III Study Days of the María del Mar Moreno Dance School

January 24, April 18, June 13

PROGRAMMING

January 24

Antonio Barberan

Researcher of Flamenco

Tribute to Ángel Vargas

From Cádiz and the Ports, the cantes of the bay

Cádiz, besides being three thousand years old, was for a significant period in its history the European gateway to the Americas; therefore, it is difficult to ignore its history. A history that reflects different ways of seeing and experiencing art. flamenco, which radiates throughout the Bay and forms a wide array of canteAnd of interpreters, it is therefore a macrocosm that surrenders to the winds that shape its particular rose. To know the nature of the canteThe essence of Cádiz and the Ports is to understand what material they were forged from. canteFrom its earliest days, the bay was able to sift through and crystallize the vast kaleidoscope of 19th-century popular music and transform it into canteIt portrays the entire feeling of a society committed to itself.

April 18th 

David Monge 

Advanced Degree in Flamenco Guitar

Teacher at a Conservatory of Music and Dance

Tribute to Manuel Lozano “Carbonero”

The Jerez school of guitar

The Jerez school of guitar is characterized by its rich heritage, which gives it a very particular character. Heir to the ancient and great guitar schools of Lower Andalusia, it can be said that it has adapted to each moment in history. flamenco Constantly reinventing themselves, their history isn't particularly long, though it is intense. Today, our guitarists have become excellent composers, but what they have truly excelled at is their unique fingering, which is very distinctive, and the distinctive sound they bring to their playing, making them especially sought after for accompaniment.

13th June

Emilio Martí

Dance teacher at CP “Maribel Gallardo” in Cádiz

Tribute to Aunt Yoya

Antonio, centenary of a genius

El flamenco As an art form that combines different teachings, it has the peculiarity, much to the chagrin of purists, of establishing open dialogues with other genres, even if this means undermining its own representation. Someone as close to us as Antonio Ruiz Soler knew how to be in the right place at the right time when flamenco He entered those moments of rapprochement, and, why not, of absorption in the case of dance, without inhibition. To analyze the life and work of Antonio "El Bailarín" is to portray, without trauma, a very dynamic period in the history of dance. flamenco And Spanish, Antonio showed himself to be a distant and curious man at the same time, even though he was given a stamp of restraint based on respect for forms and rules, deep down we always find in his artistic development a taste for risk: Antonio Ruiz Soler, flamenco dancer, a self-made man.

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