Once again. The temple of flamenco The Sevillian has done it again. He's pulled off a program of unquestionable artistic quality to celebrate the VIII Cultural Week of Pastora Pavón. The Peña Flamenca Torres Macarena It's going to be amazing. Without subsidies, entirely self-funded. From November 19th to 29th, Torrijiano Street will be a path leading to... pellizco, the red carpet of the jondoThe obligatory path, a pilgrimage route. And there, at number 29, the ritual of the wail will emerge, of the palmas, of the bass strings and the heel.
The party's started. Sold out. A ton of people left without getting in. Out they go, disappointed. The Granada woman climbed onto the wooden planks. Patricia guerrero And she captivated the audience with the fresh elegance of her seductive dance. Her performance was extraordinary, a sublime demonstration of flamenco artistry. She offered one of the best dance recitals ever seen there. And extensive, holding nothing back. She set the bar high and raised it once again. The crowd left excited, with butterflies in their stomachs and smiles on their faces, thrilled by the emotion. Patricia Guerrero captivated the audience, dazzling a packed house eager to witness this showcase of art. to the umpteenth consecration of the imp that inhabited the petite body of this precious blonde –it has to be said– until our flesh shook with intense pleasure.
Jasiel Nahin He set the compass and the guitar Dani de MoronAlmost nothing! He rocked the thirds in his throat without uttering a single cry, but with dedication and without relief Sergio the Redhead, who with her basket-weaving skills curled the melismas of her natural throat, seeking the corners where the cante It caresses and wounds. Its strength isn't its thing. It compensates without punishment with the relish with which it savors the matter.
"An exquisite display of flamenco artistry. Patricia Guerrero delivered one of the finest dance recitals ever seen there. And extensive, holding nothing back. She set the bar high and raised it once again. The crowd left elated, with butterflies in their stomachs and smiles on their faces."
And from the end to the beginning, Patricia drew the bulería by soleá, she undid her waist shaking her ass to tangos and She danced an impressive seguiriya that was in itself a work of art.With this, the recital began, and there I surrendered without any resistance, enamored of the lash of black laments that made me love the seguiriyas cry, falling prostrate at its feet. She did it in trousers, with figures and breaks of sharp marks and edges, with impeccable definition in her heels, where one could spell out the scratches of profound emotion. a dance punctuated by stale gestures coexisting with new, exquisite, very beautiful figures… hurting with the gesture, knowing when to stop or attack with flair, possessed, pierced by the resounding inspiration of one who knows the ropes and knows how to translate into pose and steps the mysteries of suffering and passion.
Dani's love affair with the six strings grew steadily, and he grew to love himself. He's been around the block his whole life. He's crazy about cypress trees and syncopation, about jazzy sounds, about flamenco Conversely, he filters the influences of the great masters into his highly personal language. One cannot ignore it. His impressionistic, unpredictable brushstrokes sometimes seem at odds with the cante or the dance. But he knows what he's doing, despite "reducing the flamenco tension" for the sake of creativity, experimentation, and his own ideas. He gets lost on spontaneous instructions, venturing down new paths. He takes risks. And he succeeds. Or he doesn't. Moments of brilliance emerge. Suddenly, the melody of the Mariana shines through. And it seemed to me that he was borrowing little bits from Gastoreña and... bacan o Pedro PeñaAt first, it didn't sound very polished. Then it was tremendous in the cantiñas style, offering up falsetas with tiraíllos and muted notes everywhere, drones and intricate thumbwork, always better with the left than the right. You either like it or you don't. But it doesn't leave you indifferent. He crafted sublime moments, and at others I wondered what he was doing, trying to guess what would come next.
After Patricia's monumental seguiriya came Dani's guitar solo in the marianas and the sweet tientos in the cante from El Colorao. He looked at himself in the letters of Moreno GalvanIn the tangos, the dancer flooded the stage with the perfume of Granada, moving her dress, distorting her torso, flirtatious, spicy and sensual, as required by the paloShaking and gathering her rags in her crotch, very feminine, cheerful, and jovial. Then there was a burst of salty joy, with Sergio being splendid in the smuggler's songs and in the winks to Camarón Without mincing words. And with a sweet, graceful arm movement, perfect positioning, impossible turns, shoulders always in place, the raw power, strength and drive, Guerrero wove together a medley of footwork and steps in the bulería por soleá that were the extraordinary prelude to a grand finale worthy of framing, alongside some of the other performers. Ballet Flamenco Andalusia that this girl directs. I also mess with Ana Morales. Wonderful!
Patricia Guerrero came out onto the stage of Torres Macarena and I forgot to blink.
Credits
Patricia Guerrero dance recital
VIII Cultural Week of Pastora Pavón
Peña Flamenca Torres Macarena, Seville
November 19th 2025
Dance: Patricia Guerrero
Cante: Sergio El Colorao
Guitar: Dani from Moron
PalmasJasiel Nahin
