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Magazine ExpoFlamenco
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  • Magazine
    • International
    • News
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    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    Group of ten adults posing for a photo in front of a carved stone fountain on a sunny day.

    The Biennial returns to its emotional heart, the Lope de Vega Theatre

    Flamenco dancer Rocío Molina. Photo: Adrián del Campo

    Rocío Molina reigns at the Talía Awards

    Female performer on stage singing, wearing a red shawl and pink dress, with her hands raised in expressive gesture under blue-purple lighting

    The Seville Biennial reopens the Hotel Triana with shows rooted in gypsy culture, local traditions, and masters.

    Presentation of the poster for the 59th Gazpacho Festival of Morón. Molino del Aceite, Morón. May 15, 2026. Photo: Morón City Council

    The lineup for the LIX Festival has been announced. Flamenco Andalusian Gazpacho from Morón

    Presentation of Danza Canalla. Photo: Cádiz Provincial Council

    Danza Canalla carries the flamenco to the natural landscapes of Zahara de la Sierra

    The Goatherd. Photo: Antonio Gómez Domínguez

    The Goatherd, freedom as a homeland

    Madrid rallies in memory of Juan Ramírez

    'Magnificat', by María Moreno. Festival Flamenco from Nimes. Theater of Nîmes, Bernadette Lafon Hall. January 16, 2026. Photo: Sandy Korzekwa

    The Villains of the Cycle Flamenco champions art without constraints

    Eight adults pose for a group photo in a hall with flamenco event posters in the background.

    Flamenco On Fire: second part of the 'Andalusian Cadence 1925-1950' trilogy

    Vicente Amigo. Photo: FB Córdoba Guitar Festival

    XLV Cordoba Guitar Festival: Flamenco History in Action

    Presentation of the Teatro Alameda concerts at La Bienal. Mercado del Barranco, Seville. May 4, 2026. Photo: perezventana

    Teatro Alameda: youth, memory and savagery at the Seville Biennial

    Presentation of the XI Festival Flamenco City of Huelva. Photo: Huelva City Council

    Festival Flamenco City of Huelva: emotion, roots and the return of Arcángel

    Manuela Román and Pepe Solano. Presentation of the poster for the XXXV Festival Flamenco La Yerbabuena, Las Cabezas de San Juan (Seville). Photo: Kiko Valle

    The poster and program for the Yerbabuena Festival have been presented.

    Presentation of the documentary 'You Will Be Farruquito'. Photo: Seville European Film Festival

    The Artillery Factory opens to the Seville Biennial with premieres by Ana Morales and Pablo Martín Caminero

    Presentation of the Conference Flamenco and the Generation of '27. Photo: Seville Chamber of Commerce

    The Conference was presented Flamenco and Generation of '27

    José Antonio Rodríguez. III Madrid Community Guitar Festival. Photo: Fest Guitarra

    José Antonio Rodríguez closed the III Guitar Festival of the Community of Madrid

    Jury of the Cante of the Mines 2026. Photo: Fund Cante The Mines

    Figures of canteDance, criticism, and research, on the jury of Las Minas

    Paco del Pozo. XXVI Tío Luis el de la Juliana Festival. Isabel de España University Residence Hall, Madrid. Photo: Vicente Pachón

    The 'Isa', the most flamenco Madrid

    Documentary 'Bernabé, the smile of flamenco', by the young filmmaker Dany Ruz. Promotional photo.

    Bernabé, more than just Paco de Lucía's dentist

    The Crumbs.

    Ambitious lineup at the IX FlamencoMestizos

  • Interviews
  • Opinion
    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

  • Chronicles
    recital of cante by Alicia Morales. Peña La Platería, Granada. May 16, 2026. Photo: Gilberto González

    Alicia Morales: renewal of cante old age

    'Herencia Cantaora'. Alicia Gil and Carmela Gil. Peña Flamenca Torres Macarena, Seville. May 16, 2026. Photo: Kiko Valle

    Alicia and Carmela Gil: from elegance, taste and delicacy in the cante

    Delia Membrive and Juan Requena. Fever Festival CanteMarinaleda, Seville. Photo: Carmen Arjona

    Fever of Cante: the star of 'frivolous festivals'

    recital of cante From La Kaíta. Deep paths cycle of flamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. May 14, 2026. Photo: Lourdes Gálvez del Postigo

    La Kaíta: Extremaduran racial power

    Tribute to Juan Ramírez. Marcelino Camacho Auditorium, Madrid. May 13, 2026. Photo: Vicente Pachón

    A miracle named Juan Ramirez

    'Deuteronomy 5:8-19', by Alberto Sellés & Iván Orellana. Cycle Flamenco Apart. Cajasol Foundation Theatre, Seville. May 11, 2026. Photo: Luis Castilla

    Alberto Sellés and Iván Orellana, the versatility of two flamenco dancers

    Man in a suit cries in distress as another man with a beard points angrily indoors.

