The news in Spain this weekend is dominated by the visit of Pope Leo XIV to different locations throughout the country. In the flamenco There is also a Pope, that's what they called him. Mr. Antonio Chacon For his prestige in culture and his undeniable influence throughout his artistic career, which spanned the late 19th and early 20th centuries. This high priest, hailing from the San Miguel neighborhood, led a glorious era from his work on Calle Sol, undoubtedly marked by the elevation of art to a higher status. jondoIn Jerez there is a peña with his name, in addition to other recognitions such as a bust in his neighborhood or a plaque on his birthplace.
This institution, located in the historic center, is hosting the 41st edition of a spring cycle that this year is dedicated to Aunt Juana of the Pipewho is not in good health. All our strength to this good woman and extraordinary artist who has given us so many wonderful moments. It began with the dance recital of Gem Moneo, collected in ExpoFlamencoJust as I am now going to tell you what happened on the second night with the arrival of The Tolo, a flamenco singer without "fear of the precipice".
It is worth noting that this flamenco singer, from the same La Plazuela neighborhood and from a lineage with such a pedigree as that of The Carpios (directly related to the Chalao, Agujetas, Rubichi....), is a soul devoted to the audience when he takes to the stage. He has no filter, and that is precisely what moves you; there are no pretenses or half measures. I even saw him cry during seguiriyas, at the end, remembering his mother, Pilar. peña The event was lively, with a great atmosphere created, and respect prevailed throughout. For anyone visiting from elsewhere, having free access to a gathering of this caliber is a real privilege, and it must be equally so for the locals.
"Antonio Peña Carpio 'El Tolo' is a soul devoted to the audience when he takes to the stage. He has no filter, and that's precisely what moves you; there are no pretenses or half-measures. I even saw him cry during seguiriyas, at the end, remembering his mother, Pilar.
El Tolo's style is classically crafted, Manuel Torre y mojama, also from El Caracol by his grandfather The Eggplant y The Chickpeawith rhythm like his uncle El MijitaHe doesn't just draw from one source; he has several taps, which allows him to master styles like the malagueña and the soleá, as he demonstrated in his recital. He is also elegant and approachable, grateful to the audience and those who support him, as reflected in his brief spoken interventions. He began with tientos and tangos, warming up an unpredictable yet magnificent voice. palmas de Ali of the Tota y Javi Peña They were precise, without microphones, a success. The guitar was the one from Domingo Rubichi'sThat's the one that makes you sing. Her bulerías are a delight to listen to, and her repertoire is full of history and legacy. The best part is that she goes all the way, she doesn't hold back. She demonstrated this again in the fandangos, where she even stepped away from the microphone to sing them aloud.
In the second half, he was even more captivating, perhaps because he found the resources to finish off a magnificent performance, one in which his flamenco-infused bulerías had us all dancing in our seats. He commands the tempo with ease, evoking the best nights of family celebrations, brimming with personality. Times have changed, but certain artists, like him, still retain their essence. Antonio Peña Carpio El ToloThe teacher Anna Maria Lopez She was the one who danced for everyone on stage, with that minute of art that is so appreciated.
Next week's edition will conclude with a star appearance by The Macanita y Manuel valencia: Friday the 13th at 22 p.m. ♦
