The doors opened wide to receive the claw of a surname from the room to the bedspread. Agujetas boy came to Seville to be crowned. The Peña Flamenca Torres Macarena He covered him with oohs and aahs and a fair amount of applause, corresponding to the good recital he offered along with the neat guitar and the brown splashes of Manuel valencia.
Antonio strapped his ribs to cover the beams of the sunbaked house with soot. peña with gypsy flair. He came with nerves, composed, humble, respectful, and presentable. Responsibility and dedication weighed more than a raw throat. He gave his all to the audience. He understood nothing of ojana or half measures. He's Agujetas. And he kept the bar high as the heir to a heritage of riches.
"Antonio strapped his ribs to cover the wood of the sunbaked house with soot peña with gypsy flair. He came with nerves, composed, humble, respectful, and presentable. (…) He didn't understand anything about ojana or half measures. He's Agujetas. And he kept the bar high as the heir to a heritage of trapío.
He broke the silence with tientos tangos, cradling the thirds to the rhythmic sway that the palo. Cracked and sweet. The Malaga woman had too much abandolao, she felt like The Twin that he rocked with pleasure. Then Jerez shone in the bulería to listen to the one who endorsed the one of Ramirez and fastened with Carapiera to honor the features of his caste. Without showing off too much in the bass, he sang a few fandangos that were sentences. He stopped time with soleá, demonstrating that he knows how to distinguish. He opened the seguiriya with toná, mourning in the thickness of a black lament. And he closed it with the air of Junquera throwing away the remains that he had left asking him to the star in the high skyHe insisted on fandangos, dedicated to his friend Gonzalo with an apology and ended with bulerías pregnant with age and rhythm with his partner's racial dance Beatrice Morales.
palmas de Miguel Fernández y Juan Mateos They set the tone without missing a beat. And Valencia's guitar spun melodic, harmonic, and jonda falsetas, both current and traditional, filtered through the tones of Jerez. Like it or hate it, Antonio Agujetas sang well, straight and gypsy.
Credits
recital of cante from Agujetas boy
Peña Flamenca Torres Macarena of Sevilla
March 22th 2025
Cante: Little laces
Guitar: Manuel Valencia
Palmas: Miguel Fernández and Juan Mateos
