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Magazine ExpoFlamenco
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  • Magazine
    • International
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    Presentation of the Seville Biennial in Rome. Photo: Biennial

    The Biennial of Flamenco presents its 14th edition in Rome

    Presentation of the 70th Utrera Gypsy Stew. Gourmet Experience, El Corte Inglés Plaza del Duque, Seville. April 8, 2026. Photo: Kiko Valle

    Fantastic lineup for the 70th Utrera Gypsy Stew Festival

    Presentation of the Gold Medal of Utrera to the Roma people. Photo: Utrera City Council

    Utrera awards the City's Gold Medal to the Roma people

    Flamenco singer Jesús Méndez. Photo: Lo Ferro

    Top-level lineup at the XLVI Festival of Cante Flamenco from Lo Ferro

    XXXIII National Saeta Competition and CanteMiners of Passion. La Unión, Region of Murcia. Photo: Las Minas Foundation

    Raquel Salas and José Antonio Romero 'El Perrito', winners of the National Saeta Competition of La Unión

    'In illo tempore', by Mayte Martín. Photo: Isabel Camps

    'In illo tempore' by Mayte Martín: the flamenco as a living memory

    José María Velázquez-Gaztelu, honored at the XXXVI Flamenco Activities Cultural Week of Paradas.

    Paradas dedicates its Flamenco Week to Velázquez-Gaztelu

    Flamenco saeta in Jerez. Photo: Juan Garrido

    The saeta in Jerez: balconies, days and times

    Inauguration of the Bambino statue. Photo: Utrera City Council

    The statue of Bambino now stands in the center of Utrera

    Presentation of the program of the Teatro de la Maestranza during the XXIV Biennial of Flamenco From Seville. Photo: Laura León

    Flamenco at the Maestranza, thanks to La Bienal

    Presentation of the 4th Bierzo al Toque Festival. Corral de la Morería, Madrid. March 24, 2026. Photo: Bierzo al Toque

    Estrella Morente, Farruquito and Arcángel, at the IV Bierzo al Toque

    Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival

    The legacy of Niño Ricardo takes center stage at the III Madrid Community Guitar Festival

    Peña La Bulería, Jerez. Photo: perezventana

    The peñaFlamenco theaters in Jerez host the religious cycle Venerarte con Saetas

    Public aid to flamencoPhoto: Andalusian Agency of Cultural Institutions

    The Andalusian Regional Government opens the application period for festivals and events flamencos

    Recital by Enrique El Extremeño. Peña Flamenca Torres Macarena, Seville. January 24, 2026. Photo: Kiko Valle

    Enrique El Extremeño will receive the 'Verde que te quiero verde' award in Arahal

    Presentation of the Ateneos Group to FlamencoAteneo de Madrid. March 21, 2026. Photo: © Rafael Manjavacas - Provided to Expoflamenco

    The Ateneos Group was presented to Flamenco at the Ateneo of Madrid

    'Maidens, Permanent Revelry', by Estévez & Paños. XXX Jerez Festival. Villamarta Theatre. February 24, 2026. Photo: @Festival de Jerez - Rina Srabonian

    Estévez & Paños win the Critics' Prize at the Jerez Festival

    Salomé Ramírez, at the Jerez Festival 2026. Photo: Rina Srabonian

    Salomé Ramírez, Marcos de Silvia and Alejandro Hurtado, winners of the Jerez Festival awards

    Saeta, archive image.

    Castro del Río hosts the 2nd Meeting of Ancient Saetas

    Arcángel celebrates ten years of 'Tablao' with two nights of flamenco intimate at the Cajasol Foundation

  • Opinion
    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

    Manuel Martín Martín and Luis Soler Guevara, at the tribute to the latter held at the University of Málaga, 2017. Photo: MMM Archive

    Luis Soler, the other voice of Malaga (II)

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (I)

    Luis Soler, with his nephew Ramón Soler, author of this article. Photo: Luis de la Fuente - La Opinión de Zamora

    Goodbye to Luis Soler Guevara, the best fan

    Margit Frenk. Still from the documentary 'El Colegio de México and '68'. Production: Digital Education Coordination / Colmex Digital.

