A bare rope
Where does the tirititrán come in? / ExpoMúsica #9 with Faustino Núñez
Are there musical links between the Muslim call to prayer and some of the cantethe most representative of flamenco? In...
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Bulerías in Jerez: from folklore to flamencoand back
I'm referring to a style of flamenco which originated as a traditional genre like the jaleo and the chufla,...
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Adham versus cante flamenco / ExpoMúsica #7 with Faustino Núñez
Are there musical links between the Muslim call to prayer and some of the cantethe most representative of flamenco? In...
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The polyrhythm of the tanguillo / ExpoMúsica #6 with Faustino Núñez
In this sixth chapter of ExpoMúsica, musicologist and guitarist Faustino Núñez guides us through one of the most...
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I have Tango, and from 1779
It was January 20th, 2002. One of those happy days for a bookworm like me...
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There are versions for every taste / ExpoMúsica #5 with Faustino Núñez
EXPOMÚSICA #5. Can the same soleá sound completely different without ceasing to be the same? In the flamencoThe answer...
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Far heels
Let these lines serve as a humble defense of what is truly traditional. Let's see if, finally, even though those heel-tapping sounds of yesteryear...
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Seventy years of the Corral de la Morería
From ExpoFlamenco We would like to congratulate the Del Rey family for having managed, for seventy uninterrupted years, to maintain quality...
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Ojaneta de La Caleta
Ralliing is an art, it's essential, but in the society we live in, where it abounds...
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Fear of emptiness
What would become of the flamenco Without those silences? After the cascade of sounds that unfold when interpreting this music and...
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