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Magazine ExpoFlamenco
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  • Magazine
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    • News
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    • Opinion
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      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
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      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Algeciras hosts the XII Paco de Lucía International Guitar Meeting

    Algeciras hosts the XII Paco de Lucía International Guitar Meeting

    Presentation of the 'Lorca and Granada in the Generalife Gardens' series. Photo: Andalusian Agency for Cultural Institutions

    The 'Lorca and Granada in the Generalife Gardens' series arrives in full force for its 25th edition

    José Martínez Talavera and Juan Carlos Romero. Presentation of the Manolo Sanlúcar International Institute of Flamenco Guitar. Turina Hall, Seville. June 11, 2026. Photo: Carmen Arjona

    Manolo Sanlúcar Flamenco Guitar Institute: the reality of a dream

    Presentation of the 57th Meeting of Cante Jondo from La Puebla de Cazalla. Andalusian Institute of FlamencoSeville. June 11, 2026. Photo: IAF

    Powerful lineup for the 57th Meeting of Cante Jondo from La Puebla de Cazalla

    Decision of the jury of the XI International Awards of Flamenco 'Silverio Franconetti'. Peña La Platería, June 10, 2026. Photo: Granada City Council

    Eva Yerbabuena, Vicente Amigo, Diego Clavel and Blanca del Rey, among the PIF 2026 award winners

    Flamenco dancer Paula Comitre at Casa de Velázquez. Photo: Julián Azcutia

    Paula Comitre, meeting Pastora Empire

    Cover image of Alicia Morales' album 'Honors to Antonio Pozo El Mochuelo'.

    Alicia Morales: a tribute to Antonio Pozo El Mochuelo

    Presentation of the concert 'By Camarón - 75th anniversary. Photo: Cajasol Foundation

    'By Camarón – 75th Anniversary', a historic and unrepeatable tribute

    Dance recital by Manuela Carpio. Peña Flamenca Torres Macarena, Seville. September 10, 2025. Photo: Kiko Valle

    June flamenco in Arahal with established figures and new voices

    Niña Pastori, before Pope Leo XIV. Image: Vatican Media video screenshot

    The Pope Chanela of flamenco

    Presentation of 'Curro Carrasco's Big Party' at the Cloisters of Santo Domingo. Photo: Jerez City Council

    The Cloisters of Santo Domingo host 'The Great Curro Carrasco Festival' on June 26th

    Lo Ferro Ballet. Photo: Lo Ferro

    Lo Ferro: the selection trials for the Golden Melon begin

    Guitarist Dani de Morón will be performing at Espacio Turina, XXIV Biennial of Flamenco of Sevilla.

    The Espacio Turina celebrates flamenco guitar at the Seville Biennial

    The Chair of FlamencoThe Andalusian Folklore and Folk Studies Association of Jerez presented the third cycle of the Nights of San Juan festival. Photo: Jerez City Council

    The Jerez Chair pays tribute to Fosforito and the copla

    Manuel Martín Martín, favorite son of Écija. Photo: Écija City Council

    Manuel Martín Martín: Favorite Son of the City of Écija

    The musicologist Faustino Núñez, director of the Academy ExpoFlamenco.

    ExpoFlamenco Open your online academy for free!

    Older man with white hair and mustache in a brown jacket, wearing a mic, standing beside framed black-and-white portraits on a gallery wall.

    Pepe Lamarca, a smile for flamenco photography

    Israel Fernández presents 'Of Gold and Ivory' at the Alcázar, Seville Biennial.

    The Biennial brings to the Alcázar the living memory of flamenco

    José Mercé, Gold Medal for Merit in Fine Arts. Photo: Government of Spain

    José Mercé receives his Gold Medal of Fine Arts

    Honors to El Lebrijano in the Caracolá

    Honors to El Lebrijano in the Caracolá

  • Interviews
  • Opinion
    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

  • Chronicles
    'Tablao', by Arcángel. Festival Flamenco City of Huelva. Courtyard of Huelva City Hall. June 13, 2026. Photo: Jesús Naranjo

    Arcángel and Huelva: an emotional reunion at the flamenco venue

    Cancanilla and Chaparro de Málaga. Deep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs of Malaga. June 11, 2026. Photo: Lourdes Gálvez del Postigo

    Cancanilla: mastery and flamenco

    'Central', by Lucía Álvarez 'La Piñona'. Thursday FlamencoCajasol Foundation Theatre, Seville. May 11, 2026. Photo: Remedios Malvarez

    Lucía Álvarez La Piñona's 'live' dance

    'Utrera Flamenco Fetén', from Argentina. Cartuja Center, Seville. June 7, 2026.