    Margit Frenk, a light that never went out

    Guitarist Juan Antonio Muñoz at the Casa de Andalucía in Rivas Vaciamadrid. December 2016. Photo: Vicente Pachón

    Juan Antonio Muñoz, eternal Mairena supporter

  • Chronicles
    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

    recital of cante Juanelo's. Peña Flamenca La Bambera, Seville. March 21, 2026. Photo: Kiko Valle

    Juanelo: the pellizco and the stranded numbs

    Dance recital by La Repompilla. Peña Flamenca Torres Macarena, Seville. March 27, 2026. Photo: Kiko Valle

    La Repompilla and the gypsy culture of the mamao dance

    recital of cante By Antonio Reyes. Flamenco Gathering El Pozo de las Penas, Los Palacios y Villafranca, Seville. March 28, 2026. Photo: Kiko Valle

    Antonio Reyes and the fat candy barbs

    Helga Molina, Ángeles Cerrejón, Rubén Franco, Kiko Valle, Trini Navarro, Rocío De los Santos, Carmen Arjona and Miguel Verdejo. Exaltation of the Saeta. peña Women's team from Huelva. Lent 2026. Photo: Jesús Naranjo

    Two truths intertwined in the arrow

    'Ellas', by Eva Esquivel. Isabel la Católica Theatre, Granada. March 26, 2026. Photo: Gilberto González

    The most flamenco Eve in Granada

    Antonio Reyes, at La Platería. Photo: Carlos Fernández - Extampasflamencas

    The sweet, flamenco voice of Antonio Reyes

    recital of cante by Angelita Montoya. Peña Flamenca Mazaco, Coria del Río. March 14, 2026. Photo: Kiko Valle

    Angelita Montoya: a torrent of brown colors

    'Freedom!', by Marina Heredia. Teatro del Soho Caixabank, Málaga. March 12, 2026. Photo: Marina M. Luna

    Marina Heredia: singing the pain of a people

    recital of cante By Inés Bacán. Closing of Women's Week. Peña Flamenca Torres MacarenaSeville. March 7, 2026. Photo: Kiko Valle

    Inés Bacán or the trance of a perpetual lament

    'Art', by Beatriz Morales. XXX Jerez Festival. Blas Infante Social Center. March 7, 2026. Photo: ©Jerez Festival - Esteban Abión

    Beatriz Morales, for the love of art

    'The Unpublished', by Compañía La Lupi. XXX Jerez Festival. Villamarta Theatre. March 7, 2026. Photo: ©Jerez Festival - Rina Srabonian

    La Lupi's general confession

    'Color Without a Name', by José Maya. XXX Jerez Festival. Villamarta Theatre. March 6, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The color with a name: José Maya

    Yaiza Trigo's dance recital. By peña en peñaXXX Jerez Festival. Cultural Center Flamenco Don Antonio Chacón. March 6, 2026. Photo: Kiko Valle

    Yaiza Trigo in Jerez: a whirlwind of substance

    'Martinicos le di a mi cuerpo', by David Lagos and Leonor Leal with Proyecto Lorca. XXX Jerez Festival, Blas Infante Center. March 6, 2026. Photo: ©Jerez Festival - Esteban Abión

    'Martinicos' or the mathematics of the elf

    'Magnificat', by Compañía María Moreno. XXX Jerez Festival. Villamarta Theatre. March 5, 2026. Photo: ©Jerez Festival - Esteban Abión

    María Moreno, joy of living

    Presentation of the album 'Lealtad', José El Berenjeno. XXX Jerez Festival. Sala Compañía. March 5, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The Carpios honor Berenjeno

    'Tentative. Based on real landscapes', by Jesús Carmona. XXX Festival of Jerez. Villamarta Theater. Mar 4, 2026. Photo: ©Festival de Jerez - Rina Srabonian

    Jesus Carmona and his strange journey

    'Palo 'Cortao', by Salomé Ramírez. XXX Jerez Festival. Sala Compañía. March 3, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The straight path of Salomé Ramírez

