El flamenco from a feminist, egalitarian perspective. On this occasion, a heartfelt conversation with Estela ZataniaBorn in New York and adopted by Jerez. She is a singer, guitarist, dancer, and writer. Flamenco through and through. Her articles have been published in numerous specialized magazines, and she is a bilingual speaker in Europe, the United States, and Canada.
"The flamenco In New York he became very important. I spent two years singing in the El Greco Company and then I came to Spain to find my place," he says. Did you travel to Spain to look for something in particular or simply to work in the flamenco"First work, but also follow my passion for flamenco from Utrera: Fernanda, Gaspar, Bernarda, Perrate… The cante I really liked Utrerano. I find it more natural, less theatrical.
"There were two obstacles: being a woman and being a foreigner. But I didn't give it much importance," she says. Any advice for the new generation? "When the flamenco It comes at you like a wave, don't resist it. Follow it.
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