    José Ángel Carmona or the ecstasy of the palate

    recital of cante By Esmeralda Rancapino. V Manuel Herrera Rodas Flamenco Cultural Spring Festival. El Pozo de las Penas Flamenco Cultural Gathering, Los Palacios y Villafranca, Seville. April 30, 2026. Photo: Kiko Valle

    Esmeralda Rancapino or the cotton candy

    'With hierarchy', by José Valencia. Cádiz Cycle Flamenco. Center Flamenco La Merced, Cádiz. April 30, 2026. Photo: Modesto Sánchez Sierra

    José Valencia, family matters

    recital of cante by David Carpio. Peña La Platería, Granada. April 25, 2026. Photo: Antonio Conde

    David Carpio: Jerez as his flag

    'Cante 'woman's', by Naike Ponce, Pilar La Gineta and Teresa Hernández. Cádiz Cycle is Flamenco. Center Flamenco La Merced, Cádiz. April 24, 2026. Photo: Antonio Barce

    Naike, La Gineta… and the tears of Teresa Hernández

    recital of cante by Luis MoneoDeep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. April 23, 2026. Photo: Lourdes Gálvez del Postigo

    Luis Moneo: heredity and personality

    La Macanita sings the songs of Antonio Gallardo. Villamarta Theatre, Jerez. April 18, 2026. Photo: Courtesy of Compañía Macanita

    La Macanita reigns in Villamarta with the romantic idyll between her voice and Gallardo

    Guitar recital by Mercedes Luján. Peña La Platería, Granada. April 18, 2026. Photo: Carlos Fernández - ExtampasFlamencas

    The renewal of the feminine touch: Mercedes Luján

    Jaime Cala: scenic architecture of the jondo

    Jaime Cala: scenic architecture of the jondo

    'Warm-up', by Rocío Molina. Cycle Flamenco It will be you. Cervantes Theatre, Malaga. April 15, 2026. Photo: Álvaro Cabrera

    Rocío Molina: to begin, always to begin

    recital of cante From El Canana. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas. April 14, 2026. Photo: Kiko Valle

    The Canana and the taste of orthodoxy

    Manuel's Recital Moneo The Uproar. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas, Paradas, Seville. April 12, 2026. Photo: Kiko Valle

    The roll in the hay cante Manuel Moneo 'Commotion' in Paradas

    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Classic image of El Corral de la Morería, which is celebrating its seventieth anniversary. Photo: Morería website

    Seventy years of the Corral de la Morería

    Ojaneta de La Caleta

    Scene from 'My country is my freedom'.

    The authentic fandango dancer

    American researcher Tyler Barbour. Photo: LK Tyler

    Who said that the flamenco Is it only intimate and not social – too –?

    Rafael Romero "The Chicken".

    The flamenco elegance of Rafael Romero

    Award winners and authorities. Gala of the III Córdoba Art Awards FlamencoChair of FlamencoUniversity of Córdoba. April 30, 2026. Photo: Chair

    The Chair of FlamencoCórdoba art school strengthens its art awards flamenco

    Fabi and Curro Carrasco. Peña The Pearl of Cádiz, Cádiz. Photo: Juan Garrido

    La Fabi, a star near the sun

    Dome of the Sanctuary of Our Lady of Victory, Malaga, 1700.

    Fear of emptiness

    Four male musicians on a stage: one with a bright orange guitar singing into a mic while three others applaud nearby, with a mural backdrop and flags behind them at a performance venue.

    José Méndez and his flamenco singing vindication

  • Archive
  • Login
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    • News
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    • Opinion
    • Chronicles
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    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    Group of ten adults posing for a photo in front of a carved stone fountain on a sunny day.

    The Biennial returns to its emotional heart, the Lope de Vega Theatre

    Flamenco dancer Rocío Molina. Photo: Adrián del Campo

    Rocío Molina reigns at the Talía Awards

    Female performer on stage singing, wearing a red shawl and pink dress, with her hands raised in expressive gesture under blue-purple lighting

    The Seville Biennial reopens the Hotel Triana with shows rooted in gypsy culture, local traditions, and masters.

