, organizers, and Manuel Lombo, representing Morante de la Puebla. LXX Potaje Gitano Festival of Utrera. June 27, 2026. Photo: Juan Garrido

    The stew doesn't go bland without Morante

    Front-facing man with glasses sits in a home studio, with a piano and plant behind him; EXPO MÚSICA logo visible in the corner.

    Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez

    Man with gray hair and glasses holds an acoustic guitar, smiling at the camera in a home music studio with a keyboard and plants nearby, Expo Musica logo in the corner.

    The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez

  • Archive
  • Login
  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Official website Veranos de la Villa 2026.

    Art flamenco and accessibility at the Veranos de la Villa festival

    Israel Galván, Leonor Leal, Jesús Méndez, Mariví Blasco and David Lagos, at the Desvarío 2026 in Nou Barris

    Israel Galván, Leonor Leal, Jesús Méndez, Mariví Blasco and David Lagos, at the Desvarío 2026 in Nou Barris

    The communicator flamenco José María Castaño will be honored on August 1st at the 1st Bulería Festival in Conil.

    The first Conil Bulería Festival begins with a tribute to José María Castaño

    Paco de Lucia's sextet. They couldn't have been more football fans.

    Football and flamencothe art of playing with emotion

    Consuelo Haldón, at the LVII Meeting of Cante Jondo From La Puebla de Cazalla. Photo: Carmen Arjona

    The reunion with the jondo

    Flamenco dancer José Maya at the presentation of Rhythm Paradise Groove, a Nintendo video game. Tablao Torres Bermejas, Madrid. Photo: Nintendo

    José Maya, to the rhythm of Nintendo

    Pedro El Granaíno. Photo: perezventana

    The Seville Biennial explores the dialogue between the flamenco and Baroque music

    Group of people on a stage posing for a photo, with a large red backdrop featuring a flamenco dancer image and the text VI Suma Flamenca Joven and Comunidad de Madrid behind them.

    The VI Suma Flamenca Joven showcases the best emerging talent

    El Pele. V La Línea Flamenca Festival. July 4, 2026. Photo: Peña Linense Cultural

    El Pele, Duquende and José Viñas seal the success of the La Línea Flamenca Festival

    Pelé and young Seve. Photo: perezventana

    Pele and Duquende, at the V La Línea Flamenca Festival

    Tribute to Manuela Carrasco. XI Tacón Festival Flamenco from Utrera. Enrique de la Cuadra Theatre. 28 Feb 2025. Photo: Kiko Valle

    Spectacular lineup at the XIX Bulería Festival of Guillena

    Flamenco dancer Manuel Liñán. Photo: Javier Fergo

    Manuel Liñán and Reyes Carrasco, at the IV Festival Flamenco Planning

    María Pagés. Photo: Mauricio Mendivelso - Matadero Dance Center Website

    The Castillete de Oro in Las Minas pays tribute to María Pagés

    Israel Fernández and Diego del Morao. Presentation of Cruzcampo 1904 beer. Metropol Parasol (Las Setas de Sevilla). June 30, 2026. Photo: Pepo Herrera

    Israel Fernández and Cruzcampo: a happy partnership in Seville

    Presentation of the 59th Jerez Bulería Festival. Photo: Jerez City Council

    Plaza Belén once again serves as the venue for the Jerez Bulería Festival

    Parallel activity of the Seville Biennial. Photo: Biennial

    The 'other' art proposals flamenco of the Biennial

    Sara Baras, at the University of Cádiz Summer Courses. Photo: UCA

    Sara Baras opens the summer courses at the University of Cádiz

    Presentation of the poster for the LXIV National Competition of Cante Jondo Antonio Mairena. Casa Orellana, Mairena del Alcor. June 26, 2026. Photo: Mairena Competition

    The Contest of Cante Jondo Antonio Mairena pays tribute to Aurora Vargas

    The mayor of Jerez, María José García-Pelayo, presents the Jerez Cultural City project. Photo: Jerez City Council

    The 'Jerez Cultural City' project focuses on local talent

    A festive atmosphere in the courtyard of the Salesian School of Utrera. 63rd Utrera Gypsy Stew Festival. Photo: perezventana

    Summer Festivals: The 12 Must-Sees

  • Interviews
  • Opinion
    The Pastori line

    The Pastori line

    Researcher José Cenizo Jiménez, author of the book 'Teaching' flamencoAn interdisciplinary view of the letters of the cante'(Renacimiento Publishing House).

