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Magazine ExpoFlamenco
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  • Magazine
    • International
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      • A bare rope
      • Of Guitar Players Ways
      • With one more couplet
      • From inside
      • Estela Flamenca
      • The chosen ones
      • Flamenco Room
      • A window to the cante
      • Guest contributors
    • Research
    • Archive
  • International
  • News
    Group of ten adults posing for a photo in front of a carved stone fountain on a sunny day.

    The Biennial returns to its emotional heart, the Lope de Vega Theatre

    Flamenco dancer Rocío Molina. Photo: Adrián del Campo

    Rocío Molina reigns at the Talía Awards

    Female performer on stage singing, wearing a red shawl and pink dress, with her hands raised in expressive gesture under blue-purple lighting

    The Seville Biennial reopens the Hotel Triana with shows rooted in gypsy culture, local traditions, and masters.

    Presentation of the poster for the 59th Gazpacho Festival of Morón. Molino del Aceite, Morón. May 15, 2026. Photo: Morón City Council

    The lineup for the LIX Festival has been announced. Flamenco Andalusian Gazpacho from Morón

    Presentation of Danza Canalla. Photo: Cádiz Provincial Council

    Danza Canalla carries the flamenco to the natural landscapes of Zahara de la Sierra

    The Goatherd. Photo: Antonio Gómez Domínguez

    The Goatherd, freedom as a homeland

    Madrid rallies in memory of Juan Ramírez

    'Magnificat', by María Moreno. Festival Flamenco from Nimes. Theater of Nîmes, Bernadette Lafon Hall. January 16, 2026. Photo: Sandy Korzekwa

    The Villains of the Cycle Flamenco champions art without constraints

    Eight adults pose for a group photo in a hall with flamenco event posters in the background.

    Flamenco On Fire: second part of the 'Andalusian Cadence 1925-1950' trilogy

    Vicente Amigo. Photo: FB Córdoba Guitar Festival

    XLV Cordoba Guitar Festival: Flamenco History in Action

    Presentation of the Teatro Alameda concerts at La Bienal. Mercado del Barranco, Seville. May 4, 2026. Photo: perezventana

    Teatro Alameda: youth, memory and savagery at the Seville Biennial

    Presentation of the XI Festival Flamenco City of Huelva. Photo: Huelva City Council

    Festival Flamenco City of Huelva: emotion, roots and the return of Arcángel

    Manuela Román and Pepe Solano. Presentation of the poster for the XXXV Festival Flamenco La Yerbabuena, Las Cabezas de San Juan (Seville). Photo: Kiko Valle

    The poster and program for the Yerbabuena Festival have been presented.

    Presentation of the documentary 'You Will Be Farruquito'. Photo: Seville European Film Festival

    The Artillery Factory opens to the Seville Biennial with premieres by Ana Morales and Pablo Martín Caminero

    Presentation of the Conference Flamenco and the Generation of '27. Photo: Seville Chamber of Commerce

    The Conference was presented Flamenco and Generation of '27

    José Antonio Rodríguez. III Madrid Community Guitar Festival. Photo: Fest Guitarra

    José Antonio Rodríguez closed the III Guitar Festival of the Community of Madrid

    Jury of the Cante of the Mines 2026. Photo: Fund Cante The Mines

    Figures of canteDance, criticism, and research, on the jury of Las Minas

    Paco del Pozo. XXVI Tío Luis el de la Juliana Festival. Isabel de España University Residence Hall, Madrid. Photo: Vicente Pachón

    The 'Isa', the most flamenco Madrid

    Documentary 'Bernabé, the smile of flamenco', by the young filmmaker Dany Ruz. Promotional photo.

    Bernabé, more than just Paco de Lucía's dentist

    The Crumbs.

    Ambitious lineup at the IX FlamencoMestizos

  • Interviews
  • Opinion
    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

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    The flamenco singer José Rico Jiménez, Pepe de la Isla.

