• About Us
  • Services
  • Contact
  • Memberships
  • Partners
Monday, September 14, 2026
No results
See all results
Magazine
advertisement
  • Magazine
    • Biennale 2026
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • Biennial2026
  • international
  • News
  • Interviews
  • Opinion
  • Chronicles
  • Authors
  • Archive
  • Login
  • Magazine
    • Biennale 2026
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • Biennial2026
  • international
  • News
  • Interviews
  • Opinion
  • Chronicles
  • Authors
  • Archive
No results
See all results
Magazine
No results
See all results
  • Magazine
  • Biennial
  • international
  • News
  • Interviews
  • Opinion
  • Chronicles
  • Authors
  • Archive

Mari Ángeles Cruzado and Francis Gómez, from the land of verse

The Women in the Cajasol Foundation cycle in Huelva welcomed two friends who met as children at the Moguer drum school, and who are now flamencos recognized from a land that with its simple name conveys good cante and good fans.

Jesus Naranjo by Jesus Naranjo
23 October 2025
Reading time: 3 mins
285
A A
0
Mari Ángeles Cruzado and Francis Gómez. Women's Series at the Cajasol Foundation, Huelva. October 22, 2025. Photo: Jesús Naranjo

Mari Ángeles Cruzado and Francis Gómez. Women's Series at the Cajasol Foundation, Huelva. October 22, 2025. Photo: Jesús Naranjo

578
Share
1.7 k
Views
Share on Facebook
Share on Twitter
Share by mail
Share on Whatsapp
Share with ChatGPT
Share with Perplexity

And from the land of verse came Mari Ángeles and Francis. Two friends who met as children at the Moguer drum school, and who today are flamencos recognized from a land that with its simple name conveys good cante and good fans.

RecentPosts

'The Same Blood of the Body', by Ángeles Toledano. XXIV Seville Biennial. Alameda Theatre. September 12, 2026. Photo: Biennial Photographic Archive - Laura León

Angeles Toledano: pajama party in the Alameda

13 September 2026
Presentation of 'The Same Blood of the Body', a production by Ángeles Toledano for the XXIV Biennial of Flamenco From Seville. Higher School of Dramatic Art, Seville. September 7, 2026. Photo: perezventana

Ángeles Toledano: "I'm not from Lower Andalusia, but I speak its language."

11 September 2026
Rosario La Tremendita. Promotional image for 'Less is more'.

Rosario La Tremendita: "I'm also worried about the future of flamenco»

11 September 2026

Mari Angeles Cruzado She is a singer with innate potential. Far from boasting about it, she has been strengthening it with tenacity and continuous training since she was a child. At this point, leaving aside subjectivity and preferences, I have no hesitation in recognizing her as a true singer. Francisco Gómez Cruzado –Francis Gomez– is a latent reality, a flamenco without complexes. An essential accompaniment guitar. A musician who, as I have already expressed on several occasions, turns the music in flamenco y flamenco in high-quality musicThrough the pores of his guitar, we see that he is passionate about his work, especially in composing and creating arrangements, with versatility being one of his most pronounced characteristics.

Where did they go? cantes / of rockrose and threshing. / Others came cantes / are no longer in style. This is how he told us with his powerful voice the first of his interpretations. cante of the threshing floor, carried in just the right rhythm. No shrillness. Perfect bass and melodies, warning that he wasn't going to take the stage to leave anything out. Then, the Canario's malagueña gives way to jabegote and several lyrics of abandolao. And for a moment masticated that the one singing through the reed was Francis Gómez's guitar. What an opening melody! What a rhythm and what a beat! At that moment I was transported, excuse the awkward simile. flamenco, in those football midfielders who constantly deliver balls to their forwards. Of course, the opportunity was not wasted, and remembering the Adujareño maestro Rafael Romero The Hen reminded us of that letter of a serve God and the king….

 

«The Moguereña delved into the mirabrás and the cantiñas, sailing to end up in the air of Huelva. The land calls you: What a pain for my land / Long live Huelva, long live Huelva / What a pain for my land. / Never was a tree better / than in the land where it grows. / Long live Huelva and its fandangos»

 

Mari Ángeles Cruzado and Francis Gómez. Women's Series at the Cajasol Foundation, Huelva. October 22, 2025. Photo: Jesús Naranjo
Mari Ángeles Cruzado and Francis Gómez. Women's Series at the Cajasol Foundation, Huelva. October 22, 2025. Photo: Jesús Naranjo

 

He left Andújar for the poetry of Moreno Galvan in the execution of the Marianas, finishing them with tangos, where he gave us a fan from Extremadura to Granada. Immediately after, for me the best part of the afternoon, the cante by siguiriyas. He had no mercy. Mari Ángeles searched deep inside herself and fought bravely in the tercios of Thomas the Nitri and the sighs of the Marrurro. Not content with that wanted to open the earth, bringing Silverio's integrity to his voice and expressive manner. What more could you ask of someone who gives his all at a time when there's no need to hide and say: here are my credentials.