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Second book of flamenco poems and lyrics by Francisco José Auxilia

    Second book of flamenco poems and lyrics by Francisco José Auxilia

    Paco Valdepeñas. Photo: screenshot from Canal Sur video performance

    The best bulerías dancer is the one who moves the least

    Japanese flamenco dancer Junko Hagiwara, known as La Yunko, at the Festival of Flamenco International Guirijondo, PaloMares del Río (Seville) in April 2024, just before winning the Desplante in La Unión. Photo: perezventana

    Guirijondos

    Statue of Friar Ceferino Giménez Malla, the first Romani saint. Church of Santiago Mayor, Utrera. Photo: perezventana

    Priest with bulerías for Beato Ceferino

    Diego de Morón. Photo: Manuel Gil

    An emotional approach by Juan Toro to the magic of Diego de Morón

    Families of Curro de la Morena and Joaquín El Zambo. Tribute to Curro de la Morena. Peña Uncle José de Paula, Jerez. March 2026. Photo: Juan Garrido

    Curro de la Morena and his gypsy echo, twenty-five years later

    Cover image of the album 'Homenaje a Don Antonio Chacón', by Enrique Morente and Pepe Habichuela.

    The laments of the pole and the cane, a declaration of principles

    Davinia Ballesteros, a guitarist from Malaga. Photo: DB Archive

    A profile of teacher Davinia Ballesteros

    Manuela Reina. Photo: Studio Beni

    Second book of flamenco poems and lyrics by Manuela Reina

  • Archive
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    • International
    • News
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    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    Presentation of the Seville Biennial in Rome. Photo: Biennial

    The Biennial of Flamenco presents its 14th edition in Rome

    Presentation of the 70th Utrera Gypsy Stew. Gourmet Experience, El Corte Inglés Plaza del Duque, Seville. April 8, 2026. Photo: Kiko Valle

    Fantastic lineup for the 70th Utrera Gypsy Stew Festival

    Presentation of the Gold Medal of Utrera to the Roma people. Photo: Utrera City Council

    Utrera awards the City's Gold Medal to the Roma people

    Flamenco singer Jesús Méndez. Photo: Lo Ferro

    Top-level lineup at the XLVI Festival of Cante Flamenco from Lo Ferro

    XXXIII National Saeta Competition and CanteMiners of Passion. La Unión, Region of Murcia. Photo: Las Minas Foundation

    Raquel Salas and José Antonio Romero 'El Perrito', winners of the National Saeta Competition of La Unión

    'In illo tempore', by Mayte Martín. Photo: Isabel Camps

    'In illo tempore' by Mayte Martín: the flamenco as a living memory

    José María Velázquez-Gaztelu, honored at the XXXVI Flamenco Activities Cultural Week of Paradas.

    Paradas dedicates its Flamenco Week to Velázquez-Gaztelu

    Flamenco saeta in Jerez. Photo: Juan Garrido

    The saeta in Jerez: balconies, days and times

    Inauguration of the Bambino statue. Photo: Utrera City Council

    The statue of Bambino now stands in the center of Utrera

    Presentation of the program of the Teatro de la Maestranza during the XXIV Biennial of Flamenco From Seville. Photo: Laura León

    Flamenco at the Maestranza, thanks to La Bienal

    Presentation of the 4th Bierzo al Toque Festival. Corral de la Morería, Madrid. March 24, 2026. Photo: Bierzo al Toque

    Estrella Morente, Farruquito and Arcángel, at the IV Bierzo al Toque

    Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival

    The legacy of Niño Ricardo takes center stage at the III Madrid Community Guitar Festival

    Peña La Bulería, Jerez. Photo: perezventana

    The peñaFlamenco theaters in Jerez host the religious cycle Venerarte con Saetas

    Public aid to flamencoPhoto: Andalusian Agency of Cultural Institutions

    The Andalusian Regional Government opens the application period for festivals and events flamencos