    Flamenco Is Felt… and Learned

    Promotional image from thirty years ago with Enrique Morente and Lagartija Nick for the launch of 'Omega'.

    Three decades of Omega: between ninety percent and infinity

    "The essence of Spanish dance is represented by this trio formed by Pilar López, Antonio de Triana and La Argentinita, who will soon be performing at the Fine Arts theater."

    Antonio de Triana and the Martinete dance

    Sordera de Jerez, at the X Arranque Roteño. August 1993. Photo: Manuel Martín Martín Archive

    Sordera de Jerez must be heard

    White cat stretching with an arched back against a dark blue background in a simple illustration.

    Flamenco Has Died…Again?

    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

  • Chronicles
    'Manifesto. New Era', by María Terremoto. Tío Pepe Festival. Tío Pepe Winery, Jerez. July 12, 2026. Photo: Tío Pepe Festival Archive - Fatou.es

    María Terremoto, very free “by force of blow after blow”

    Fuensanta La Moneta. LVII Meeting of Cante Jondo From La Puebla de Cazalla. La Fuenlonguilla Estate. July 11, 2026. Photo: La Puebla Town Hall

    La Puebla for being a woman: Paqui Ríos and La Moneta filled the Moorish night with flamenco

    María Moreno. XXXVII Art Festival Flamenco of Mont-de-Marsan. July 2026. Photo: Laurent Robert

    Mont-de-Marsan caught the leprechaun of the 27th

    Woman in a white shawl sings into a microphone while a man in a suit plays a classical guitar outdoors among plants and trees.

    Angelita Montoya and José Galvez: a deep symphony at the Moguer Flamenco Week

    Ana Pastrana. IV Cabildo Flamenco From Archidona. July 2026. Photo: Fede Calderón

    Archidona Town Council: Chronicle of a Different Festival

    'Nights in the Gardens of Spain'. Juan Manuel Cañizares and the Córdoba Orchestra. XLV Córdoba Guitar Festival. Gran Teatro de Córdoba. July 8, 2026. Photo: Guillermo Castro

    Cañizares reinvents Falla in Córdoba

    Three musicians on a dark stage: a man in a straw hat playing a sitar on the left, a woman in a colorful dress seated center, and a man singing with a microphone on the right.

    In Archidona, Creation Triumphed Over Purity

    'Footprints of the Bullring', by Segundo Falcón, Paco Jarana and Manolo Franco. Art Festival Flamenco Mont-de-Marsan. Le Molière Theatre. July 3, 2026. Photo: Laurent Robert - LR Flamenco Photos

    Gold jondo by Falcón, Jarana and Manolo Franco

    Artists of the LIX Festival Flamenco Gazpacho from Morón. July 4, 2026. Photo: Morón City Council

    The 59th Gazpacho Festival in Morón reopens the debate between 'renew or die' for festivals flamencosummer s

    Davideana, Kiki Morente and Pablo Fernández. IX Cabildo Festival Flamenco From Archidona, Málaga. July 3, 2026. Photo: David Burbano

    Davideana’s Flamenco Guitar Conquered the Opening Night of the Cabildo

    Luisa Palicio, at the 46th Ecija Flamenco Night. Palace of PeñaFlower. July 3, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (and III)

    Pepe El Ecijano and Manuel Torres. XLVI Ecijana Flamenco Night (II). Palace of the Marquises of PeñaFlower, Écija (Seville). June 30, 2026. Photo: Lola Chaves

    Écija is positioning itself as the leader of flamenco (II)