    Presentation of the poster for the 59th Gazpacho Festival of Morón. Molino del Aceite, Morón. May 15, 2026. Photo: Morón City Council

    The lineup for the LIX Festival has been announced. Flamenco Andalusian Gazpacho from Morón

    Presentation of Danza Canalla. Photo: Cádiz Provincial Council

    Danza Canalla carries the flamenco to the natural landscapes of Zahara de la Sierra

    The Goatherd. Photo: Antonio Gómez Domínguez

    The Goatherd, freedom as a homeland

    Madrid rallies in memory of Juan Ramírez

    'Magnificat', by María Moreno. Festival Flamenco from Nimes. Theater of Nîmes, Bernadette Lafon Hall. January 16, 2026. Photo: Sandy Korzekwa

    The Villains of the Cycle Flamenco champions art without constraints

    Eight adults pose for a group photo in a hall with flamenco event posters in the background.

    Flamenco On Fire: second part of the 'Andalusian Cadence 1925-1950' trilogy

    Vicente Amigo. Photo: FB Córdoba Guitar Festival

    XLV Cordoba Guitar Festival: Flamenco History in Action

    Presentation of the Teatro Alameda concerts at La Bienal. Mercado del Barranco, Seville. May 4, 2026. Photo: perezventana

    Teatro Alameda: youth, memory and savagery at the Seville Biennial

    Presentation of the XI Festival Flamenco City of Huelva. Photo: Huelva City Council

    Festival Flamenco City of Huelva: emotion, roots and the return of Arcángel

    Manuela Román and Pepe Solano. Presentation of the poster for the XXXV Festival Flamenco La Yerbabuena, Las Cabezas de San Juan (Seville). Photo: Kiko Valle

    The poster and program for the Yerbabuena Festival have been presented.

    Presentation of the documentary 'You Will Be Farruquito'. Photo: Seville European Film Festival

    The Artillery Factory opens to the Seville Biennial with premieres by Ana Morales and Pablo Martín Caminero

    Presentation of the Conference Flamenco and the Generation of '27. Photo: Seville Chamber of Commerce

    The Conference was presented Flamenco and Generation of '27

    José Antonio Rodríguez. III Madrid Community Guitar Festival. Photo: Fest Guitarra

    José Antonio Rodríguez closed the III Guitar Festival of the Community of Madrid

    Jury of the Cante of the Mines 2026. Photo: Fund Cante The Mines

    Figures of canteDance, criticism, and research, on the jury of Las Minas

    Paco del Pozo. XXVI Tío Luis el de la Juliana Festival. Isabel de España University Residence Hall, Madrid. Photo: Vicente Pachón

    The 'Isa', the most flamenco Madrid

    Documentary 'Bernabé, the smile of flamenco', by the young filmmaker Dany Ruz. Promotional photo.

    Bernabé, more than just Paco de Lucía's dentist

    The Crumbs.

    Ambitious lineup at the IX FlamencoMestizos

  • Interviews
  • Opinion
    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

  • Chronicles
    recital of cante by Alicia Morales. Peña La Platería, Granada. May 16, 2026. Photo: Gilberto González

    Alicia Morales: renewal of cante old age

    'Herencia Cantaora'. Alicia Gil and Carmela Gil. Peña Flamenca Torres Macarena, Seville. May 16, 2026. Photo: Kiko Valle

    Alicia and Carmela Gil: from elegance, taste and delicacy in the cante

    Delia Membrive and Juan Requena. Fever Festival CanteMarinaleda, Seville. Photo: Carmen Arjona

    Fever of Cante: the star of 'frivolous festivals'

    recital of cante From La Kaíta. Deep paths cycle of flamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. May 14, 2026. Photo: Lourdes Gálvez del Postigo

    La Kaíta: Extremaduran racial power

    Tribute to Juan Ramírez. Marcelino Camacho Auditorium, Madrid. May 13, 2026. Photo: Vicente Pachón

    A miracle named Juan Ramirez

    'Deuteronomy 5:8-19', by Alberto Sellés & Iván Orellana. Cycle Flamenco Apart. Cajasol Foundation Theatre, Seville. May 11, 2026. Photo: Luis Castilla

    Alberto Sellés and Iván Orellana, the versatility of two flamenco dancers

    Man in a suit cries in distress as another man with a beard points angrily indoors.