The Moguereña had emptied herself, she had grieved, but she didn't want to leave without leaving us with a little salty taste. She entered the mirabrás and the cantiñas, sailing to end up in the air of Huelva. The land calls you: What a pain for my land / Long live Huelva, long live Huelva / What a pain for my land. / Never was a tree better / than in the land where it grows. / Long live Huelva and its fandangos. Without a microphone and on stage, he gave us his courage in the cantes of Rengel y Pepe Sanz, to change to the bravery and courage of Alosno. He concluded by remembering his fellow countryman. Pepe Rebollo: He has the greatest treasure / to'aquel who lives his mare ….

The greatest treasure of a land is its people. And when they leave, they are ambassadors of their culture, in this case through music and more specifically through flamencoThat treasure grows richer. In Mari Ángeles and Francis, in Francis and Mari Ángeles, that wealth has been built and will continue to be built not only through effort and work, but also through knowledge and love for what they do. And I, why not say it, am proud of it and of telling the world about it.

 

Artistic sheet

Recital by Mari Ángeles Cruzado
Women's Cycle at the Cajasol Foundation
Cajasol Foundation (Huelva)
22th October 2025
Cante: Mari Ángeles Cruzado
Guitar: Francis Gomez

 

Jesus Naranjo

Jesus Naranjo

Huelva, 1974. I was born in Flamenco at a table of cabales of the Peña Flamenca from Huelva. Since then, this art has been my oxygen. When I express myself, I do so from the heart and looking at the people, as if I were singing for Huelva.

Recent Posts

'The Same Blood of the Body', by Ángeles Toledano. XXIV Seville Biennial. Alameda Theatre. September 12, 2026. Photo: Biennial Photographic Archive - Laura León
Chronicles

Angeles Toledano: pajama party in the Alameda

by Alejandro Luque
13 September 2026
'The rope in the air', by Canito & Raúl Rodríguez. XXIV Seville Biennial. Turina Room. Sep 12, 2026. Photo: Biennial photo archive - Laura León
Chronicles

Canito and Raúl Rodríguez: God makes them

by Alejandro Luque
12 September 2026
Guitarist Juan Antonio Suárez 'Canito' at La Carbonería (Seville). Photo: perezventana
Interviews

Canito: "I never considered becoming a concert pianist, but life led me there."

by Alejandro Luque
12 September 2026
'Less is more', by Tremendita. XXIV Biennial of Flamenco Seville. Central Theatre. September 11, 2026. Photo: Biennial photographic archive - Laura León
Biennale 2026

La Tremendita, creating from the marrow

by Fede Calderón
12 September 2026
'Infinita', by Compañía Sara Baras. XXIV Biennial of Flamenco Seville. Maestranza Theatre. September 11, 2026. Photo: Biennial photographic archive - Laura León
Chronicles

Sara Baras and the unperturbed Andalusia

by Alejandro Luque
12 September 2026
Presentation of 'The Same Blood of the Body', a production by Ángeles Toledano for the XXIV Biennial of Flamenco From Seville. Higher School of Dramatic Art, Seville. September 7, 2026. Photo: perezventana
Interviews

Ángeles Toledano: "I'm not from Lower Andalusia, but I speak its language."

by Quico Perez-Ventana
11 September 2026
'The world by its hat'. Opening gala of the XXIV Biennial of Flamenco Seville. Maestranza bullring. September 10, 2026. Photo: Biennial Photographic Archive Flamenco @Laura León
Chronicles

'The world by the horns': a gala that's hard to watch

by Alejandro Luque
11 September 2026
Next article
Manuel Herrera. The Fever Festival CanteMarinaleda, Seville. May 2025. Photo: Kiko Valle

Huelva, a benchmark for research and teaching in the arts jondo

Leave your comment Cancel reply

Your email address will not be published. Required fields are marked with *

Manolo Sanlucar Banner
Seville Biennial Banner
Side Banner Academy
Lateral Banner FAN

The Global Stage for Flamenco 

Follow ExpoFlamenco

Facebook X-twitter Instagram Youtube Whatsapp
  • Terms and Conditions
  • Privacy policy
  • Cookie policy
  • Legal Notice
  • Terms and Conditions
  • Privacy policy
  • Cookie policy
  • Legal Notice
  • About Us
  • Services
  • Contact
  • Memberships
  • Partners
  • About Us
  • Services
  • Contact
  • Memberships
  • Partners

© 2015 - 2026 expoflamenco . All rights reserved.

Ok

Retrieve password

Please enter your username or email address to reset your password.

Log In
No results
See all results
  • Login
  • Studio
  • Events
  • Academy
  • Community
  • Podcast
  • TV
  • Shop

© 2015-2026 ExpoFlamenco
The Voice of Flamenco worldwide.