    Presentation of the new Interpretation, Study and Documentation Centre of Flamenco Manuel Martín Martín. Photo: Écija City Council

    Écija positions itself as leader flamenco (I)

    70th Gypsy Stew of Utrera. Courtyard of the Salesian School of Utrera, Seville. June 27, 2026. Photo: Gypsy Brotherhood of Utrera

    Liturgy of a Gypsy Stew from Utrera

    'Sarmiento', by Curro Carrasco. Cloisters of Santo Domingo, Jerez. June 26, 2026. Photo: Air Music

    Curro Carrasco gives away polka-dotted cars at his album launch in Jerez

    Guitar recital by David Carmona. Peña La Platería, Granada. June 20, 2026. Photo: Gilberto González

    The unbearable genius of David Carmona

    'Guiding Light', by El Perrete. XXI Flamenco London Festival. Lilian Bailys Studio. June 20, 2026. Photo: Ángeles Ródenas

    Perrete and Merino, the Thames flows through Badajoz

    Guitar recital by Francis Gómez. Peña Flamenca Huelva Women's Team. June 18, 2026. Photo: Jesús Naranjo

    Francis Gómez: flamenco of roots, wings, and searches

    Flamenco Gala. Eva Yerbabuena, Manuel Liñán, El Farru, Juan Tomás de la Molía. XXI Flamenco London Festival. Sadler's Wells Theatre. June 19, 2026. Photo: Ione Saizar

    Yerba, Liñán, Farru, Molía, who'll bid higher?

    Rafaela Carrasco believes it and she believes it

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Group of flamenco performers on a purple-lit stage: a central singer in a black-purple dress, others stand behind, guitarist seated with an orange guitar, percussionist on drums nearby.

    The Caracolá Lebrijana, from tradition to necessary adaptation without losing flavor

    Antonio Plaza: Photo: María Sánchez Márquez, July 2026

    What do we know about the relationship between songbooks and the genesis of flamenco?

    La Favi and Curro Carrasco. XIX Bulería Festival 'Alberto Valdivia Arteaga'. Guillena Bullring, Seville. July 4, 2026. Photo: Juan Garrido

    The Bulería Festival in Guillena, full of young people and of good quality

    Bulerías dance party in Plaza Belén. Archive image.

    Bulerías in Jerez: from folklore to flamencoand back

    Joselero, Steve Kahn and Diego del Gastor. Photo: Steve Kahn

    Once upon a time there were Americans in Morón

    Caty León Benítez, currently.

    What do we know about the flamenco In Triana? Caty León explains it to us.

    Authorities, sponsors, organizers, and Manuel Lombo, representing Morante de la Puebla. LXX Potaje Gitano Festival of Utrera. June 27, 2026. Photo: Juan Garrido

    The stew doesn't go bland without Morante

    Front-facing man with glasses sits in a home studio, with a piano and plant behind him; EXPO MÚSICA logo visible in the corner.

    Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez

    Man with gray hair and glasses holds an acoustic guitar, smiling at the camera in a home music studio with a keyboard and plants nearby, Expo Musica logo in the corner.

    The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez

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Guirijondos

In less time than it takes a crazy priest to cross himself, the touristsjondoThey will take over and take the reins of the deep thing and, looking at us, they will say: if you don't pull the cart, we will.

Faustino Nunez by Faustino Nunez
April 9, 2026
Reading time: 6 mins reads
334
A A
4
Japanese flamenco dancer Junko Hagiwara, known as La Yunko, at the Festival of Flamenco International Guirijondo, PaloMares del Río (Seville) in April 2024, just before winning the Desplante in La Unión. Photo: perezventana

Japanese flamenco dancer Junko Hagiwara, known as La Yunko, at the Festival of Flamenco International Guirijondo, PaloMares del Río (Seville) in April 2024, just before winning the Desplante in La Unión. Photo: perezventana

