• About Us
  • Services
  • Contact
  • Memberships
tuesday, february 17, 2026
No results
See all results
expoflamenco
Banners expoflamenco Fan
  • Magazine
  • Studio
  • Events
  • Academy
  • Community
  • Podcast
  • TV
  • Shop
  • Login
  • Register
expoflamenco
  • Magazine
  • Studio
  • Events
  • Academy
  • Community
  • Podcast
  • TV
  • Shop
No results
See all results
expoflamenco
  • Magazine
  • Studio
  • Events
  • Academy
  • Community
  • Podcast
  • TV
  • Shop

The fragrant memory of Aunt Anica perfumes our Day celebration Flamenco

Jose Maria Castano by Jose Maria Castano
15 November 2025
en News, Recent, Studio expoflamenco
11
0
The fragrant memory of Aunt Anica perfumes our Day celebration Flamenco

#image_title

112
Views
Share on FacebookShare on XShare by mailShare on Whatsapp

I found it very curious, not to say sad, that the 125th anniversary of this illustrious flamenco singer passed in albis in the city where she was born. Hence, I tried to settle this debt on the occasion of the celebration of the Day of Flamenco in Space expoflamenco From Jerez. Needless to say, we observed a symbolic minute of silence for Maestro Fosforito, who passed away that same morning.

Because Ana María Blanco Soto 'la Piriñaca' (Jerez, 1899 – 1987) She is not only a prominent flamenco singer in the history of Jerez's lament; she strikes me as a cornerstone in the transmission of the finest school of her Santiago neighborhood. Already in my book 'Of Jerez and its canteHe focused on an essential trilogy in these matters: Anica herself, Uncle Gregorio 'the Borrico' and 'Old Shoelaces'. They are not the only ones, but they are crucial in the transfer of the purest and deepest heritage From their homeland. Very long-lived, especially our protagonist who died at 88, and barely familiar with commercial circuits, their legacies are a first-rate source to draw upon in these times of mergers and their derivatives. With them, we will never lose our way.

That was basically what we covered in a special Flamenco & Sherry Culture session dedicated to the Santiago matriarch last November 13th at our headquarters. However, identifying his way of tackling the lament with the mahogany of the fragrant. Achieving an exceptional sensory bridge where the albariza and wine-soaked wood connect with the memory of Aunt Anica through a direct route.

Along with a brief biography, aided by two great-granddaughters and two great-great-granddaughters of the singer, I highlighted the profound transmission of some variations that still resonate in his heart-wrenching voice from that street, La Sangre, where he lived. Namely, the cantes by siguiriyas of Tío José de Paula and Juanichi el Manijero as well as the thirds by soleá of Juaniquí and Frijones, especially.

With a very adverse weather afternoon – it started pouring half an hour before we began – we were pleasantly surprised by the lively group that joined us to celebrate the Day of Flamenco as a reminder. Even if it was simply there, warmed by the aroma of the fragrant wine, we lit a humble but luminous little candle to illuminate the teaching of one of the greatest of cante From Jerez. Whether they remember her or not.

Our headquarters with a group that knew how to listen at all times. Photo: Nano Hernández
Three great-granddaughters of the flamenco singer, the flamenco families of Jerez with us. Photo: Nano Hernández
Our Borja, always attentive and helpful. Photo: Nano Hernández
We are delighted that young people are joining our activities. Photo: Nano Hernández
Tags: international day of FlamencoAunt Anica La PiriñacaAunt Anica the Piriñaca and the oloroso sherry
Previous article

Belén Maya Illuminates Archidona Like the Sunset That Crowns Its Most Celebrated Festival

Next article

El flamenco is the cante, is touched cante and the dance is cante

Jose Maria Castano

Jose Maria Castano

Critical flamenco from Jerez de la Frontera (1970). Host since 1992 of the radio program 'The paths of the cante'. Graduated in Law from the University of Cadiz and author of the books 'De Jerez y sus cantes', 'Manuel Soto Sordera, the elegance of the duende' and 'La Albarizuela: the third gypsy neighborhood and flamenco from Jerez'.

Next article
Fosforito and Paco de Lucía, 1969. Source unknown.

El flamenco is the cante, is touched cante and the dance is cante

Leave your comment Cancel reply

Your email address will not be published. Required fields are marked with *

I agree to the terms and conditions of the Privacy Policy.

Academy ExpoFlamenco
Shop Banner
expoflamenco

The Global Stage for Flamenco

Follow expoflamenco

Facebook X-twitter Instagram Youtube Whatsapp
  • Terms and Conditions
  • Privacy policy
  • Cookies policy
  • Legal Notice
  • Terms and Conditions
  • Privacy policy
  • Cookies policy
  • Legal Notice
  • About Us
  • Services
  • Contact
  • Memberships
  • About Us
  • Services
  • Contact
  • Memberships

© 2015 - 2025 expoflamenco . All rights reserved.

Ok

Create a new account

Fill out the following forms to register

All fields are required. Log In

Retrieve password

Please enter your username or email address to reset your password.

Log In
No results
See all results
  • Login
  • Sign Up
  • Magazine
  • Studio
  • Events
  • Academy
  • Community
  • Podcast
  • TV
  • Shop

© 2015-2025 expoflamenco
The Voice of Flamenco worldwide.

We've detected that you're using an ad blocker. We understand your decision, but ads help us keep this site free and continue creating quality content.

We ask you to consider:

 
  • Disable the blocker on our page.

  • Or support us through a subscription/membership.

Thanks for your support!