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    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

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    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

  • Chronicles
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    'Herencia Cantaora'. Alicia Gil and Carmela Gil. Peña Flamenca Torres Macarena, Seville. May 16, 2026. Photo: Kiko Valle

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    recital of cante From La Kaíta. Deep paths cycle of flamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. May 14, 2026. Photo: Lourdes Gálvez del Postigo

    La Kaíta: Extremaduran racial power

    Tribute to Juan Ramírez. Marcelino Camacho Auditorium, Madrid. May 13, 2026. Photo: Vicente Pachón

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    'Deuteronomy 5:8-19', by Alberto Sellés & Iván Orellana. Cycle Flamenco Apart. Cajasol Foundation Theatre, Seville. May 11, 2026. Photo: Luis Castilla

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    José Ángel Carmona or the ecstasy of the palate

    recital of cante By Esmeralda Rancapino. V Manuel Herrera Rodas Flamenco Cultural Spring Festival. El Pozo de las Penas Flamenco Cultural Gathering, Los Palacios y Villafranca, Seville. April 30, 2026. Photo: Kiko Valle

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    recital of cante by David Carpio. Peña La Platería, Granada. April 25, 2026. Photo: Antonio Conde

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  • Authors
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    • Flamenco Room
    • A window to the cante
    Classic image of El Corral de la Morería, which is celebrating its seventieth anniversary. Photo: Morería website

    Seventy years of the Corral de la Morería

    Ojaneta de La Caleta

    Scene from 'My country is my freedom'.

    The authentic fandango dancer

    American researcher Tyler Barbour. Photo: LK Tyler

    Who said that the flamenco Is it only intimate and not social – too –?

    Rafael Romero "The Chicken".

    The flamenco elegance of Rafael Romero

    Award winners and authorities. Gala of the III Córdoba Art Awards FlamencoChair of FlamencoUniversity of Córdoba. April 30, 2026. Photo: Chair

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    Fabi and Curro Carrasco. Peña The Pearl of Cádiz, Cádiz. Photo: Juan Garrido

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    Dome of the Sanctuary of Our Lady of Victory, Malaga, 1700.

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    Four male musicians on a stage: one with a bright orange guitar singing into a mic while three others applaud nearby, with a mural backdrop and flags behind them at a performance venue.

    José Méndez and his flamenco singing vindication

  • Archive
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  • International
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    Group of ten adults posing for a photo in front of a carved stone fountain on a sunny day.

    The Biennial returns to its emotional heart, the Lope de Vega Theatre

    Flamenco dancer Rocío Molina. Photo: Adrián del Campo

    Rocío Molina reigns at the Talía Awards

    Female performer on stage singing, wearing a red shawl and pink dress, with her hands raised in expressive gesture under blue-purple lighting

    The Seville Biennial reopens the Hotel Triana with shows rooted in gypsy culture, local traditions, and masters.

    Presentation of the poster for the 59th Gazpacho Festival of Morón. Molino del Aceite, Morón. May 15, 2026. Photo: Morón City Council

    The lineup for the LIX Festival has been announced. Flamenco Andalusian Gazpacho from Morón

    Presentation of Danza Canalla. Photo: Cádiz Provincial Council

    Danza Canalla carries the flamenco to the natural landscapes of Zahara de la Sierra

    The Goatherd. Photo: Antonio Gómez Domínguez

    The Goatherd, freedom as a homeland

    Madrid rallies in memory of Juan Ramírez

    'Magnificat', by María Moreno. Festival Flamenco from Nimes. Theater of Nîmes, Bernadette Lafon Hall. January 16, 2026. Photo: Sandy Korzekwa

    The Villains of the Cycle Flamenco champions art without constraints

    Eight adults pose for a group photo in a hall with flamenco event posters in the background.