    Recital by Enrique El Extremeño. Peña Flamenca Torres Macarena, Seville. January 24, 2026. Photo: Kiko Valle

    Enrique El Extremeño will receive the 'Verde que te quiero verde' award in Arahal

    Presentation of the Ateneos Group to FlamencoAteneo de Madrid. March 21, 2026. Photo: © Rafael Manjavacas - Provided to Expoflamenco

    The Ateneos Group was presented to Flamenco at the Ateneo of Madrid

    'Maidens, Permanent Revelry', by Estévez & Paños. XXX Jerez Festival. Villamarta Theatre. February 24, 2026. Photo: @Festival de Jerez - Rina Srabonian

    Estévez & Paños win the Critics' Prize at the Jerez Festival

    Salomé Ramírez, at the Jerez Festival 2026. Photo: Rina Srabonian

    Salomé Ramírez, Marcos de Silvia and Alejandro Hurtado, winners of the Jerez Festival awards

    Saeta, archive image.

    Castro del Río hosts the 2nd Meeting of Ancient Saetas

    Arcángel celebrates ten years of 'Tablao' with two nights of flamenco intimate at the Cajasol Foundation

  • Opinion
    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

    Manuel Martín Martín and Luis Soler Guevara, at the tribute to the latter held at the University of Málaga, 2017. Photo: MMM Archive

    Luis Soler, the other voice of Malaga (II)

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (I)

    Luis Soler, with his nephew Ramón Soler, author of this article. Photo: Luis de la Fuente - La Opinión de Zamora

    Goodbye to Luis Soler Guevara, the best fan

    Margit Frenk. Still from the documentary 'El Colegio de México and '68'. Production: Digital Education Coordination / Colmex Digital.

    Margit Frenk, a light that never went out

    Guitarist Juan Antonio Muñoz at the Casa de Andalucía in Rivas Vaciamadrid. December 2016. Photo: Vicente Pachón

    Juan Antonio Muñoz, eternal Mairena supporter

  • Chronicles
    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

    recital of cante Juanelo's. Peña Flamenca La Bambera, Seville. March 21, 2026. Photo: Kiko Valle

    Juanelo: the pellizco and the stranded numbs

    Dance recital by La Repompilla. Peña Flamenca Torres Macarena, Seville. March 27, 2026. Photo: Kiko Valle

    La Repompilla and the gypsy culture of the mamao dance

    recital of cante By Antonio Reyes. Flamenco Gathering El Pozo de las Penas, Los Palacios y Villafranca, Seville. March 28, 2026. Photo: Kiko Valle

    Antonio Reyes and the fat candy barbs

    Helga Molina, Ángeles Cerrejón, Rubén Franco, Kiko Valle, Trini Navarro, Rocío De los Santos, Carmen Arjona and Miguel Verdejo. Exaltation of the Saeta. peña Women's team from Huelva. Lent 2026. Photo: Jesús Naranjo

    Two truths intertwined in the arrow

    'Ellas', by Eva Esquivel. Isabel la Católica Theatre, Granada. March 26, 2026. Photo: Gilberto González

    The most flamenco Eve in Granada

    Antonio Reyes, at La Platería. Photo: Carlos Fernández - Extampasflamencas

    The sweet, flamenco voice of Antonio Reyes

    recital of cante by Angelita Montoya. Peña Flamenca Mazaco, Coria del Río. March 14, 2026. Photo: Kiko Valle

    Angelita Montoya: a torrent of brown colors

    'Freedom!', by Marina Heredia. Teatro del Soho Caixabank, Málaga. March 12, 2026. Photo: Marina M. Luna

    Marina Heredia: singing the pain of a people

    recital of cante By Inés Bacán. Closing of Women's Week. Peña Flamenca Torres MacarenaSeville. March 7, 2026. Photo: Kiko Valle

    Inés Bacán or the trance of a perpetual lament

    'Art', by Beatriz Morales. XXX Jerez Festival. Blas Infante Social Center. March 7, 2026. Photo: ©Jerez Festival - Esteban Abión