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After a week in Vienna and Warsaw, I was able to relive the activity that more and more artists are developing. flamencos outside of Spain. The love and dedication they feel for our art is incomparable to what one finds around here. In my Viennese days, in the 1980s, we were just a handful; today they are legion. And I've also noticed that, like all bad habits, they are not immune to the perennial squabbles among colleagues so characteristic of the... flamenco patriotic. Especially among Spaniards. The Austrians and the Poles, which is what I've experienced most closely these days, feel such a great devotion to the flamenco They are willing to set aside any disagreements to fully enjoy the art while it lasts. Their dedication is total. The small industry they can barely sustain is gradually consolidated. The affection felt during classes, concerts, parties, dinners, and drinks is heartwarming. They enjoy being part of the flamenco family despite being more than three thousand kilometers from the heart of flamenco. They live it intensely every day, sharing their blessed passion for it. flamenco.

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Dancing reigns supreme; that hasn't changed in all these years. The guitar is gaining more and more followers, and those who can sing are the ones who truly shine because they never stop. There are few of them, and of course, they're the most sought after. My partner, the flamenco singer Monica Clavijo, whom I want to thank from here for including me, has students from cantewhich is a clear indication of the desire to learn the discipline that is most difficult to grasp. The language and the special nature of cante jondo It's difficult to internalize them, but they certainly have the desire, and that's admirable. Meanwhile, here "official culture" belittles the flamenco until it practically disappeared from the schedules of mainstream television channels half a century ago, except in Andalusia, although it's not exactly thriving there either. Worldwide, Guirijindos, following the felicitous name of Manuel BohorquezThey're fighting tooth and nail for the flamenco in the most remote corners of the planet. Few musical and dance genres have managed to expand in this way. And here, it's like talking to a brick wall.

The condescending look many colleagues give towards those people who give what they don't have for a passion disgusts me. El flamenco The term "tourists," so often used by those with double-edged tongues, and the airs of superiority they exude, hides something darker: the fear of being outdone. And like a shrimp that falls asleep, it's swept away by the current; in a few years, they won't need anyone because they'll know how to fend for themselves, and many will be left "looking towards Rota." It's coming. There's no going back. The influence of certain elements has forced everyone to fend for themselves, and every day they need less of what until recently was essential: the national symbol. It already happened a long time ago with guitars.

 

"And if you don't believe me, just look at the platform you're reading these lines on, run from Vancouver by people who profess a genuine respect and love for the flamencoThey truly believed it and are building a ship that sails around the world under the flag of flamenco"The standard of Gypsy art, the banner of profound emotion, crafted with care, attending to every detail, putting our hearts into it."

 

I belong to an era when, when we went to Japan, we'd each take four guitars to sell there; however, it's been a long time since the Japanese came to Spain, tried out the guitars, and took them back, without intermediaries—they know the ropes. That's the end of that, the business is finished. The paintings of Shinyuku y Osaka They'll eventually become self-sufficient too. So, less talk and more action. These people study and prepare themselves so well that their guitar playing is incredible, their dancing is simply divine, and their singing gets better all the time. Someone will rightly say that it's essential to breathe the air of Cádiz, Sanlúcar, El Puerto and Jerez, Seville and Triana, Málaga and Granada, Córdoba, the plains, Jaén and Almería, the blessed lands of Huelva, Almería and Murcia, Badajoz, Madrid, the capital, and Barcelona. But whoever says that forgets that this air is increasingly polluted by modern trends and isn't so different from the air you breathe in New York, Moscow, or eternal Rome. Forget it. In less time than it takes a crazy priest to cross himself, the tourists...jondoThey will take over and seize the reins of flamenco, and, looking at us, they will say: if you don't pull your weight, we will. But, by my dear mother, this won't die. And if you don't believe me, look at the platform on which you are reading these lines, commanded from Vancouver by people who profess a genuine respect and love for flamenco. flamencoThey truly believed it and are building a ship that sails around the world under the flag of flamencoThe standard-bearer of Gypsy art, the banner of its deepest roots, crafted with care, attention to detail, and heartfelt dedication. Personally, I am proud to belong to this family and I hope that every port we visit will welcome such a commendable endeavor. And it had to be done from a city nine thousand kilometers away. You wouldn't believe it if you told anyone. Mitch and Jafelin Helten They believed in the flamenco And they have managed to embark a group of professionals to sail these seas of God carrying the news of flamenco to all corners of the world, doing our bit in the work that so many artists have been carrying out for more than a century.