    Flamenco On Fire: second part of the 'Andalusian Cadence 1925-1950' trilogy

    Vicente Amigo. Photo: FB Córdoba Guitar Festival

    XLV Cordoba Guitar Festival: Flamenco History in Action

    Presentation of the Teatro Alameda concerts at La Bienal. Mercado del Barranco, Seville. May 4, 2026. Photo: perezventana

    Teatro Alameda: youth, memory and savagery at the Seville Biennial

    Presentation of the XI Festival Flamenco City of Huelva. Photo: Huelva City Council

    Festival Flamenco City of Huelva: emotion, roots and the return of Arcángel

    Manuela Román and Pepe Solano. Presentation of the poster for the XXXV Festival Flamenco La Yerbabuena, Las Cabezas de San Juan (Seville). Photo: Kiko Valle

    The poster and program for the Yerbabuena Festival have been presented.

    Presentation of the documentary 'You Will Be Farruquito'. Photo: Seville European Film Festival

    The Artillery Factory opens to the Seville Biennial with premieres by Ana Morales and Pablo Martín Caminero

    Presentation of the Conference Flamenco and the Generation of '27. Photo: Seville Chamber of Commerce

    The Conference was presented Flamenco and Generation of '27

    José Antonio Rodríguez. III Madrid Community Guitar Festival. Photo: Fest Guitarra

    José Antonio Rodríguez closed the III Guitar Festival of the Community of Madrid

    Jury of the Cante of the Mines 2026. Photo: Fund Cante The Mines

    Figures of canteDance, criticism, and research, on the jury of Las Minas

    Paco del Pozo. XXVI Tío Luis el de la Juliana Festival. Isabel de España University Residence Hall, Madrid. Photo: Vicente Pachón

    The 'Isa', the most flamenco Madrid

    Documentary 'Bernabé, the smile of flamenco', by the young filmmaker Dany Ruz. Promotional photo.

    Bernabé, more than just Paco de Lucía's dentist

    The Crumbs.

    Ambitious lineup at the IX FlamencoMestizos

  • Interviews
  • Opinion
    Manolo from Huelva. Zayas Archives of Seville

    Manolo de Huelva, fifty years since his passing

    The Goatherd. Photo: Vicente Pachón

    The goatherd was born to be free.

    Vintage sepia portrait of a woman with a flower in her hair, dangling earrings, and a two-finger peace gesture near her face.

    Pepa de Utrera, the last one at the party

    José María Velázquez-Gaztelu, at the 36th Flamenco Cultural Week in Paradas. Photo: Paradas Town Hall Facebook page

    The flamenco parade gains a new local.

    Presentation of the Thursday cycle FlamencoCajasol. President Antonio Pulido and artists. Photo: Cajasol Fund

    Seville is reunited with the flamenco from Cajasol

    El Mochuelo, in the streets of Madrid. April 1936, a year before his death. The guitarist may be Florencio Campillo, who was 60 years old at the time. Photo taken from the newspaper Ahora.

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (and III)

    Scenario of the Peña El Higueral Flamenco Cultural Center, Huelva. Photo: Jesús Naranjo

    Censorship of humanity's heritage

    Juan Tejero and Irene Carrasco, from Jerez, have been teaching the art of dancing in Seville for 16 years. canteThe Iguana, Seville. Photo: Manuel Martín Martín

    Juan Tejero teaches and instructs

    The flamenco singer José Rico Jiménez, Pepe de la Isla.

    Pepe de la Isla, from Coín, Malaga

    Image of the Little Owl in the old press. "The Little Owl, who was the king of the farrucas, tells his glories and his sorrows to our collaborator Valdivielso."