    Beatriz Morales, for the love of art

    'The Unpublished', by Compañía La Lupi. XXX Jerez Festival. Villamarta Theatre. March 7, 2026. Photo: ©Jerez Festival - Rina Srabonian

    La Lupi's general confession

    'Color Without a Name', by José Maya. XXX Jerez Festival. Villamarta Theatre. March 6, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The color with a name: José Maya

    Yaiza Trigo's dance recital. By peña en peñaXXX Jerez Festival. Cultural Center Flamenco Don Antonio Chacón. March 6, 2026. Photo: Kiko Valle

    Yaiza Trigo in Jerez: a whirlwind of substance

    'Martinicos le di a mi cuerpo', by David Lagos and Leonor Leal with Proyecto Lorca. XXX Jerez Festival, Blas Infante Center. March 6, 2026. Photo: ©Jerez Festival - Esteban Abión

    'Martinicos' or the mathematics of the elf

    'Magnificat', by Compañía María Moreno. XXX Jerez Festival. Villamarta Theatre. March 5, 2026. Photo: ©Jerez Festival - Esteban Abión

    María Moreno, joy of living

    Presentation of the album 'Lealtad', José El Berenjeno. XXX Jerez Festival. Sala Compañía. March 5, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The Carpios honor Berenjeno

    'Tentative. Based on real landscapes', by Jesús Carmona. XXX Festival of Jerez. Villamarta Theater. Mar 4, 2026. Photo: ©Festival de Jerez - Rina Srabonian

    Jesus Carmona and his strange journey

    'Palo 'Cortao', by Salomé Ramírez. XXX Jerez Festival. Sala Compañía. March 3, 2026. Photo: ©Jerez Festival - Rina Srabonian

    The straight path of Salomé Ramírez

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Second book of flamenco poems and lyrics by Francisco José Auxilia

    Second book of flamenco poems and lyrics by Francisco José Auxilia

    Paco Valdepeñas. Photo: screenshot from Canal Sur video performance

    The best bulerías dancer is the one who moves the least

    Japanese flamenco dancer Junko Hagiwara, known as La Yunko, at the Festival of Flamenco International Guirijondo, PaloMares del Río (Seville) in April 2024, just before winning the Desplante in La Unión. Photo: perezventana

    Guirijondos

    Statue of Friar Ceferino Giménez Malla, the first Romani saint. Church of Santiago Mayor, Utrera. Photo: perezventana

    Priest with bulerías for Beato Ceferino

    Diego de Morón. Photo: Manuel Gil

    An emotional approach by Juan Toro to the magic of Diego de Morón

    Families of Curro de la Morena and Joaquín El Zambo. Tribute to Curro de la Morena. Peña Uncle José de Paula, Jerez. March 2026. Photo: Juan Garrido

    Curro de la Morena and his gypsy echo, twenty-five years later

    Cover image of the album 'Homenaje a Don Antonio Chacón', by Enrique Morente and Pepe Habichuela.

    The laments of the pole and the cane, a declaration of principles

    Davinia Ballesteros, a guitarist from Malaga. Photo: DB Archive

    A profile of teacher Davinia Ballesteros

    Manuela Reina. Photo: Studio Beni

    Second book of flamenco poems and lyrics by Manuela Reina

  • Archive
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Guirijondos

In less time than it takes a crazy priest to cross himself, the touristsjondoThey will take over and take the reins of the deep thing and, looking at us, they will say: if you don't pull the cart, we will.

Faustino Nunez by Faustino Nunez
April 9, 2026
Reading time: 6 mins reads
317
A A
4
Japanese flamenco dancer Junko Hagiwara, known as La Yunko, at the Festival of Flamenco International Guirijondo, PaloMares del Río (Seville) in April 2024, just before winning the Desplante in La Unión. Photo: perezventana

Japanese flamenco dancer Junko Hagiwara, known as La Yunko, at the Festival of Flamenco International Guirijondo, PaloMares del Río (Seville) in April 2024, just before winning the Desplante in La Unión. Photo: perezventana