    Argentina, you took us to Utrera

    El Pele recital. IV Guiri FestivaljondoArab Baths of PaloMares del Río, Seville. June 6, 2026. Photo: perezventana

    Guirijondo 2026 (and IV): The Pele in the Netherlands and Upper

    Consuelo Haldón. Photo: Moguer Town Hall

    The truth that every fan carries within.

    Flamenco dancer Mari Paz Lucena. V Festival Flamenco trails of the CanteCMUM Ana María Delgado Romero, El Castillo de las Guardas (Seville) June 6, 2026. Photo: Manuel Martín Martín

    Mari Paz Lucena paved the way to glory

    'They Call Me the Crazy One', by Tino van der Sman, Cristina Hall and David Lagos. World premiere at the 4th Guiri Festivaljondo. Carlos Álvarez-Nóvoa Theater, PaloMares del Río (Seville). June 5, 2026. Photo: perezventana

    Guirijondo 2026 (III): Even to be crazy, you have to know

    Lola Yang and Malena Alba Kouriwa. IV Guiri Festivaljondo. Carlos Álvarez-Nóvoa Theater, PaloMares del Río (Seville). June 4, 2026. Photo: perezventana

    Guirijondo 2026 (II): Foreigners do not come to take exams

    Presentation of the 45th Córdoba Guitar Festival. Corral de la Morería, Madrid. Photo: Vicente Pachón

    'The White Queen' at the Cordoba Guitar Festival

    Gaspar de Holland and Jesús Méndez. IV Guiri Festivaljondo. Carlos Álvarez-Nóvoa Theater, paloRiver Seas (Seville). June 3, 2026. Photo: perezventana

    Guirijondo 2026 (I): party in Paloseas of the 'Mess'

    Recital by Dieguito Amador, Antonio Amador and Luis Amador. Flamenco Heritage Cycle. Peña Flamenca Torres Macarena, Seville. May 30, 2026. Photo: Kiko Valle

    The Amador family's ties

    Congress dome CamarónInterpretation Centre Camarón de la IslaSan Fernando (Cádiz). Photo: Congress Camarón

    Camarón It's not a myth

    recital of cante by José and Fernando Canela. Deep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs of Malaga. May 27, 2026. Photo: Lourdes Gálvez del Postigo

    The Canela family's singing house

    'Smoke', by Rafaela Carrasco. Teatro de la Maestranza, Seville. May 24, 2026. Photo: Maestranza

    Rafaela Carrasco and the 'Smoke' that doesn't warm

    'Links', by Fuensanta La Moneta. Festival Flamenco From Esch, Luxembourg. May 22, 2026. Photo: Peter Martin

    La Moneta, prophet in Europe

    Recital by Mayte Martín. Andalusia Cycle FlamencoAlhambra Theatre, Granada. May 21, 2026. Photo: Gilberto González

    The sensitive courage of Mayte Martín

    Dance recital by Carmen de Utrera. Peña Flamenca La Polea, Seville. May 21, 2026. Photo: Kiko Valle

    Carmen de Utrera danced and left through the main gate

    'Center, step', by Borja Cortés. Festival Flamenco From Esch, Luxembourg. May 21, 2026. Photo: Peter Martin

    'Center, I'm passing': party at Casa Borja

    recital of cante by Alicia Morales. Peña La Platería, Granada. May 16, 2026. Photo: Gilberto González

    Alicia Morales: renewal of cante old age

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Cañeta de Malaga. Photo: Estela Zatania

    Cañeta de Málaga, festive jonda

    Macanita and Manuel Valencia, performing malagueñas. Don Antonio Chacón Cultural Center, Jerez. June 12, 2026. Photo: Juan Garrido

    La Macanita and her most compassionate lament

    Smiling older man with glasses sits in a home studio chair, with a piano, guitar, plant, and a red Music Expo banner in the corner.

    There are versions for all tastes

    The Sevillian poet Víctor Jiménez, with his work 'Tiros al aire'. Photo provided by the author.

    'Shots in the Air', by Víctor Jiménez: the elegance of verse

    Antonio Peña Carpio 'El Tolo' and Domingo Rubichi. Don Antonio Chacón Cycle. Cultural Center Flamenco Don Antonio Chacón, Jerez. Photo: Juan Garrido

    The Tolo is delivered to the Pope's house… cante

    Jose El Mijita

    South of flamenco from Jerez

    Pepe Marchena and the cante beautiful.