Gades told me that when he was in the Pilar Lopez Company It took them a month to reach Japan by ship, they worked there for fifteen days, and then another month to return. Today, science is advancing at an incredible rate, and what happens in Torres Macarena It is known in Lima an hour later, thanks to those who work from here to make it so.

I've always been a defender of foreigners who love the flamencoI experienced it very closely for a decade and that leaves a big mark. Today, almost forty years later, we find that the flamenco In many places, the atmosphere is like strolling through the Santa María neighborhood, and don't say I'm exaggerating. And if I am, please excuse me; the cook isn't the fryer. And if it hasn't happened today, it will... tomorrow.

 

Faustino Nunez

Faustino Nunez

Faustino Núñez (Vigo 1961) is a musicologist. He holds a degree and master's degree in musicology from the University of Vienna and has taught courses and seminars worldwide. A cellist and guitarist, he has served as musical director of the Antonio Gades Company and president of its Foundation. In the XNUMXs, he was director of the Deutsche Grammophon label. He is the author of numerous educational and scientific books on flamenco, Spanish music and classical music. He is the author of the website www.flamencopolis.com. Record producer and professor at the Aula de Flamencology of the University of Cadiz, of the Master of the Higher School of Music of Catalonia and until September 2017 he was Professor of flamenco from the Conservatory of Music of Córdoba. He currently resides in his hometown where he continues his work as a teacher and lecturer.

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Comments 4

  1. María Elisa Jansen says:
    3 months ago

    That's true. flamenco It is no longer the regional culture it once was; it has become an international art form, with followers and practitioners.canteThey're everywhere in the world. I don't like the term 'guiri' (foreigner).jondo'Because 'guiri' is a derogatory word for ignorant foreigners. I prefer to talk about flamencomembers of the diaspora or citizens of FlamencoLandia, that country that isn't on any map, but exists in all the places where fans gather to celebrate that great art we love so much. And don't worry, we won't steal the flamencoBecause Andalusia remains the blessed land, where we all want to make a pilgrimage to experience the flamenco there where it has its roots. This was shown at the latest edition of the Jerez Festival, that annual gathering of the flamencos of the world. With sold-out courses and shows, and bars and peñaIt's becoming filled with boundless revelry. I hope the people of Andalusia are proud that they've created an art form that delights so many.

    Reply
    • Patri says:
      3 months ago

      I love this vision. It's like a religion; we're devoted to it. flamencoWe make pilgrimages to the holy land, we venerate the great ones, we spend our lives studying, searching for origins, trying to give meaning to our fervor, to our passion.
      Yes, we were born far from Andalusian land, but we are flamencofrom the soul to the tip of the hair.
      If I don't speak, nobody says I'm from beyond when I dance.
      Unfortunately, some people believe that having "blue" blood is some kind of artistic advantage. I live in Jerez, and I wish people would see me for who I truly am: a flamenco artist!
      Long live the lo JondoLong live the Flamenco that comes from within!

      Reply
  2. Faustino Nunez says:
    3 months ago

    flamencoland, but it's not understood as a foreignerjondoThe pejorative sense is no longer there; it has lost the semantics of the last century. You're right that in Andalusia, and more specifically in Jerez, you can feel the flamenco Great, I'm writing this just to stir things up a bit, without any intention of offending, because "the early bird catches the worm." Cheers, Marlies.

    Reply
  3. Sabine Viret says:
    3 months ago

    Let's flee from "modernities" and uniformity! ... which are a shame
    The article is interesting, and it seems that not everyone in Spain realizes the impact it has. Flamenco in the rest of the world…

    Reply

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