    José Ángel Carmona or the ecstasy of the palate

    recital of cante By Esmeralda Rancapino. V Manuel Herrera Rodas Flamenco Cultural Spring Festival. El Pozo de las Penas Flamenco Cultural Gathering, Los Palacios y Villafranca, Seville. April 30, 2026. Photo: Kiko Valle

    Esmeralda Rancapino or the cotton candy

    'With hierarchy', by José Valencia. Cádiz Cycle Flamenco. Center Flamenco La Merced, Cádiz. April 30, 2026. Photo: Modesto Sánchez Sierra

    José Valencia, family matters

    recital of cante by David Carpio. Peña La Platería, Granada. April 25, 2026. Photo: Antonio Conde

    David Carpio: Jerez as his flag

    'Cante 'woman's', by Naike Ponce, Pilar La Gineta and Teresa Hernández. Cádiz Cycle is Flamenco. Center Flamenco La Merced, Cádiz. April 24, 2026. Photo: Antonio Barce

    Naike, La Gineta… and the tears of Teresa Hernández

    recital of cante by Luis MoneoDeep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. April 23, 2026. Photo: Lourdes Gálvez del Postigo

    Luis Moneo: heredity and personality

    La Macanita sings the songs of Antonio Gallardo. Villamarta Theatre, Jerez. April 18, 2026. Photo: Courtesy of Compañía Macanita

    La Macanita reigns in Villamarta with the romantic idyll between her voice and Gallardo

    Guitar recital by Mercedes Luján. Peña La Platería, Granada. April 18, 2026. Photo: Carlos Fernández - ExtampasFlamencas

    The renewal of the feminine touch: Mercedes Luján

    Jaime Cala: scenic architecture of the jondo

    Jaime Cala: scenic architecture of the jondo

    'Warm-up', by Rocío Molina. Cycle Flamenco It will be you. Cervantes Theatre, Malaga. April 15, 2026. Photo: Álvaro Cabrera

    Rocío Molina: to begin, always to begin

    recital of cante From El Canana. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas. April 14, 2026. Photo: Kiko Valle

    The Canana and the taste of orthodoxy

    Manuel's Recital Moneo The Uproar. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas, Paradas, Seville. April 12, 2026. Photo: Kiko Valle

    The roll in the hay cante Manuel Moneo 'Commotion' in Paradas

    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Classic image of El Corral de la Morería, which is celebrating its seventieth anniversary. Photo: Morería website

    Seventy years of the Corral de la Morería

    Ojaneta de La Caleta

    Scene from 'My country is my freedom'.

    The authentic fandango dancer

    American researcher Tyler Barbour. Photo: LK Tyler

    Who said that the flamenco Is it only intimate and not social – too –?

    Rafael Romero "The Chicken".

    The flamenco elegance of Rafael Romero

    Award winners and authorities. Gala of the III Córdoba Art Awards FlamencoChair of FlamencoUniversity of Córdoba. April 30, 2026. Photo: Chair

    The Chair of FlamencoCórdoba art school strengthens its art awards flamenco

    Fabi and Curro Carrasco. Peña The Pearl of Cádiz, Cádiz. Photo: Juan Garrido

    La Fabi, a star near the sun

    Dome of the Sanctuary of Our Lady of Victory, Malaga, 1700.

    Fear of emptiness

    Four male musicians on a stage: one with a bright orange guitar singing into a mic while three others applaud nearby, with a mural backdrop and flags behind them at a performance venue.

    José Méndez and his flamenco singing vindication

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The legacy of Niño Ricardo takes center stage at the III Madrid Community Guitar Festival

Teatros del Canal will host four unique galas from April 21 to 26, featuring guitarists Francisco Vinuesa, Manolo Franco, Chicuelo, and José Antonio Rodríguez. The program also includes a parallel series dedicated to the era of 'Ricardismo,' with activities related to the guitarist and performances by José Acedo & Joselito Acedo, Alejandro Hurtado, and Rafael Rodríguez.

ExpoFlamenco by ExpoFlamenco
March 24, 2026
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Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival

Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival

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The creator of one of the most important guitar schools in our country, known as Nino Ricardo[Name of artist] headlines the third edition of the Madrid Community Guitar Festival, held at the Teatros del Canal from April 21 to 26. This event, now a must-see on the Madrid festival circuit, is further solidified this year with a program featuring some of the leading contemporary artists in the genre.