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (II)

    Bernat Jiménez de Cisneros and Guillermo Castro. Photo: Lecternflamenco

    Atrilflamenco: A Digital Find in a Sea of Flamenco Misinformation

    Miguel Camacho, photographed at Bar Plata, opposite the Basilica of La Macarena, in August 2021. Photo: perezventana

    A true gentleman has passed away: farewell to Miguel Camacho

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    The Little Owl, the Rosetta Stone of cante: eight unreleased recordings (I)

    Antonio Ortega Jr. Photo: Brotherhood of the Gypsies

    The arrow is here to stay

    Matilde Esteo, Manuel de Palma and Gregorio Fernández. Cultural Week of the Peña Flamenca La Soleá. Coliseo Theatre, Palma del Río. March 7, 2026. Photo: José Javier Martínez Bravo

    Golden Wedding Anniversary at La Soleá in Palma del Río

    Pepe Montaraz. Peña Flamenca Pepe Montaraz, Lebrija (Seville). October 1, 2023. Photo: Kiko Valle

    Goodbye to Pepe Montaraz

    Manuel Cano Tamayo.

    Manuel Cano's dedication to the guitar

    Rafael Amador from Seville, on the cover of the album 'Pasa la vida', by Pata Negra.

    Rafael Amador: Goodbye from the heart…

    Luis Soler and Manuel Martín Martín, in Mairena del Alcor, May 2017. Photo: Carmelo Camino - MMM Archive

    Luis Soler, the other voice of Malaga (and III)

    How did we learn to forget Antonio?

  • Chronicles
    recital of cante by Alicia Morales. Peña La Platería, Granada. May 16, 2026. Photo: Gilberto González

    Alicia Morales: renewal of cante old age

    'Herencia Cantaora'. Alicia Gil and Carmela Gil. Peña Flamenca Torres Macarena, Seville. May 16, 2026. Photo: Kiko Valle

    Alicia and Carmela Gil: from elegance, taste and delicacy in the cante

    Delia Membrive and Juan Requena. Fever Festival CanteMarinaleda, Seville. Photo: Carmen Arjona

    Fever of Cante: the star of 'frivolous festivals'

    recital of cante From La Kaíta. Deep paths cycle of flamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. May 14, 2026. Photo: Lourdes Gálvez del Postigo

    La Kaíta: Extremaduran racial power

    Tribute to Juan Ramírez. Marcelino Camacho Auditorium, Madrid. May 13, 2026. Photo: Vicente Pachón

    A miracle named Juan Ramirez

    'Deuteronomy 5:8-19', by Alberto Sellés & Iván Orellana. Cycle Flamenco Apart. Cajasol Foundation Theatre, Seville. May 11, 2026. Photo: Luis Castilla

    Alberto Sellés and Iván Orellana, the versatility of two flamenco dancers

    Man in a suit cries in distress as another man with a beard points angrily indoors.

    José Ángel Carmona or the ecstasy of the palate

    recital of cante By Esmeralda Rancapino. V Manuel Herrera Rodas Flamenco Cultural Spring Festival. El Pozo de las Penas Flamenco Cultural Gathering, Los Palacios y Villafranca, Seville. April 30, 2026. Photo: Kiko Valle

    Esmeralda Rancapino or the cotton candy

    'With hierarchy', by José Valencia. Cádiz Cycle Flamenco. Center Flamenco La Merced, Cádiz. April 30, 2026. Photo: Modesto Sánchez Sierra

    José Valencia, family matters

    recital of cante by David Carpio. Peña La Platería, Granada. April 25, 2026. Photo: Antonio Conde

    David Carpio: Jerez as his flag

    'Cante 'woman's', by Naike Ponce, Pilar La Gineta and Teresa Hernández. Cádiz Cycle is Flamenco. Center Flamenco La Merced, Cádiz. April 24, 2026. Photo: Antonio Barce

    Naike, La Gineta… and the tears of Teresa Hernández

    recital of cante by Luis MoneoDeep Paths Cycle FlamencoUnicaja Foundation Museum of Arts and Popular Customs, Málaga. April 23, 2026. Photo: Lourdes Gálvez del Postigo

    Luis Moneo: heredity and personality

    La Macanita sings the songs of Antonio Gallardo. Villamarta Theatre, Jerez. April 18, 2026. Photo: Courtesy of Compañía Macanita