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After a week in Vienna and Warsaw, I was able to relive the activity that more and more artists are developing. flamencos outside of Spain. The love and dedication they feel for our art is incomparable to what one finds around here. In my Viennese days, in the 1980s, we were just a handful; today they are legion. And I've also noticed that, like all bad habits, they are not immune to the perennial squabbles among colleagues so characteristic of the... flamenco patriotic. Especially among Spaniards. The Austrians and the Poles, which is what I've experienced most closely these days, feel such a great devotion to the flamenco They are willing to set aside any disagreements to fully enjoy the art while it lasts. Their dedication is total. The small industry they can barely sustain is gradually consolidated. The affection felt during classes, concerts, parties, dinners, and drinks is heartwarming. They enjoy being part of the flamenco family despite being more than three thousand kilometers from the heart of flamenco. They live it intensely every day, sharing their blessed passion for it. flamenco.

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Dancing reigns supreme; that hasn't changed in all these years. The guitar is gaining more and more followers, and those who can sing are the ones who truly shine because they never stop. There are few of them, and of course, they're the most sought after. My partner, the flamenco singer Monica Clavijo, whom I want to thank from here for including me, has students from cantewhich is a clear indication of the desire to learn the discipline that is most difficult to grasp. The language and the special nature of cante jondo It's difficult to internalize them, but they certainly have the desire, and that's admirable. Meanwhile, here "official culture" belittles the flamenco until it practically disappeared from the schedules of mainstream television channels half a century ago, except in Andalusia, although it's not exactly thriving there either. Worldwide, Guirijindos, following the felicitous name of Manuel BohorquezThey're fighting tooth and nail for the flamenco in the most remote corners of the planet. Few musical and dance genres have managed to expand in this way. And here, it's like talking to a brick wall.

The condescending look many colleagues give towards those people who give what they don't have for a passion disgusts me. El flamenco The term "tourists," so often used by those with double-edged tongues, and the airs of superiority they exude, hides something darker: the fear of being outdone. And like a shrimp that falls asleep, it's swept away by the current; in a few years, they won't need anyone because they'll know how to fend for themselves, and many will be left "looking towards Rota." It's coming. There's no going back. The influence of certain elements has forced everyone to fend for themselves, and every day they need less of what until recently was essential: the national symbol. It already happened a long time ago with guitars.

 

"And if you don't believe me, just look at the platform you're reading these lines on, run from Vancouver by people who profess a genuine respect and love for the flamencoThey truly believed it and are building a ship that sails around the world under the flag of flamenco"The standard of Gypsy art, the banner of profound emotion, crafted with care, attending to every detail, putting our hearts into it."

 

I belong to an era when, when we went to Japan, we'd each take four guitars to sell there; however, it's been a long time since the Japanese came to Spain, tried out the guitars, and took them back, without intermediaries—they know the ropes. That's the end of that, the business is finished. The paintings of Shinyuku y Osaka They'll eventually become self-sufficient too. So, less talk and more action. These people study and prepare themselves so well that their guitar playing is incredible, their dancing is simply divine, and their singing gets better all the time. Someone will rightly say that it's essential to breathe the air of Cádiz, Sanlúcar, El Puerto and Jerez, Seville and Triana, Málaga and Granada, Córdoba, the plains, Jaén and Almería, the blessed lands of Huelva, Almería and Murcia, Badajoz, Madrid, the capital, and Barcelona. But whoever says that forgets that this air is increasingly polluted by modern trends and isn't so different from the air you breathe in New York, Moscow, or eternal Rome. Forget it. In less time than it takes a crazy priest to cross himself, the tourists...jondoThey will take over and seize the reins of flamenco, and, looking at us, they will say: if you don't pull your weight, we will. But, by my dear mother, this won't die. And if you don't believe me, look at the platform on which you are reading these lines, commanded from Vancouver by people who profess a genuine respect and love for flamenco. flamencoThey truly believed it and are building a ship that sails around the world under the flag of flamencoThe standard-bearer of Gypsy art, the banner of its deepest roots, crafted with care, attention to detail, and heartfelt dedication. Personally, I am proud to belong to this family and I hope that every port we visit will welcome such a commendable endeavor. And it had to be done from a city nine thousand kilometers away. You wouldn't believe it if you told anyone. Mitch and Jafelin Helten They believed in the flamenco And they have managed to embark a group of professionals to sail these seas of God carrying the news of flamenco to all corners of the world, doing our bit in the work that so many artists have been carrying out for more than a century.