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This edition focuses on the Ricardism As a leading school for the world of guitar, four galas will be held by the artists flamencos Francisco Vinuesa, Manolo Franco, Chicuelo y José Antonio Rodríguez.

This year's program, which they presented this morning at Teatros del Canal. Luis Martin Izquierdo, Deputy Minister of Culture, Tourism and Sport of the Community of Madrid, together with the artistic director of the festival, Antonio BenamargoThis is complemented by a parallel agenda centered around the figure of Nino Ricardowhich includes a round table on the Ricardism as a current and two conferences about his life and work and about his artistic legacy, in addition to the performances of José Acedo & Joselito Acedo, Alejandro Hurtado y Rafael Rodriguez.

In Benamargo's words, “The people of Madrid have an outstanding passion for flamenco guitar. Back in 1990, 36 years ago, I programmed a show at the Centro Cultural de la Villa de Madrid, as part of a series called '6 Flamenco Nights,' featuring four flamenco guitars in concert, with Rafael Riqueni, Pepe Habichuela, Gerardo Núñez and Jerónimo Maya, And it was completely full both nights. Since that year I've tried to organize a Guitar Festival in various public spaces and, finally, the councilor Mariano de Paco He encouraged me to program it, and the public received it as usual, filling the theater.” Regarding this year’s edition, he assures that “we want to surpass ourselves and pay tribute to the creator of one of the most important guitar schools of the flamenco, due to the enormous influence and mastery of Niño Ricardo.”

 

Unique concerts and galas from Thursday to Sunday

Teatros del Canal will once again host the festival's program in two of its most emblematic venues: the Sala Negra and the Sala Verde. The Sala Verde will be the location for the four galas in 2026, featuring renowned artists and international icons.

El Thursday April 23 At 9:00 p.m. the guitarist from Malaga will perform Francisco Vinuesa, who will have as guests the Sevillian flamenco singer Ismael de la Rosa and to the dancer Alfonso Losa.

Vinuesa He is one of the most respected guitarists and composers on the contemporary flamenco scene, having established himself in recent years as a creator of soundtracks for large-scale productions. He received the Max Audience Award (2020) as part of the team behind the show. LIVE! de Manuel Linan; and the Best Original Composition Award at the Jerez Festival 2024 for the show Alter Ego, Alfonso Losa y Patricia guerrero.

El Friday April 24 At 9:00 p.m. it will be the turn of the Sevillian guitarist Manolo Francowith the flamenco singer Angeles Toledano and the dancer Javier Baron.

Manolo Franco went down in history flamenco in 1984 when he won the first Giraldillo del Toque at the Biennial of Flamenco from Seville before figures of the stature of Paco Cepero, Tomatito y Henry of MelchiorAnd today he is considered one of the pillars of flamenco concert and accompaniment guitar in recent decades. Besides being an admired soloist, he is also one of the most sought-after guitarists by leading figures in the flamenco world. cante , the Antonio Mairena, Calixto Sanchez o Jose Merce.

El Saturday, April 25 At 9:00 p.m. the guitarist will be the main attraction. Chicuelo, this time with the flamenco singer Mayte Martín and the flamenco dancer from Cádiz Juan Thomas de la Molia as guests.

Chicuelo He is one of the most influential and complete guitarists of flamenco current. If Manolo Franco While he represents the Sevillian orthodoxy, the Barcelonan is the foremost exponent of the Catalan school: innovative, open to jazz, and extremely musical. Not many guitarists flamencoThey can boast of having a Goya Award, which Chicuelo She won in 2013 for the song I can't forget you of the movie Snow White; in addition to participating in the soundtrack of Flamencode Carlos SauraHe is also known for being the trusted guitarist of leading figures in the music industry. flamenco modern as Miguel Poveda o Duquende.

This year's Festival's musical program concludes with Sunday April 26 At 6:30 p.m., the guitarist from Cordoba will perform. José A. Rodríguez, which will feature the flamenco singer as a guest Carmen Linares and the dancer Flowers Frame.

José Antonio Rodríguez He is Professor of Flamenco Guitar at the Conservatory of Córdoba, where he has helped establish a solid technical foundation for new generations of guitarists. A precocious guitarist, in 1982, at just 18 years old, he won First Prize at the National Flamenco Guitar Competition in Jerez and at the Festival de las Minas in La Unión; four years later, he won the National Concert Guitar Prize at the National Art Competition Flamenco from Córdoba. Today, he is recognized as one of the most brilliant composers and concert performers of flamenco guitar.