    El cante It's not pretty.

    María Antonia La Caramba, from Motril. Image: University of Granada website

    Far heels

    Gema's dance recital MoneoDon Antonio Chacón Cycle. CCF Don Antonio Chacón. May 2026. Photo: Juan Garrido

    Gem Moneo, present of the Jerez dance

  • Archive
  • Login
  • Magazine
    • international
    • News
    • Recent
    • Opinion
    • Chronicles
    • Interviews
    • Authors
      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • international
  • News
    Algeciras hosts the XII Paco de Lucía International Guitar Meeting

    Algeciras hosts the XII Paco de Lucía International Guitar Meeting

    Presentation of the 'Lorca and Granada in the Generalife Gardens' series. Photo: Andalusian Agency for Cultural Institutions

    The 'Lorca and Granada in the Generalife Gardens' series arrives in full force for its 25th edition

    José Martínez Talavera and Juan Carlos Romero. Presentation of the Manolo Sanlúcar International Institute of Flamenco Guitar. Turina Hall, Seville. June 11, 2026. Photo: Carmen Arjona

    Manolo Sanlúcar Flamenco Guitar Institute: the reality of a dream

    Presentation of the 57th Meeting of Cante Jondo from La Puebla de Cazalla. Andalusian Institute of FlamencoSeville. June 11, 2026. Photo: IAF

    Powerful lineup for the 57th Meeting of Cante Jondo from La Puebla de Cazalla

    Decision of the jury of the XI International Awards of Flamenco 'Silverio Franconetti'. Peña La Platería, June 10, 2026. Photo: Granada City Council

    Eva Yerbabuena, Vicente Amigo, Diego Clavel and Blanca del Rey, among the PIF 2026 award winners

    Flamenco dancer Paula Comitre at Casa de Velázquez. Photo: Julián Azcutia

    Paula Comitre, meeting Pastora Empire

    Cover image of Alicia Morales' album 'Honors to Antonio Pozo El Mochuelo'.

    Alicia Morales: a tribute to Antonio Pozo El Mochuelo

    Presentation of the concert 'By Camarón - 75th anniversary. Photo: Cajasol Foundation

    'By Camarón – 75th Anniversary', a historic and unrepeatable tribute

    Dance recital by Manuela Carpio. Peña Flamenca Torres Macarena, Seville. September 10, 2025. Photo: Kiko Valle

    June flamenco in Arahal with established figures and new voices

    Niña Pastori, before Pope Leo XIV. Image: Vatican Media video screenshot

    The Pope Chanela of flamenco

    Presentation of 'Curro Carrasco's Big Party' at the Cloisters of Santo Domingo. Photo: Jerez City Council

    The Cloisters of Santo Domingo host 'The Great Curro Carrasco Festival' on June 26th

    Lo Ferro Ballet. Photo: Lo Ferro

    Lo Ferro: the selection trials for the Golden Melon begin

    Guitarist Dani de Morón will be performing at Espacio Turina, XXIV Biennial of Flamenco of Sevilla.

    The Espacio Turina celebrates flamenco guitar at the Seville Biennial

    The Chair of FlamencoThe Andalusian Folklore and Folk Studies Association of Jerez presented the third cycle of the Nights of San Juan festival. Photo: Jerez City Council

    The Jerez Chair pays tribute to Fosforito and the copla

    Manuel Martín Martín, favorite son of Écija. Photo: Écija City Council

    Manuel Martín Martín: Favorite Son of the City of Écija

    The musicologist Faustino Núñez, director of the Academy ExpoFlamenco.

    ExpoFlamenco Open your online academy for free!

    Older man with white hair and mustache in a brown jacket, wearing a mic, standing beside framed black-and-white portraits on a gallery wall.

    Pepe Lamarca, a smile for flamenco photography

    Israel Fernández presents 'Of Gold and Ivory' at the Alcázar, Seville Biennial.

    The Biennial brings to the Alcázar the living memory of flamenco

    José Mercé, Gold Medal for Merit in Fine Arts. Photo: Government of Spain

    José Mercé receives his Gold Medal of Fine Arts

    Honors to El Lebrijano in the Caracolá

    Honors to El Lebrijano in the Caracolá

  • Interviews
  • Opinion
    Guitarist outdoors playing a classical guitar, focused on the fretboard; Expo Flamenco logo in the top-left.

    An Ocean of Tears by Miguel Salado

    Miguel Salado, photographed in 2021 during an interview with Juan Garrido in ExpoFlamenco.