Gades told me that when he was in the Pilar Lopez Company It took them a month to reach Japan by ship, they worked there for fifteen days, and then another month to return. Today, science is advancing at an incredible rate, and what happens in Torres Macarena It is known in Lima an hour later, thanks to those who work from here to make it so.

I've always been a defender of foreigners who love the flamencoI experienced it very closely for a decade and that leaves a big mark. Today, almost forty years later, we find that the flamenco In many places, the atmosphere is like strolling through the Santa María neighborhood, and don't say I'm exaggerating. And if I am, please excuse me; the cook isn't the fryer. And if it hasn't happened today, it will... tomorrow.

 

Faustino Nunez

Faustino Nunez

Faustino Núñez (Vigo 1961) is a musicologist. He holds a degree and master's degree in musicology from the University of Vienna and has taught courses and seminars worldwide. A cellist and guitarist, he has served as musical director of the Antonio Gades Company and president of its Foundation. In the XNUMXs, he was director of the Deutsche Grammophon label. He is the author of numerous educational and scientific books on flamenco, Spanish music and classical music. He is the author of the website www.flamencopolis.com. Record producer and professor at the Aula de Flamencology of the University of Cadiz, of the Master of the Higher School of Music of Catalonia and until September 2017 he was Professor of flamenco from the Conservatory of Music of Córdoba. He currently resides in his hometown where he continues his work as a teacher and lecturer.

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Comments 4

  1. María Elisa Jansen says:
    منذ أسبوع واحد

    That's true. flamenco It is no longer the regional culture it once was; it has become an international art form, with followers and practitioners.canteThey're everywhere in the world. I don't like the term 'guiri' (foreigner).jondo'Because 'guiri' is a derogatory word for ignorant foreigners. I prefer to talk about flamencomembers of the diaspora or citizens of FlamencoLandia, that country that isn't on any map, but exists in all the places where fans gather to celebrate that great art we love so much. And don't worry, we won't steal the flamencoBecause Andalusia remains the blessed land, where we all want to make a pilgrimage to experience the flamenco there where it has its roots. This was shown at the latest edition of the Jerez Festival, that annual gathering of the flamencos of the world. With sold-out courses and shows, and bars and peñaIt's becoming filled with boundless revelry. I hope the people of Andalusia are proud that they've created an art form that delights so many.

    Reply
    • Patri says:
      5 days ago

      I love this vision. It's like a religion; we're devoted to it. flamencoWe make pilgrimages to the holy land, we venerate the great ones, we spend our lives studying, searching for origins, trying to give meaning to our fervor, to our passion.
      Yes, we were born far from Andalusian land, but we are flamencofrom the soul to the tip of the hair.
      If I don't speak, nobody says I'm from beyond when I dance.
      Unfortunately, some people believe that having "blue" blood is some kind of artistic advantage. I live in Jerez, and I wish people would see me for who I truly am: a flamenco artist!
      Long live the lo JondoLong live the Flamenco that comes from within!

      Reply
  2. Faustino Nunez says:
    منذ أسبوع واحد

    flamencoland, but it's not understood as a foreignerjondoThe pejorative sense is no longer there; it has lost the semantics of the last century. You're right that in Andalusia, and more specifically in Jerez, you can feel the flamenco Great, I'm writing this just to stir things up a bit, without any intention of offending, because "the early bird catches the worm." Cheers, Marlies.

    Reply
  3. Sabine Viret says:
    منذ أسبوع واحد

    Let's flee from "modernities" and uniformity! ... which are a shame
    The article is interesting, and it seems that not everyone in Spain realizes the impact it has. Flamenco in the rest of the world…

    Reply

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