 

Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival
Alejandro Hurtado. Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival

 

A parallel program to learn about the legacy of Niño Ricardo

The program is complemented by a full parallel program from Tuesday to Thursday, with round table discussions, lectures and guitar concerts focused on the figure of Niño Ricardo.

El Tuesday April 21 At 6:30 p.m., the round table discussion “Niño Ricardo. The Ricardism”, moderated by the journalist and writer Bald Peter, and will feature as panelists Jose Manuel Gamboa, writer, journalist and producer; Norberto Torresalso a journalist; and with the guitarists Humberto Wilkes, disciple of Niño Ricardo, and Alejandro HurtadoNext, the concert that opens this year's festival will take place, featuring guitarists from Seville. José Acedo and Joselito AcedoFather and son, at 7:30 p.m. They are two of the most powerful figures in contemporary flamenco guitar, with a style very much from the Triana neighborhood, but also avant-garde.

The session of Wednesday April 22 It includes the lecture “Life and work of Niño Ricardo”, at 6:30 p.m., given by Norberto TorresAt 7:15 p.m., the concert by the artist from Alicante will take place. Alejandro HurtadoOne of the most dazzling and complete talents in contemporary guitar, he commands both flamenco and classical guitar with equal mastery. In 2017, he won the Bordón Minero, the highest award for flamenco concert guitar at the International Festival of Cante from the Mines of La Unión (Murcia).

And the Thursday April 23Also at 6:30 p.m., José Manuel Gamboa will give a presentation entitled “The Artistic Legacy of Niño Ricardo.” At 7:15 p.m., the Sevillian guitarist will perform a concert. Rafael Rodriguez, known in the art world as “El Cabeza”, and the preferred guitarist of purists and flamenco dancers seeking the pellizco Authentic from Seville. At the Biennial of Flamenco The 2020 Seville Festival received the prestigious Giraldillo de Acompañamiento award, confirming him as a master of masters. player.

 

The important influence of Niño Ricardo continues to this day.

Nino Ricardo It is the stage name of the Sevillian maestro Manuel SerrapíBorn in 1904, at the dawn of the 20th century, in Seville, where he also passed away in 1972, he was a precocious artist who began his artistic career at the age of 13 alongside his father, Ricardo Manuel Serrapí, in venues and halls in his hometown.

After performing in such emblematic venues as the Ideal Concert, the Miramar Cinema, and the Hotel Alfonso XIII in Seville, he debuted in Madrid at the Teatro Pavón and embarked on several tours throughout Spain accompanying The Girl with the CombsAlongside her and Thomas Pavon He made his first recording in 1927, the beginning of an extensive discography. The Civil War caught him in Jaén, and he would not return to the stage until 1939 with The Girl with the Combs y The SevillianFirst, and then, with Pepe Pinto y Conchita Piquer.

In 1945, after throat surgery and the tribute paid to him by his colleagues in Madrid, he joined the company of Juanito Valderrana, with whom he traveled the world until 1955. That year he gave his first solo performance at the Teatro San Fernando in Seville, in a tribute to Fernanda romero.

After joining the cast of Manolo CaracolFrom 1961 to 1968 it belonged to the company of Antonio Molina, on a world tour that would take him to Venezuela, Belgium or France, and, upon his return to Spain, he received the Ramón Montoya trophy from the National Syndicate of Entertainment.

In his career, Nino Ricardo He accompanied flamenco singers in the recording of albums, some as important as Enrique Morente, Pepe Marchena, from Lebrija o Antonio MolinaHis touch created the Ricardism, one of the most important guitar schools in history, from which many artists flamencoThey recognize his mastery.

Nino Ricardo He is the figure to whom this year's III Flamenco Guitar Festival of the Community of Madrid is dedicated, and he takes over from the Madrid master. Ramon Montoya, in 2024, and from the Navarrese master You knowIn 2025.

More info at: www.madrid.org/sumaflamenca/2026/guitarra/

 

Presentation of the 3rd Madrid Community Guitar Festival. Photo: Festival
Deputy Minister Luis Martín Izquierdo. Presentation of the 3rd Madrid Region Guitar Festival. Photo: Festival

 

ExpoFlamenco

ExpoFlamenco

Global art portal flamenco. Knowledge and passion. The depth and the pain. The pellizco and the festival. Cultural Heritage of Humanity.

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