    La Macanita reigns in Villamarta with the romantic idyll between her voice and Gallardo

    Guitar recital by Mercedes Luján. Peña La Platería, Granada. April 18, 2026. Photo: Carlos Fernández - ExtampasFlamencas

    The renewal of the feminine touch: Mercedes Luján

    Jaime Cala: scenic architecture of the jondo

    Jaime Cala: scenic architecture of the jondo

    'Warm-up', by Rocío Molina. Cycle Flamenco It will be you. Cervantes Theatre, Malaga. April 15, 2026. Photo: Álvaro Cabrera

    Rocío Molina: to begin, always to begin

    recital of cante From El Canana. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas. April 14, 2026. Photo: Kiko Valle

    The Canana and the taste of orthodoxy

    Manuel's Recital Moneo The Uproar. XXXVI Flamenco Cultural Week of Paradas. La Comarcal, Peña Flamenca Miguel Vargas, Paradas, Seville. April 12, 2026. Photo: Kiko Valle

    The roll in the hay cante Manuel Moneo 'Commotion' in Paradas

    Recital of cante By Manuel Gerena. Teatro Principal of Puerto Real, Cádiz. April 10, 2026. Photo: José A. Tomás

    The light of Manuel Gerena

    Dance recital by El Barullo. Peña Flamenca Torres Macarena From Seville. April 8, 2026. Photo: Juanmi - Flamencospellings

    The Gypsy Quarter of El Barullo

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Graphic chronicles
    • Of Guitar Players Ways
    • From inside
    • Estela Flamenca
    • Guest contributors
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    Classic image of El Corral de la Morería, which is celebrating its seventieth anniversary. Photo: Morería website

    Seventy years of the Corral de la Morería

    Ojaneta de La Caleta

    Scene from 'My country is my freedom'.

    The authentic fandango dancer

    American researcher Tyler Barbour. Photo: LK Tyler

    Who said that the flamenco Is it only intimate and not social – too –?

    Rafael Romero "The Chicken".

    The flamenco elegance of Rafael Romero

    Award winners and authorities. Gala of the III Córdoba Art Awards FlamencoChair of FlamencoUniversity of Córdoba. April 30, 2026. Photo: Chair

    The Chair of FlamencoCórdoba art school strengthens its art awards flamenco

    Fabi and Curro Carrasco. Peña The Pearl of Cádiz, Cádiz. Photo: Juan Garrido

    La Fabi, a star near the sun

    Dome of the Sanctuary of Our Lady of Victory, Malaga, 1700.

    Fear of emptiness

    Four male musicians on a stage: one with a bright orange guitar singing into a mic while three others applaud nearby, with a mural backdrop and flags behind them at a performance venue.

    José Méndez and his flamenco singing vindication

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José Méndez and his flamenco singing vindication

FROM WITHIN. The artist from Cerro Fuerte designed a recital with the most powerful delivery, accompanied by the exquisite and outstanding guitar of Julio Romero.

Juan Garrido by Juan Garrido
April 26, 2026
Reading time: 3 mins reads
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Four male musicians on a stage: one with a bright orange guitar singing into a mic while three others applaud nearby, with a mural backdrop and flags behind them at a performance venue.

Moment of José Méndez's performance with Julio Romero in the Peña The Bulería of Jerez. Photo: Juan Garrido

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Jose Mendez He played at home on Friday, in the Peña The Buleria from her neighborhood of San Miguel. The organization that decided almost fifty years ago –it was founded in 1977– to name as its honorary godmother La Paquera de JerezHe had one of the most famous descendants of this singing dynasty. José is the grandson of The Pili, one of the most renowned festival participants of the 50s in Jerez who did not want to dedicate himself to flamenco professional because he was doing quite well selling fish, the family trade.