    Miguel Salado: the will to live and a lemon tree that became famous

    Black-and-white poster showing two mirrored profiles facing each other, with bold red text 'Fosforito' and subtitle 'Since the beginning of time' below.

    'Fosforito. From the beginning of time', the definitive biography of the last great master of cante

    The singer? Rocío Jurado.

    Rocío Jurado never owed anyone anything.

    Ricardo Miño, Pepa Montes and the mayor of Seville, José Luis Sanz. Photo: Seville City Council

    Pepa Montes and Ricardo Miño in the Seville medal table

    The Pearl. Promotional image of 'My Path'.

    'My Path', the great album by El Perla

    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

  • Chronicles
    'Tablao', by Arcángel. Festival Flamenco City of Huelva. Courtyard of Huelva City Hall. June 13, 2026. Photo: Jesús Naranjo

    Arcángel and Huelva: an emotional reunion at the flamenco venue

    Cancanilla and Chaparro de Málaga. Deep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs of Malaga. June 11, 2026. Photo: Lourdes Gálvez del Postigo

    Cancanilla: mastery and flamenco

    'Central', by Lucía Álvarez 'La Piñona'. Thursday FlamencoCajasol Foundation Theatre, Seville. May 11, 2026. Photo: Remedios Malvarez

    Lucía Álvarez La Piñona's 'live' dance

    'Utrera Flamenco Fetén', from Argentina. Cartuja Center, Seville. June 7, 2026.

    Argentina, you took us to Utrera

    El Pele recital. IV Guiri FestivaljondoArab Baths of PaloMares del Río, Seville. June 6, 2026. Photo: perezventana

    Guirijondo 2026 (and IV): The Pele in the Netherlands and Upper

    Consuelo Haldón. Photo: Moguer Town Hall

    The truth that every fan carries within.

    Flamenco dancer Mari Paz Lucena. V Festival Flamenco trails of the CanteCMUM Ana María Delgado Romero, El Castillo de las Guardas (Seville) June 6, 2026. Photo: Manuel Martín Martín

    Mari Paz Lucena paved the way to glory

    'They Call Me the Crazy One', by Tino van der Sman, Cristina Hall and David Lagos. World premiere at the 4th Guiri Festivaljondo. Carlos Álvarez-Nóvoa Theater, PaloMares del Río (Seville). June 5, 2026. Photo: perezventana

    Guirijondo 2026 (III): Even to be crazy, you have to know

    Lola Yang and Malena Alba Kouriwa. IV Guiri Festivaljondo. Carlos Álvarez-Nóvoa Theater, PaloMares del Río (Seville). June 4, 2026. Photo: perezventana

    Guirijondo 2026 (II): Foreigners do not come to take exams

    Presentation of the 45th Córdoba Guitar Festival. Corral de la Morería, Madrid. Photo: Vicente Pachón

    'The White Queen' at the Cordoba Guitar Festival

    Gaspar de Holland and Jesús Méndez. IV Guiri Festivaljondo. Carlos Álvarez-Nóvoa Theater, paloRiver Seas (Seville). June 3, 2026. Photo: perezventana

    Guirijondo 2026 (I): party in Paloseas of the 'Mess'

    Recital by Dieguito Amador, Antonio Amador and Luis Amador. Flamenco Heritage Cycle. Peña Flamenca Torres Macarena, Seville. May 30, 2026. Photo: Kiko Valle

    The Amador family's ties

    Congress dome CamarónInterpretation Centre Camarón de la IslaSan Fernando (Cádiz). Photo: Congress Camarón

    Camarón It's not a myth

    recital of cante by José and Fernando Canela. Deep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs of Malaga. May 27, 2026. Photo: Lourdes Gálvez del Postigo

    The Canela family's singing house

    'Smoke', by Rafaela Carrasco. Teatro de la Maestranza, Seville. May 24, 2026. Photo: Maestranza

    Rafaela Carrasco and the 'Smoke' that doesn't warm

    'Links', by Fuensanta La Moneta. Festival Flamenco From Esch, Luxembourg. May 22, 2026. Photo: Peter Martin

    La Moneta, prophet in Europe

    Recital by Mayte Martín. Andalusia Cycle FlamencoAlhambra Theatre, Granada. May 21, 2026. Photo: Gilberto González

    The sensitive courage of Mayte Martín

    Dance recital by Carmen de Utrera. Peña Flamenca La Polea, Seville. May 21, 2026. Photo: Kiko Valle

    Carmen de Utrera danced and left through the main gate

    'Center, step', by Borja Cortés. Festival Flamenco From Esch, Luxembourg. May 21, 2026. Photo: Peter Martin

    'Center, I'm passing': party at Casa Borja

    recital of cante by Alicia Morales. Peña La Platería, Granada. May 16, 2026. Photo: Gilberto González

    Alicia Morales: renewal of cante old age

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • The Snub
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Cañeta de Malaga. Photo: Estela Zatania

    Cañeta de Málaga, festive jonda

    Macanita and Manuel Valencia, performing malagueñas. Don Antonio Chacón Cultural Center, Jerez. June 12, 2026. Photo: Juan Garrido

    La Macanita and her most compassionate lament

    Smiling older man with glasses sits in a home studio chair, with a piano, guitar, plant, and a red Music Expo banner in the corner.

    There are versions for all tastes

    The Sevillian poet Víctor Jiménez, with his work 'Tiros al aire'. Photo provided by the author.

    'Shots in the Air', by Víctor Jiménez: the elegance of verse

    Antonio Peña Carpio 'El Tolo' and Domingo Rubichi. Don Antonio Chacón Cycle. Cultural Center Flamenco Don Antonio Chacón, Jerez. Photo: Juan Garrido

    The Tolo is delivered to the Pope's house… cante

    Jose El Mijita

    South of flamenco from Jerez

    Pepe Marchena and the cante beautiful.

    El cante It's not pretty.

    María Antonia La Caramba, from Motril. Image: University of Granada website

    Far heels

    Gema's dance recital MoneoDon Antonio Chacón Cycle. CCF Don Antonio Chacón. May 2026. Photo: Juan Garrido

    Gem Moneo, present of the Jerez dance

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Killing is not part of Gypsy culture

The unfortunate remarks made by television commentator Cristóbal Soria have caused outrage and offended both Roma and non-Roma people. His opinion has been interpreted as implying that killing, murdering, and applying the law of retaliation are part of Roma culture.

Kiko Valle by Kiko Valle
May 27th 2026
Reading time: 6 mins reads
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On the law of retaliation in Gypsy culture.

On the law of retaliation in Gypsy culture.

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To Mr. Cristóbal Soria, a regular television panelist on the program Jugones Chiringuito (Mega, Atresmedia), according to his statements in Public mirrorHe is not surprised by the events "because I live with many people of Roma ethnicity, and this is clearly Roma culture, where an eye for an eye and a tooth for a tooth are strictly enforced." He is referring to the crime committed in Villanueva de la Serena (Badajoz) in which the flamenco singer Matias de Paula He died from a gunshot wound.

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4 weeks ago

What is not surprising, logically, is that These outrageous statements have gone viral on social media.Cristóbal had his stint as a referee, and apparently, since he wasn't involved in the game, in this new phase where he's been given credit and has television appearances, he likes to stir things up. Because of the controversies he creates, I mean. This time he's gone completely off the rails, because legal action is being considered to denounce him for anti-Gypsyism, expressly classified as a hate crime in Spain since the approval of the well-known Zerolo Law, which amended the penal code in 2022, fulfilling a historical debt to this group and which punishes acts of discrimination with prison sentences of 1 to 4 years in addition to economic sanctions.

And the famous law of retaliationThe principle of 'an eye for an eye and a tooth for a tooth' has been known for over four thousand years, long before the Romani people existed. It was probably established in the codes of the Babylonian king. Hammurabi, in Mesopotamia. It appears in the holy book of the Islamic religion, The quran. Also in The Bible Catholic, although Christ proposed their breakup in the sermon on the mount appealing to forgiveness and not repaying evil with evil.

Cristóbal's unfortunate words have caused outrage and offended both Roma and non-Roma. His opinion has been interpreted as implying that killing, murdering, by applying this 'law', is part of Roma Culture – which I write through gritted teeth, now in all caps – and that they follow it to the letter. Nothing could be further from the truth. Because he generalizes and attributes to them something that does not belong to them. It discredits, stigmatizes, and discriminates against them, possibly fostering the hatred and persecution that has subjugated them to this day for 600 years. that went into the bull's hide.