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Paquera herself, his mother's first cousin, gave him his big debut in the Seville Biennale It was 1988 when José was just a kid. Almost forty years have passed since then, and the flamenco singer is still fighting every day, "because this is how I make a living." He moved to Seville fourteen years ago, after traveling the world, and he's dedicated to it, "because what Seville has given me, Jerez never did." He was assertive, yet grateful for the opportunity to perform in the festival. Nights of San Telmo, commenting at the beginning that "we must take care of the flamenco"from the City Council to the artists themselves."

 

"It was with seguiriyas that José Méndez brought the audience to its feet, taking Manuel Torre's Santiago and Santa Ana to the limit. He is a consummate flamenco singer, with style and definition. The tangos took us back to his time with Parrilla de Jerez, to the linked verses that his ancestors performed."

 

Ana María López, at the end of the party with bulerías. Peña Flamenca La Bulería, Jerez. Photo: Juan Garrido
Ana María López, at the end of the party with bulerías. Peña Flamenca La Bulería, Jerez. Photo: Juan Garrido

 

In the front row, his uncle Antonio Méndez El Chusco"The one who taught me everything." The flamenco singer returned to his homeland after some time and left nothing behind. He took to the stage with all his weapons: naturalness, power, and knowledge. He's a flamenco singer, but he never fails to infuse each style with the Jerez flavor. He began with alegrías, letting himself be carried away by the refined guitar of July RomeroExcellent from beginning to end. The rhythm continued to sound in the palmas de Tate y Nunez strain to listen to bulerías. Canteshort, rhythmic, reminiscent of Uncle BorricoIt was with seguiriyas that he managed to bring the audience to its feet, pushing the Santiago and Santa Ana to the limit. Manuel TorreHe is a consummate flamenco singer, with style and a defined voice. The tangos transported us back to his era with Jerez Grill, to the linked thirds that their ancestors made.

Before the second half began, the board of directors went on stage to pay tribute to one of their own, Marisa Gallén, who passed away unexpectedly in December. Following the president's emotional words, Jose Manuel RodriguezHer husband came on stage, Noli, to receive the Gold Badge of the peñaMarisa was a Madrid native living in El Puerto de Santa María, dedicated to the hospitality industry, who came to the organization in 2010 through her family, giving 100% until her departure.

José began the second half with a taranto, followed by a soleá with a dedication to the teacher Anna Maria Lopez, present there. "I only drink water, I inherited sugar instead of a bank account," he joked. Enjoying the toná and martinete, and a subsequent explosion of bulerías with the hallmark of his lineage. Masterful and with all the peña playing the palmas Ana María thanked them for the dedication with a lively bulerías dance to the rhythm of the artists, closing an emotional evening with a great atmosphere despite Jerez roaring with the Motorcycle Grand Prix. ♦

 

José Manuel Rodríguez, president of the Peña La Bulería, presenting the Gold Badge to Noli Martínez, husband of the honoree Marisa Gallén. Photo: Juan Garrido
José Manuel Rodríguez, president of the Peña La Bulería, presenting the Gold Badge to Noli Martínez, husband of the honoree Marisa Gallén. Photo: Juan Garrido
José Méndez, in the center, with his uncle El Chusco and the teacher Ana María López. Peña Flamenca La Bulería, Jerez. Photo: Juan Garrido
José Méndez, in the center, with his uncle El Chusco and the teacher Ana María López. Peña Flamenca La Bulería, Jerez. Photo: Juan Garrido
Friends in the Peña The Bulería: José Manuel Rodríguez, Tío Morito, Javier Villar, Diego Méndez and Ramón de Mateo. Photo: Juan Garrido
Friends in the Peña The Bulería: José Manuel Rodríguez, Tío Morito, Javier Villar, Diego Méndez and Ramón de Mateo. Photo: Juan Garrido

 

Juan Garrido

Juan Garrido

Jerez, 1991. Flamenco and communication 24 hours a day. Since 2012, in the written press, radio talk shows, TV shows, festival presentations, specialized magazines... In my family we all dance bulerías, although I am the only journalist.

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