More than 250 laws written against them have weighed heavily on the weathered backs and noble souls of the Roma people for six centuries, simply for being who they are, denying them their identity, their customs, their trades, access to the Church, and even justice. They have been persecuted, condemned, punished in the galleys, burned, hanged, shot, stripped of their property and their families, mistreated beyond measure, singled out without justificationAnd the stench of discrimination persists, unfortunately, when Roma are not only valued through folklore, while their spaces in society are denied or silenced, thus disintegrating the enriching differences that arise from the mixing of different peoples and their idiosyncratic particularities. Not all Roma are flamencoThey sing, play or dance and, without a doubt, simply being a gypsy doesn't make anyone more likely to be a murderer.

 

"There are good and bad people among both non-Gypsies and Roma. Revenge is an emotional response of human beings, and to attribute the principle of retaliation to a people who have been extensively mistreated in general is a despicable and vile act."

 

I don't know what circles or gypsy gatherings Mr. Soria frequents. I would venture to say, with the same ignorance with which he made his statements, that he was there at the festival, enjoying the art. And if he boasts of living among many of them, it's clear he doesn't know them well. Now, they certainly know him. I categorically and vehemently despise any expression that attacks the dignity of the Roma people, as these comments by the commentator allegedly do.

Gypsy culture is respectful of its elders. Family is its fundamental axis. It promotes solidarity and mutual support within a community of love, cohesion, and belonging, protecting and helping the disadvantaged. The constant persecution suffered by the Roma people has given them extraordinary strength and an astonishing capacity for resilience. They are proud of their Roma identity, living in harmony with each other and with other cultures, with whom they readily share. While there are many ways of being and living as Roma, within the framework of individual freedom, they do not adhere to dogma. And many of them are devoted to the virtues preached by the Evangelical Church.

Gypsy culture is symbolized by the blue of the sky and the green of the fields. And a red wheel in the center, like blood. Like my blood, even though I'm as plain as a sheet of paper. Nobody discriminates against me for it, not even the Roma, who include me and call me 'cousin,' making me one of their own. A wheel that symbolizes their nomadic origins and is associated with freedom. That freedom which, as soon as it's linked to opinion, seems to give anyone the right to spout atrocities without any legal repercussions. There are good and bad people, both non-Roma and Roma. Revenge is an emotional response of human beings, and to attribute the principle of retaliation to a people who have been widely and generally mistreated as part of their code is a despicable and vile act. It's the same as saying that rape, pedophilia, human trafficking, or terrorism are clearly part of Castilian culture. We are in the 21st century, and the phrase 'like Roma people' still lingers after various reprehensible, immoral, ethically reprehensible, or illegal behaviors. And as proof, a gambling den.

In case Mr. Soria meant to say that, I repeat: Killing is not part of Gypsy cultureThe program should issue a statement, although it clearly cannot be held responsible for the opinions expressed by its contributors. Cristóbal should retract his statement. At the very least, apologize. But the damage is done, and his allegedly racist image continues to spread like wildfire.

I recommend you change the channel to watch the documentaries. Pendaripen o The Great Swoopthat he reads the magazines RRomipén of the Federation of Associations of Gypsy Women Fakali o Gypsies, Gypsy Secretariat Foundation. Or my friend's book Pastora Filigree, a true gypsy who published The Roma people against the world-system: from a feminist and anti-capitalist activismAnd let him listen to the gypsy. Juan de Dios Ramírez Heredia in his speeches as a Member of the European Parliament. And the album Persecution, The Lebrijano...which is now fifty years old and still sends shivers down our spines. I could cite a whole basket of resources until you were bored to tears so that He should educate himself and rinse his mouth before speaking as he has about the gypsies, to see if his prejudiced ideas become clearer and he becomes more humane..

Opre Roma.

 

Kiko Valle

Kiko Valle

Journalist by vocation of the jondo, inveterate aficionado, singer of writing. On a journey to the emotions of the ritual of flamencoKiko Valle –Utrera, 1979– requires the interplay of words and images to depict the turmoil of a flamenco lament, the colors of a flamenco song, or the sting of pain. Critic of flamenco, presenter, speaker, photographer and videographer for more than two decades.

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Comments 1

  1. Jose says:
    3 weeks ago

    Tears welled up in my eyes reading Kiko Valle's work, because to write with such depth about the Roma people, he has truly immersed himself in what it means to be Roma. He doesn't mistake the actions of certain Roma for their lack of civic responsibility, attributing them not to their culture, but to their lack of civic responsibility. Because being Roma is truly what he describes: positive behavior towards others, family, and elders. Ultimately, it's about being a good person with inherent idiosyncrasies and customs that enrich the mainstream Spanish culture, because the latter is also nourished by the Roma, and vice versa.
    Amazing Kiko Valle, thank you!!

    Reply

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